https://bocpages.org/w/index.php?title=Jacquard_Causeway&feed=atom&action=historyJacquard Causeway - Revision history2024-03-29T05:07:53ZRevision history for this page on the wikiMediaWiki 1.28.0https://bocpages.org/w/index.php?title=Jacquard_Causeway&diff=17762&oldid=prevFredd-E at 06:52, 5 April 20232023-04-05T06:52:11Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 06:52, 5 April 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l8" >Line 8:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Comments ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Comments ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* So first of all, it's a difficult song because it feels like it's in 3/2 time (though it has been suggested that it is basically in 4/4 (double-time), with kick on 4.5, snare on 3. The 3/2 feel is just a lazy superimposed polyrhythm). This is far from common in electronic music. You have to relax the part of your brain that's used to 4/4 time and just let the electro-waltz flow through you.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* So first of all, it's a difficult song because it feels like it's in 3/2 time (though it has been suggested that it is basically in 4/4 (double-time), with kick on 4.5, snare on 3. The 3/2 feel is just a lazy superimposed polyrhythm). This is far from common in electronic music. You have to relax the part of your brain that's used to 4/4 time and just let the electro-waltz flow through you.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Now, when you listen past the beat, you'll hear loops, but they're different by just a little bit on each measure, with new patterns coming into play as old ones leave. In many ways, it's very much like a loom, with the <del class="diffchange diffchange-inline">starts </del>of new patterns entering into the threading as the completion of old patterns winds its way out. In the end, you've basically gone through a tapestry of music.  Technically speaking, the melodies were probably passed through an electronic delay that repeats every bar and fades out slowly over the course of many bars.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Now, when you listen past the beat, you'll hear loops, but they're different by just a little bit on each measure, with new patterns coming into play as old ones leave. In many ways, it's very much like a loom, with the <ins class="diffchange diffchange-inline">start </ins>of new patterns entering into the threading as the completion of old patterns winds its way out. In the end, you've basically gone through a tapestry of music.  Technically speaking, the melodies were probably passed through an electronic delay that repeats every bar and fades out slowly over the course of many bars.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Certainly the Jacquard mentioned is the loom-maker; he's one of the first people to make a program of any kind, and a machine that could use arbitrary programs to affect actions in reality. That's an amazing step forward for humanity and certainly paved the way for the development of stored-program computers. Without this <del class="diffchange diffchange-inline">criticial </del>insight in some way or another, we might have been stuck on <del class="diffchange diffchange-inline">analogue </del>patch computation for a long time. I think it would have happened without Jacquard, for sure, but nevertheless he was first, and so we should know his name.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Certainly the Jacquard mentioned is the loom-maker; he's one of the first people to make a program of any kind, and a machine that could use arbitrary programs to affect actions in reality. That's an amazing step forward for humanity and certainly paved the way for the development of stored-program computers. Without this <ins class="diffchange diffchange-inline">critical </ins>insight in some way or another, we might have been stuck on <ins class="diffchange diffchange-inline">analog </ins>patch computation for a long time. I think it would have happened without Jacquard, for sure, but nevertheless<ins class="diffchange diffchange-inline">, </ins>he was first, and so we should know his name.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* The causeway is therefore his; and causeway is a perfect choice of words because the 'cause' at the beginning implies that there's a reason for it to exist, a starting point if you will, without saying anything about the end of it. They could have said "superhighway" ala the Information Superhighway that people sometimes call the Internet, but the Internet is merely an output of the causeway <del class="diffchange diffchange-inline">that </del>we're on as a species: the progress of technological development. Also, it sounds better; BoC doesn't like to hit you with a hammer, subtlety is their game.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* The causeway is therefore his; and <ins class="diffchange diffchange-inline">the </ins>causeway is a perfect choice of words because the 'cause' at the beginning implies that there's a reason for it to exist, a starting point if you will, without saying anything about the end of it. They could have said "superhighway" ala the Information Superhighway that people sometimes call the Internet, but the Internet is merely an output of the causeway we're on as a species: the progress of technological development. Also, it sounds better; BoC doesn't like to hit you with a hammer, subtlety is their game.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>I think the song weaves the themes of technological development like a loom.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>I think the song weaves the themes of technological development like a loom.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Early in the song, it's a simple synth rhythm (that really harkens back to A Few Old Tunes style simplicity); this is the loom, and the barest indication of possibilities. As the song proceeds, new layers come in, some hopeful, some melancholic, some that sound almost weary, like a person burdened by a load. They fit together rhythmically like clockwork, different periods lining up with each other at common denominations, furthering the automation theme.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Early in the song, it's a simple synth rhythm (that really harkens back to <ins class="diffchange diffchange-inline">''[[</ins>A Few Old Tunes<ins class="diffchange diffchange-inline">]]'' </ins>style simplicity); this is the loom, and the barest indication of possibilities. As the song proceeds, new layers come in, some hopeful, some melancholic, some that sound almost weary, like a person burdened by a load. They fit together rhythmically like clockwork, <ins class="diffchange diffchange-inline">with </ins>different periods lining up with each other at common denominations, furthering the automation theme.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* At around 3:50 or so we start to pick up on some newer-style BoC themes, particular musical keys we've heard before in their work. A sense of contentment and ease comes over the song, reducing the tension from before. If we extend the historical metaphor, could this be an age when technology was reducing work with no obvious downsides, a "golden age"?</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* At around 3:50 or so we start to pick up on some newer-style BoC themes, particular musical keys we've heard before in their work. A sense of contentment and ease comes over the song, reducing the tension from before. If we extend the historical metaphor, could this be an age when technology was reducing work with no obvious downsides, a "golden age"?</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Eventually, the beat dies away, and we're left with one of the most hopeful sounds on the entire album. In my view, this is BoC's comment on the promise of technology, not necessarily on the reality of it (as the album certainly gets darker from there).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Eventually, the beat dies away, and we're left with one of the most hopeful sounds on the entire album. In my view, this is BoC's comment on the promise of technology, not necessarily on the reality of it (as the album certainly gets darker from there).</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Narratively, this track implies a thawing of the earth after a nuclear ice age as presented in [[White Cyclosa]], and the beginnings of a new <del class="diffchange diffchange-inline">civilisation</del>, who perhaps later evolve or mutate due to the environmental radiation, notably with psionic powers, as presented in [[Telepath]].</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Narratively, this track implies a thawing of the earth after a nuclear ice age as presented in <ins class="diffchange diffchange-inline">"</ins>[[White Cyclosa]]<ins class="diffchange diffchange-inline">"</ins>, and the beginnings of a new <ins class="diffchange diffchange-inline">civilization</ins>, who perhaps later evolve or mutate due to the environmental radiation, notably with psionic powers, as presented in <ins class="diffchange diffchange-inline">"</ins>[[Telepath]]<ins class="diffchange diffchange-inline">"</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Samples / Lyrics ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Samples / Lyrics ==</div></td></tr>
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<td colspan="2" class="diff-lineno">Line 21:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Trivia ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Trivia ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The title likely refers to the Jacquard loom, a loom created in the early 19th century that used punchcards to control the loom's individual strings.  As such, it is an extremely early example of binary programming.  These cards would later be the inspiration for IBM's early mainframe punchcards.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The title likely refers to the Jacquard loom, a loom created in the early 19th century that used punchcards to control the loom's individual strings.  As such, it is an extremely early example of binary programming.  These cards would later be the inspiration for IBM's early mainframe punchcards.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* The initials of the title, "JC" ,could be a reference to Jesus Christ, an initialism in the same style of "Satanic" from the track SATellite ANthem ICarus.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* The initials of the title, "JC" , could be a reference to Jesus Christ, an initialism in the same style of "Satanic" from the track SATellite ANthem ICarus.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Jacquard may also refer to [[wikipedia:Albert Jacquard|Albert Jacquard]], a geneticist well known for defending the concept of 'degrowth'. 'Degrowthists' aim to maximize happiness and well-being through non-consumptive means—sharing work, consuming less, while devoting more time to art, music, family, culture and community. Jacquard also took a strong stand against commercial use of the human genome in the 1990s.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Jacquard may also refer to [[wikipedia:Albert Jacquard|Albert Jacquard]], a geneticist well known for defending the concept of 'degrowth'. 'Degrowthists' aim to maximize happiness and well-being through non-consumptive means—sharing work, consuming less, while devoting more time to art, music, family, culture and community. Jacquard also took a strong stand against commercial use of the human genome in the 1990s.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* [[wikipedia:Giant's_Causeway|Giant's Causeway]] is the name of an irish coastline consisting of hexagonal basalt columns.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* [[wikipedia:Giant's_Causeway|Giant's Causeway]] is the name of an irish coastline consisting of hexagonal basalt columns.  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* A [[wikipedia:Causeway|causeway]] is a road or railway route across a broad body of water or wetland raised up on an embankment.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* A [[wikipedia:Causeway|causeway]] is a road or railway route across a broad body of water or wetland raised up on an embankment.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* The way the track makes use of [[wikipedia:counterpoint|counterpoint]] for the melodies seems to be a nod to the counterpoint work of [[wikipedia:Steve Reich|Steve Reich]].  The way that Steve Reich structures his counterpoint pieces is nearly identical to Jacquard Causeway: an element, phrase, or melody is presented and played through once, at first at a higher volume than <del class="diffchange diffchange-inline">the </del>the rest.  Eventually the new element decreases in volume, blending in with the rest, which effectively makes room for a new element.  Eventually all the smaller, melodic enemies layered on top of each other create new, "unintended" melodies. For an example, see Steve Reich's "Electric Counterpoint - Slow" in the videos section below.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* The way the track makes use of [[wikipedia:counterpoint|counterpoint]] for the melodies seems to be a nod to the counterpoint work of [[wikipedia:Steve Reich|Steve Reich]].  The way that Steve Reich structures his counterpoint pieces is nearly identical to Jacquard Causeway: an element, phrase, or melody is presented and played through once, at first at a higher volume than the rest.  Eventually<ins class="diffchange diffchange-inline">, </ins>the new element decreases in volume, blending in with the rest, which effectively makes room for a new element.  Eventually<ins class="diffchange diffchange-inline">, </ins>all the smaller, melodic enemies layered on top of each other create new, "unintended" melodies. For an example, see Steve Reich's "Electric Counterpoint - Slow" in the videos section below.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* May reference p. 105 of "Ten Thousand Saints" by Eleanor Henderson (2011) because of <del class="diffchange diffchange-inline">a </del>bumping between two lines of two words "Birkenjacque's" and "Kramaro" (e.g.. Cause-mo Kramar) [http://i.imgur.com/SdrXgAD.jpg scan]</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* May reference p. 105 of "Ten Thousand Saints" by Eleanor Henderson (2011) because of bumping between two lines of two words "Birkenjacque's" and "Kramaro" (e.g.. Cause-mo Kramar) [http://i.imgur.com/SdrXgAD.jpg scan]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Videos ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Videos ==</div></td></tr>
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</table>Fredd-Ehttps://bocpages.org/w/index.php?title=Jacquard_Causeway&diff=17745&oldid=prev172.68.86.30: /* Comments */2023-04-05T06:15:10Z<p><span dir="auto"><span class="autocomment">Comments</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 06:15, 5 April 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15" >Line 15:</td>
<td colspan="2" class="diff-lineno">Line 15:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* At around 3:50 or so we start to pick up on some newer-style BoC themes, particular musical keys we've heard before in their work. A sense of contentment and ease comes over the song, reducing the tension from before. If we extend the historical metaphor, could this be an age when technology was reducing work with no obvious downsides, a "golden age"?</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* At around 3:50 or so we start to pick up on some newer-style BoC themes, particular musical keys we've heard before in their work. A sense of contentment and ease comes over the song, reducing the tension from before. If we extend the historical metaphor, could this be an age when technology was reducing work with no obvious downsides, a "golden age"?</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Eventually, the beat dies away, and we're left with one of the most hopeful sounds on the entire album. In my view, this is BoC's comment on the promise of technology, not necessarily on the reality of it (as the album certainly gets darker from there).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Eventually, the beat dies away, and we're left with one of the most hopeful sounds on the entire album. In my view, this is BoC's comment on the promise of technology, not necessarily on the reality of it (as the album certainly gets darker from there).</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Narratively, this track implies a thawing of the earth after a nuclear ice age as presented in [[White Cyclosa]], and the beginnings of a new civilisation, who perhaps later evolve or <del class="diffchange diffchange-inline">mutant </del>due to the environmental radiation, notably with psionic powers, as presented in [[Telepath]].</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Narratively, this track implies a thawing of the earth after a nuclear ice age as presented in [[White Cyclosa]], and the beginnings of a new civilisation, who perhaps later evolve or <ins class="diffchange diffchange-inline">mutate </ins>due to the environmental radiation, notably with psionic powers, as presented in [[Telepath]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Samples / Lyrics ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Samples / Lyrics ==</div></td></tr>
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</table>172.68.86.30https://bocpages.org/w/index.php?title=Jacquard_Causeway&diff=17744&oldid=prev172.68.86.30: /* Comments */2023-04-05T06:14:33Z<p><span dir="auto"><span class="autocomment">Comments</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class='diff-marker' />
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<col class='diff-content' />
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 06:14, 5 April 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15" >Line 15:</td>
<td colspan="2" class="diff-lineno">Line 15:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* At around 3:50 or so we start to pick up on some newer-style BoC themes, particular musical keys we've heard before in their work. A sense of contentment and ease comes over the song, reducing the tension from before. If we extend the historical metaphor, could this be an age when technology was reducing work with no obvious downsides, a "golden age"?</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* At around 3:50 or so we start to pick up on some newer-style BoC themes, particular musical keys we've heard before in their work. A sense of contentment and ease comes over the song, reducing the tension from before. If we extend the historical metaphor, could this be an age when technology was reducing work with no obvious downsides, a "golden age"?</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Eventually, the beat dies away, and we're left with one of the most hopeful sounds on the entire album. In my view, this is BoC's comment on the promise of technology, not necessarily on the reality of it (as the album certainly gets darker from there).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Eventually, the beat dies away, and we're left with one of the most hopeful sounds on the entire album. In my view, this is BoC's comment on the promise of technology, not necessarily on the reality of it (as the album certainly gets darker from there).</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Narratively, this track implies a thawing of the earth after a nuclear ice age as presented in [[White Cyclosa]], and the beginnings of a new civilisation, who perhaps later evolve or mutant due to the environmental radiation, notably with psionic powers, as presented in [[Telepath]].</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Samples / Lyrics ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Samples / Lyrics ==</div></td></tr>
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</table>172.68.86.30https://bocpages.org/w/index.php?title=Jacquard_Causeway&diff=17314&oldid=prevMagic Orange: /* Videos */2022-07-16T05:26:37Z<p><span dir="auto"><span class="autocomment">Videos</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 05:26, 16 July 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l28" >Line 28:</td>
<td colspan="2" class="diff-lineno">Line 28:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Videos ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Videos ==</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{#widget:YouTube|id=90LJ85ri2pg}}</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>{{#widget:YouTube|id=2ypE4ZJF7qY}}</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>{{#widget:YouTube|id=2ypE4ZJF7qY}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>{{#widget:YouTube|id=DLmPEBVnwlg}}</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>{{#widget:YouTube|id=DLmPEBVnwlg}}</div></td></tr>
</table>Magic Orangehttps://bocpages.org/w/index.php?title=Jacquard_Causeway&diff=17183&oldid=prevFredd-E at 19:44, 29 May 20222022-05-29T19:44:13Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 19:44, 29 May 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l5" >Line 5:</td>
<td colspan="2" class="diff-lineno">Line 5:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>__TOC__</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>__TOC__</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">[[Category: Released tracks]]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">[[Category: Tomorrow's Harvest tracks]]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Comments ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Comments ==</div></td></tr>
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<td colspan="2" class="diff-lineno">Line 35:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><references /></div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><references /></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category: Released tracks]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category: Tomorrow's Harvest tracks]]</ins></div></td></tr>
</table>Fredd-Ehttps://bocpages.org/w/index.php?title=Jacquard_Causeway&diff=17165&oldid=prevFredd-E at 19:19, 29 May 20222022-05-29T19:19:03Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 19:19, 29 May 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l8" >Line 8:</td>
<td colspan="2" class="diff-lineno">Line 8:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Released tracks]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Released tracks]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Tomorrow's Harvest tracks]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Category: Tomorrow's Harvest tracks]]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">== Comments ==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* So first of all, it's a difficult song because it feels like it's in 3/2 time (though it has been suggested that it is basically in 4/4 (double-time), with kick on 4.5, snare on 3. The 3/2 feel is just a lazy superimposed polyrhythm). This is far from common in electronic music. You have to relax the part of your brain that's used to 4/4 time and just let the electro-waltz flow through you.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Now, when you listen past the beat, you'll hear loops, but they're different by just a little bit on each measure, with new patterns coming into play as old ones leave. In many ways, it's very much like a loom, with the starts of new patterns entering into the threading as the completion of old patterns winds its way out. In the end, you've basically gone through a tapestry of music.  Technically speaking, the melodies were probably passed through an electronic delay that repeats every bar and fades out slowly over the course of many bars.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Certainly the Jacquard mentioned is the loom-maker; he's one of the first people to make a program of any kind, and a machine that could use arbitrary programs to affect actions in reality. That's an amazing step forward for humanity and certainly paved the way for the development of stored-program computers. Without this criticial insight in some way or another, we might have been stuck on analogue patch computation for a long time. I think it would have happened without Jacquard, for sure, but nevertheless he was first, and so we should know his name.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* The causeway is therefore his; and causeway is a perfect choice of words because the 'cause' at the beginning implies that there's a reason for it to exist, a starting point if you will, without saying anything about the end of it. They could have said "superhighway" ala the Information Superhighway that people sometimes call the Internet, but the Internet is merely an output of the causeway that we're on as a species: the progress of technological development. Also, it sounds better; BoC doesn't like to hit you with a hammer, subtlety is their game.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">I think the song weaves the themes of technological development like a loom.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Early in the song, it's a simple synth rhythm (that really harkens back to A Few Old Tunes style simplicity); this is the loom, and the barest indication of possibilities. As the song proceeds, new layers come in, some hopeful, some melancholic, some that sound almost weary, like a person burdened by a load. They fit together rhythmically like clockwork, different periods lining up with each other at common denominations, furthering the automation theme.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* At around 3:50 or so we start to pick up on some newer-style BoC themes, particular musical keys we've heard before in their work. A sense of contentment and ease comes over the song, reducing the tension from before. If we extend the historical metaphor, could this be an age when technology was reducing work with no obvious downsides, a "golden age"?</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Eventually, the beat dies away, and we're left with one of the most hopeful sounds on the entire album. In my view, this is BoC's comment on the promise of technology, not necessarily on the reality of it (as the album certainly gets darker from there).</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Samples / Lyrics ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Samples / Lyrics ==</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13" >Line 13:</td>
<td colspan="2" class="diff-lineno">Line 23:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Trivia ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Trivia ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The title likely refers to the Jacquard loom, a loom created in the early 19th century that used punchcards to control the loom's individual strings.  As such, it is an extremely early example of binary programming.  These cards would later be the inspiration for IBM's early mainframe punchcards.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The title likely refers to the Jacquard loom, a loom created in the early 19th century that used punchcards to control the loom's individual strings.  As such, it is an extremely early example of binary programming.  These cards would later be the inspiration for IBM's early mainframe punchcards.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*The initials of the title, "JC" ,could be a reference to Jesus Christ, an initialism in the same style of "Satanic" from the track SATellite ANthem ICarus.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* The initials of the title, "JC" ,could be a reference to Jesus Christ, an initialism in the same style of "Satanic" from the track SATellite ANthem ICarus.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Jacquard may also refer to [[wikipedia:Albert Jacquard|Albert Jacquard]], a geneticist well known for defending the concept of 'degrowth'. 'Degrowthists' aim to maximize happiness and well-being through non-consumptive means—sharing work, consuming less, while devoting more time to art, music, family, culture and community. Jacquard also took a strong stand against commercial use of the human genome in the 1990s.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jacquard may also refer to [[wikipedia:Albert Jacquard|Albert Jacquard]], a geneticist well known for defending the concept of 'degrowth'. 'Degrowthists' aim to maximize happiness and well-being through non-consumptive means—sharing work, consuming less, while devoting more time to art, music, family, culture and community. Jacquard also took a strong stand against commercial use of the human genome in the 1990s.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[[wikipedia:Giant's_Causeway|Giant's Causeway]] is the name of an irish coastline consisting of hexagonal basalt columns.  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* [[wikipedia:Giant's_Causeway|Giant's Causeway]] is the name of an irish coastline consisting of hexagonal basalt columns.  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*A [[wikipedia:Causeway|causeway]] is a road or railway route across a broad body of water or wetland raised up on an embankment.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* A [[wikipedia:Causeway|causeway]] is a road or railway route across a broad body of water or wetland raised up on an embankment.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*The way the track makes use of [[wikipedia:counterpoint|counterpoint]] for the melodies seems to be a nod to the counterpoint work of [[wikipedia:Steve Reich|Steve Reich]].  The way that Steve Reich structures his counterpoint pieces is nearly identical to Jacquard Causeway: an element, phrase, or melody is presented and played through once, at first at a higher volume than the the rest.  Eventually the new element decreases in volume, blending in with the rest, which effectively makes room for a new element.  Eventually all the smaller, melodic enemies layered on top of each other create new, "unintended" melodies. For an example, see Steve Reich's "Electric Counterpoint - Slow" in the videos section below.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* The way the track makes use of [[wikipedia:counterpoint|counterpoint]] for the melodies seems to be a nod to the counterpoint work of [[wikipedia:Steve Reich|Steve Reich]].  The way that Steve Reich structures his counterpoint pieces is nearly identical to Jacquard Causeway: an element, phrase, or melody is presented and played through once, at first at a higher volume than the the rest.  Eventually the new element decreases in volume, blending in with the rest, which effectively makes room for a new element.  Eventually all the smaller, melodic enemies layered on top of each other create new, "unintended" melodies. For an example, see Steve Reich's "Electric Counterpoint - Slow" in the videos section below.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* May reference p. 105 of "Ten Thousand Saints" by Eleanor Henderson (2011) because of a bumping between two lines of two words "Birkenjacque's" and "Kramaro" (e.g.. Cause-mo Kramar) [http://i.imgur.com/SdrXgAD.jpg scan]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* May reference p. 105 of "Ten Thousand Saints" by Eleanor Henderson (2011) because of a bumping between two lines of two words "Birkenjacque's" and "Kramaro" (e.g.. Cause-mo Kramar) [http://i.imgur.com/SdrXgAD.jpg scan]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">== Interpretations ==</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">So first of all, it's a difficult song because it feels like it's in 3/2 time (though it has been suggested that it is basically in 4/4 (double-time), with kick on 4.5, snare on 3. The 3/2 feel is just a lazy superimposed polyrhythm). This is far from common in electronic music. You have to relax the part of your brain that's used to 4/4 time and just let the electro-waltz flow through you.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Now, when you listen past the beat, you'll hear loops, but they're different by just a little bit on each measure, with new patterns coming into play as old ones leave. In many ways, it's very much like a loom, with the starts of new patterns entering into the threading as the completion of old patterns winds its way out. In the end, you've basically gone through a tapestry of music.  Technically speaking, the melodies were probably passed through an electronic delay that repeats every bar and fades out slowly over the course of many bars.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Certainly the Jacquard mentioned is the loom-maker; he's one of the first people to make a program of any kind, and a machine that could use arbitrary programs to affect actions in reality. That's an amazing step forward for humanity and certainly paved the way for the development of stored-program computers. Without this criticial insight in some way or another, we might have been stuck on analogue patch computation for a long time. I think it would have happened without Jacquard, for sure, but nevertheless he was first, and so we should know his name.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The causeway is therefore his; and causeway is a perfect choice of words because the 'cause' at the beginning implies that there's a reason for it to exist, a starting point if you will, without saying anything about the end of it. They could have said "superhighway" ala the Information Superhighway that people sometimes call the Internet, but the Internet is merely an output of the causeway that we're on as a species: the progress of technological development. Also, it sounds better; BoC doesn't like to hit you with a hammer, subtlety is their game.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">I think the song weaves the themes of technological development like a loom.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Early in the song, it's a simple synth rhythm (that really harkens back to A Few Old Tunes style simplicity); this is the loom, and the barest indication of possibilities. As the song proceeds, new layers come in, some hopeful, some melancholic, some that sound almost weary, like a person burdened by a load. They fit together rhythmically like clockwork, different periods lining up with each other at common denominations, furthering the automation theme.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">At around 3:50 or so we start to pick up on some newer-style BoC themes, particular musical keys we've heard before in their work. A sense of contentment and ease comes over the song, reducing the tension from before. If we extend the historical metaphor, could this be an age when technology was reducing work with no obvious downsides, a "golden age"?</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Eventually, the beat dies away, and we're left with one of the most hopeful sounds on the entire album. In my view, this is BoC's comment on the promise of technology, not necessarily on the reality of it (as the album certainly gets darker from there).</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Videos ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Videos ==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">{{#widget:Vimeo|id=69572175}}</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>{{#widget:YouTube|id=DLmPEBVnwlg}}</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>{{#widget:YouTube|id=DLmPEBVnwlg}}</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><references /></div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><references /></div></td></tr>
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</table>Fredd-Ehttps://bocpages.org/w/index.php?title=Jacquard_Causeway&diff=15320&oldid=prevSaintsantiago: /* Trivia */2019-06-26T18:40:18Z<p><span dir="auto"><span class="autocomment">Trivia</span></span></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13" >Line 13:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Trivia ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Trivia ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The title likely refers to the Jacquard loom, a loom created in the early 19th century that used punchcards to control the loom's individual strings.  As such, it is an extremely early example of binary programming.  These cards would later be the inspiration for IBM's early mainframe punchcards.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The title likely refers to the Jacquard loom, a loom created in the early 19th century that used punchcards to control the loom's individual strings.  As such, it is an extremely early example of binary programming.  These cards would later be the inspiration for IBM's early mainframe punchcards.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*The initials of the title "JC" could be a reference to Jesus Christ, an initialism in the same style of "Satanic" from the track SATellite <del class="diffchange diffchange-inline">Anthem </del>ICarus.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*The initials of the title<ins class="diffchange diffchange-inline">, </ins>"JC" <ins class="diffchange diffchange-inline">,</ins>could be a reference to Jesus Christ, an initialism in the same style of "Satanic" from the track SATellite <ins class="diffchange diffchange-inline">ANthem </ins>ICarus.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Jacquard may also refer to [[wikipedia:Albert Jacquard|Albert Jacquard]], a geneticist well known for defending the concept of 'degrowth'. 'Degrowthists' aim to maximize happiness and well-being through non-consumptive means—sharing work, consuming less, while devoting more time to art, music, family, culture and community. Jacquard also took a strong stand against commercial use of the human genome in the 1990s.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Jacquard may also refer to [[wikipedia:Albert Jacquard|Albert Jacquard]], a geneticist well known for defending the concept of 'degrowth'. 'Degrowthists' aim to maximize happiness and well-being through non-consumptive means—sharing work, consuming less, while devoting more time to art, music, family, culture and community. Jacquard also took a strong stand against commercial use of the human genome in the 1990s.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[wikipedia:Giant's_Causeway|Giant's Causeway]] is the name of an irish coastline consisting of hexagonal basalt columns.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[wikipedia:Giant's_Causeway|Giant's Causeway]] is the name of an irish coastline consisting of hexagonal basalt columns.  </div></td></tr>
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</table>Saintsantiagohttps://bocpages.org/w/index.php?title=Jacquard_Causeway&diff=15319&oldid=prevSaintsantiago: /* Trivia */2019-06-26T18:39:02Z<p><span dir="auto"><span class="autocomment">Trivia</span></span></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13" >Line 13:</td>
<td colspan="2" class="diff-lineno">Line 13:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Trivia ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Trivia ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The title likely refers to the Jacquard loom, a loom created in the early 19th century that used punchcards to control the loom's individual strings.  As such, it is an extremely early example of binary programming.  These cards would later be the inspiration for IBM's early mainframe punchcards.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The title likely refers to the Jacquard loom, a loom created in the early 19th century that used punchcards to control the loom's individual strings.  As such, it is an extremely early example of binary programming.  These cards would later be the inspiration for IBM's early mainframe punchcards.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*The initials of the title "JC" could be a reference to Jesus Christ, an initialism in the same style of "Satanic" from the track SATellite Anthem ICarus.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Jacquard may also refer to [[wikipedia:Albert Jacquard|Albert Jacquard]], a geneticist well known for defending the concept of 'degrowth'. 'Degrowthists' aim to maximize happiness and well-being through non-consumptive means—sharing work, consuming less, while devoting more time to art, music, family, culture and community. Jacquard also took a strong stand against commercial use of the human genome in the 1990s.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Jacquard may also refer to [[wikipedia:Albert Jacquard|Albert Jacquard]], a geneticist well known for defending the concept of 'degrowth'. 'Degrowthists' aim to maximize happiness and well-being through non-consumptive means—sharing work, consuming less, while devoting more time to art, music, family, culture and community. Jacquard also took a strong stand against commercial use of the human genome in the 1990s.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[wikipedia:Giant's_Causeway|Giant's Causeway]] is the name of an irish coastline consisting of hexagonal basalt columns.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[wikipedia:Giant's_Causeway|Giant's Causeway]] is the name of an irish coastline consisting of hexagonal basalt columns.  </div></td></tr>
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</table>Saintsantiagohttps://bocpages.org/w/index.php?title=Jacquard_Causeway&diff=14403&oldid=prev162.158.79.184 at 00:06, 19 April 20182018-04-19T00:06:57Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 00:06, 19 April 2018</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l23" >Line 23:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>So first of all, it's a difficult song because it feels like it's in 3/2 time (though it has been suggested that it is basically in 4/4 (double-time), with kick on 4.5, snare on 3. The 3/2 feel is just a lazy superimposed polyrhythm). This is far from common in electronic music. You have to relax the part of your brain that's used to 4/4 time and just let the electro-waltz flow through you.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>So first of all, it's a difficult song because it feels like it's in 3/2 time (though it has been suggested that it is basically in 4/4 (double-time), with kick on 4.5, snare on 3. The 3/2 feel is just a lazy superimposed polyrhythm). This is far from common in electronic music. You have to relax the part of your brain that's used to 4/4 time and just let the electro-waltz flow through you.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Now, when you listen past the beat, you'll hear loops, but they're different by just a little bit on each measure, with new patterns coming into play as old ones leave. In many ways, it's very much like a loom, with the starts of new patterns entering into the threading as the completion of old patterns winds its way out. In the end, you've basically gone through a tapestry of music.  Technically speaking, the melodies were probably passed through an electronic delay that repeats every bar and fades out slowly the course of many bars.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Now, when you listen past the beat, you'll hear loops, but they're different by just a little bit on each measure, with new patterns coming into play as old ones leave. In many ways, it's very much like a loom, with the starts of new patterns entering into the threading as the completion of old patterns winds its way out. In the end, you've basically gone through a tapestry of music.  Technically speaking, the melodies were probably passed through an electronic delay that repeats every bar and fades out slowly <ins class="diffchange diffchange-inline">over </ins>the course of many bars.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Certainly the Jacquard mentioned is the loom-maker; he's one of the first people to make a program of any kind, and a machine that could use arbitrary programs to affect actions in reality. That's an amazing step forward for humanity and certainly paved the way for the development of stored-program computers. Without this criticial insight in some way or another, we might have been stuck on analogue patch computation for a long time. I think it would have happened without Jacquard, for sure, but nevertheless he was first, and so we should know his name.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Certainly the Jacquard mentioned is the loom-maker; he's one of the first people to make a program of any kind, and a machine that could use arbitrary programs to affect actions in reality. That's an amazing step forward for humanity and certainly paved the way for the development of stored-program computers. Without this criticial insight in some way or another, we might have been stuck on analogue patch computation for a long time. I think it would have happened without Jacquard, for sure, but nevertheless he was first, and so we should know his name.</div></td></tr>
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</table>162.158.79.184https://bocpages.org/w/index.php?title=Jacquard_Causeway&diff=14147&oldid=prev172.68.65.113 at 08:14, 31 May 20172017-05-31T08:14:50Z<p></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l14" >Line 14:</td>
<td colspan="2" class="diff-lineno">Line 14:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The title likely refers to the Jacquard loom, a loom created in the early 19th century that used punchcards to control the loom's individual strings.  As such, it is an extremely early example of binary programming.  These cards would later be the inspiration for IBM's early mainframe punchcards.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The title likely refers to the Jacquard loom, a loom created in the early 19th century that used punchcards to control the loom's individual strings.  As such, it is an extremely early example of binary programming.  These cards would later be the inspiration for IBM's early mainframe punchcards.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Jacquard may also refer to [[wikipedia:Albert Jacquard|Albert Jacquard]], a geneticist well known for defending the concept of 'degrowth'. 'Degrowthists' aim to maximize happiness and well-being through non-consumptive means—sharing work, consuming less, while devoting more time to art, music, family, culture and community. Jacquard also took a strong stand against commercial use of the human genome in the 1990s.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Jacquard may also refer to [[wikipedia:Albert Jacquard|Albert Jacquard]], a geneticist well known for defending the concept of 'degrowth'. 'Degrowthists' aim to maximize happiness and well-being through non-consumptive means—sharing work, consuming less, while devoting more time to art, music, family, culture and community. Jacquard also took a strong stand against commercial use of the human genome in the 1990s.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[[wikipedia:Giant's_Causeway|Giant'<del class="diffchange diffchange-inline">s_Causeway</del>]] is the name of an irish coastline consisting of hexagonal basalt <del class="diffchange diffchange-inline">collumns</del>.  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[[wikipedia:Giant's_Causeway|Giant'<ins class="diffchange diffchange-inline">s Causeway</ins>]] is the name of an irish coastline consisting of hexagonal basalt <ins class="diffchange diffchange-inline">columns</ins>.  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*A [[wikipedia:Causeway|<del class="diffchange diffchange-inline">Causeway</del>]] is a road or railway route across a broad body of water or wetland raised up on an embankment.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*A [[wikipedia:Causeway|<ins class="diffchange diffchange-inline">causeway</ins>]] is a road or railway route across a broad body of water or wetland raised up on an embankment.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*The way the track makes use of [[wikipedia:counterpoint|counterpoint]] for the melodies seems to be a nod to the counterpoint work of [[wikipedia:Steve Reich|Steve Reich]].  The way that Steve Reich structures his counterpoint pieces is nearly identical to Jacquard Causeway: an element, phrase, or melody is presented and played through once, at first at a higher volume than the the rest.  Eventually the new element decreases in volume, blending in with the rest, which effectively makes room for a new element.  Eventually all the smaller, melodic enemies layered on top of each other create new, "unintended" melodies. For an example, see Steve Reich's "Electric Counterpoint - Slow" in the videos section below.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*The way the track makes use of [[wikipedia:counterpoint|counterpoint]] for the melodies seems to be a nod to the counterpoint work of [[wikipedia:Steve Reich|Steve Reich]].  The way that Steve Reich structures his counterpoint pieces is nearly identical to Jacquard Causeway: an element, phrase, or melody is presented and played through once, at first at a higher volume than the the rest.  Eventually the new element decreases in volume, blending in with the rest, which effectively makes room for a new element.  Eventually all the smaller, melodic enemies layered on top of each other create new, "unintended" melodies. For an example, see Steve Reich's "Electric Counterpoint - Slow" in the videos section below.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* May reference p. 105 of "Ten Thousand Saints" by Eleanor Henderson (2011) because of a bumping between two lines of two words "Birkenjacque's" and "Kramaro" (e.g.. Cause-mo Kramar) [http://i.imgur.com/SdrXgAD.jpg scan]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* May reference p. 105 of "Ten Thousand Saints" by Eleanor Henderson (2011) because of a bumping between two lines of two words "Birkenjacque's" and "Kramaro" (e.g.. Cause-mo Kramar) [http://i.imgur.com/SdrXgAD.jpg scan]</div></td></tr>
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