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Difference between revisions of "Equipment"

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''We have five or six samplers, but my favorite by far is still the <b>Akai S1000</b>. It's an old tank now, and the screen has faded so that I almost can't read it, but I know it inside out. It's the most spontaneous thing for making up little tunes. It adds something to the sound β€” maybe the lower bit depth has something to do with that.'' - [[interviews|Remix, 2002]]
 
''We have five or six samplers, but my favorite by far is still the <b>Akai S1000</b>. It's an old tank now, and the screen has faded so that I almost can't read it, but I know it inside out. It's the most spontaneous thing for making up little tunes. It adds something to the sound β€” maybe the lower bit depth has something to do with that.'' - [[interviews|Remix, 2002]]
  
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* [www.vintagesynth.com/akai/s1000.shtml Vintage Synth Explorer]
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* [http://www.vintagesynth.com/akai/s1000.shtml Vintage Synth Explorer]
 
* [http://www.synthmuseum.com/akai/akas100001.jpg Image]
 
* [http://www.synthmuseum.com/akai/akas100001.jpg Image]

Revision as of 19:59, 30 August 2006

There has been much debate on what equipment Boards of Canada uses to get their unique sound. Due to their reclusive nature and lack of touring, not much is known for certain, but there is much speculation.

Secret Weapon

BoC themselves have, in multiple interviews, mentioned the use of a "secret weapon" they use to generate their unique sound. As the name implied, they have declined to provide any specific information on what this "weapon" might be, but most expect it to be some sort of old analog synth.


Many believe the Yamaha CS-80, used by Vangelis, to be this weapon. In the WATMM thread "ATTN BOC-sessives, CS-80 on eBay, however, jbible refutes this, saying

"The synth used by BOC often mistaken for a CS80 is a Crumar with a BOC emblem covering the name of the synth on the back."
.

Since jbible has seen BoC live (and is the source of the Live @ ATP bootleg), his comments hold some weight.

Native Instruments

In a 2001(?) interview with Mate Galic of Native Instruments, Boards of Canada is listed as one of the artists using NI products (but not details on which ones). [1]

Tape decks

Grundig

Unknown tape deck

β€œWe love these low-quality tape machines,” Eoin says. β€œThe great thing with machines such as the Grundig is that it's tragically bad. Whatever you record into it just doesn't come out unscathed. There's a β€˜magic eye’ valve display on it, and when you hit the tape deck with the right volume, enough to fill out the magic eye, it's at that exact sweet spot that it is saturating the tape. So if you then sample back the playback, it's got a thousand years' grain on it.” Remix, 2005

Tascam

Unknown 4-track

We drop a lot of our music down onto a Tascam 4-track that has a great saturating effect on the sound. Remix, 2002

MSR-16

Whether they're working separately or together, getting ideas down is generally a result of recording extended jams to tape on anything from a Tascam MSR-16 reel-to-reel to an old Revox recorder to a Grundig machine to an ordinary cassette. Remix, 2005

Samplers

Akai

S1000

We have five or six samplers, but my favorite by far is still the Akai S1000. It's an old tank now, and the screen has faded so that I almost can't read it, but I know it inside out. It's the most spontaneous thing for making up little tunes. It adds something to the sound β€” maybe the lower bit depth has something to do with that. - Remix, 2002