All The Mysteries Are Revealed - Revision history

Fredd-E at 19:10, 28 August 2025

2025-08-28T19:10:16Z

Fredd-E at 19:03, 28 August 2025

2025-08-28T19:03:00Z

Fredd-E: clarification on Jacquard Causeway

2025-08-03T14:27:20Z

clarification on Jacquard Causeway

Fredd-E at 17:45, 28 July 2025

2025-07-28T17:45:38Z

Fredd-E: Japanese newspaper article revamp

2025-07-27T15:42:07Z

Japanese newspaper article revamp

Show changes

Fredd-E at 12:43, 26 July 2025

2025-07-26T12:43:51Z

Fredd-E at 12:40, 26 July 2025

2025-07-26T12:40:52Z

Fredd-E at 12:33, 26 July 2025

2025-07-26T12:33:34Z

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Fredd-E: New Japanese interview, TH era

2025-07-25T19:34:05Z

New Japanese interview, TH era

New page

<onlyinclude>
{{interview
|title=All The Mysteries Are Revealed
|author=
|date=2013/08
|publication=Night Out
|issue=
|pages=
}}
</onlyinclude>

<onlyinclude>
"[[All The Mysteries Are Revealed]]" was an interview (in Japanese) originally published August 2013 in Night Out.
</onlyinclude>

__TOC__

== Original Text ==
<onlyinclude>
{{transcription-needed}}
</onlyinclude>

== Translated text ==
<onlyinclude>
'''Note''': Translation by ChatGPT-4o

[[File:2013-08 night out page 1.jpg|100px|right]]
[[BoC|BOARDS OF CANADA]]

Complete Guide to the New Work ''[[Tomorrow's Harvest]]''

'''Now, all the mysteries are revealed…!'''

On April 20, 2013, a new record by [[BoC|BOARDS OF CANADA]] was [[Cosecha_Transmisiones|suddenly discovered]] at a record store in New York. Engraved on its title was:
[[Cosecha_Transmisiones#Key_and_Message_Format|“------/------/-----/XXXXXX/-----/-----”]] accompanied by a short 20-second synth sound, a voice was recorded reading the number “936557”.

A series of mysteries followed from [[BoC|BOARDS OF CANADA]] leading up to the release of their first new work in 8 years, ''[[Tomorrow's Harvest]]''.

With valuable interviews, we unravel the most important release of 2013!

As per their history, [[Boards of Canada]] built up a [[Tomorrow%27s_Harvest#Viral_Marketing|mysterious promotional campaign]] for the release of ''[[Tomorrow's Harvest]]'', their first full album in about 8 years. But this wasn't just a new record — it was one that sparked extraordinary expectations. What is it that makes their work so unique? This interview with [[Michael Sandison]] and [[Marcus Eoin]] dives deep into their creative process, offering rare insight into the mysterious duo.

[[File:2013-08 night out page 3.jpg|100px|right]]

'''Part 1'''

{{question|Q: It's been a long time—about 8 years—since the last album. How have you been spending your time?}}

{{boc|[[Michael]]: “For a while, we were each working on solo or group projects. We also spent time living in New Zealand. That doesn't mean we stopped making music — just that we weren't working together as [[BOC|BOC]]. Eventually, we returned to our studio in Scotland and gradually began preparing for this record. Over the years we'd been collecting lots of gear and laying groundwork.”}}

{{question|Q: Did the time between albums bring any new influences from outside the music world?}}

{{boc|[[Marcus]]: “Honestly, we've never cared about what's 'in' or the latest trends. We've always done things independently. That said, changes in gear and production techniques were significant. We spent a lot of time revisiting past methods and trying out unusual techniques. Looking backward helped us move forward.”}}

{{question|Q: When did you actually begin creating this album? Were there any major differences in the production process compared to your past records?}}

{{boc|[[Michael]]: “We started sketching out ideas around 2006. From there, we built a lot of material. Some of the early tracks ended up on ''[[Tomorrow's Harvest]]''. Our creative direction this time was very cinematic. The atmosphere of early science documentaries and horror films from the 1980s really influenced us. We hunted down analog synthesizers that were used in that era and brought them into our setup. We used those sounds intentionally to give the album a kind of decayed, vintage texture. We also used a sampler to process sound like film scores — as if we were scoring imaginary old footage. The idea was to take ourselves out of the present and recreate the feeling of an abandoned past.”}}

{{question|Q: The album's themes seem very cinematic and mysterious. Even the [[Tomorrow%27s_Harvest#Viral_Marketing|promotional campaign]] had a kind of suspense or detective-novel vibe. Was that deliberate?}}

{{boc|[[Marcus]]: “Yeah, we really wanted to recreate the feel of a movie trailer or a spy story. The team at [[Warp]] worked closely with us to build that. Everything was part of a bigger puzzle — from [[Cosecha_Transmisiones#YouTube|the teaser videos]] to the [[Cosecha_Transmisiones#Message_Distribution|secret 12-inch vinyls]] placed around the world. It was exciting to watch [[Communities|fans]] piece together the fragments online. That sense of uncovering something secret and otherworldly — that was the feeling we wanted people to have even before hearing a note of the album.”}}

{{question|Q: Some track titles suggest scientific or even evolutionary ideas. For example, "[[Sick Times]]" and "[[Split Your Infinities]]". Were you trying to evoke those themes intentionally?}}

{{boc|[[Michael]]: “We're definitely inspired by things like the structure of DNA, the symmetry of molecules, and the hidden geometry of the universe. There's a lot of beauty in biology, especially in how order arises from chaos. That plays into how we think about music. It's not a strict concept album, but those ideas were in our heads.”}}

{{question|Q: The idea of nature and artificial life seems central to [[BoC|BOC]]'s work. Could you elaborate on how those themes influence your music or titles?}}

{{boc|[[Marcus]]: “We've always been fascinated by the point where nature and machines intersect. A lot of our songs reflect that—both in sound and meaning. Think about the music used in old educational films. It had this creepy optimism, like it was trying to make sense of a world that was already falling apart. That contrast — between sterile presentation and disturbing content — really stuck with us. The track titles are part of that language.”}}

{{question|Q: Finally, what kind of visual imagery do you start with when composing a song? Do you begin with a mental picture, or does the sound come first?}}

{{boc|[[Michael]]: “Usually it begins with an emotional landscape. For example, a visual memory from childhood, or a dream. Once we have that, we start sculpting the sounds to match that image. Field recordings help — they give it realism, like the hiss of film or the hum of an old TV.”}}

{{boc|[[Marcus]]: “Sometimes it starts with a word or phrase. We'll build the music around that feeling. It's very intuitive — we don't try to overthink it. The song tells us where it wants to go.”}}

[[File:2013-08 night out page 4.jpg|100px|right]]

'''Part 2'''

'''"Why does the universe have order instead of chaos?"'''

After 8 long years, ''[[Tomorrow's Harvest]]'' has arrived—[[Boards of Canada]]'s long-awaited new album. With their distinctive sound that walks the line between nostalgia and unease, the Scottish duo [[Michael Sandison]] and [[Marcus Eoin]] return with a darker, more structured vision than ever before. We continue our deep dive into their thoughts and creative process.

{{question|Q: What kind of mindset did you have going into this album after such a long break?}}

{{boc|[[Marcus]]: “The emotional core of this album is really despair. That may sound bleak, but it's not hopeless. It's more about confronting the truth of our reality. ''[[Tomorrow's Harvest]]'' carries a tone that's clearly darker than our past work—like a realization gradually coming into focus.”}}

{{question|Q: Compared to earlier albums, the tracklist on ''[[Tomorrow's Harvest]]'' feels more deliberately structured. Was that intentional?}}

{{boc|[[Michael]]: “Yeah, this time we wanted to create something cohesive—as if it were a single film or story. We carefully arranged the order of the tracks. We even placed markers—like "[[Cold Earth]]" and "[[Nothing Is Real]]"—as emotional anchors throughout. Those songs act like milestones in the narrative.”}}

{{question|Q: What's the meaning behind the album title, ''[[Tomorrow's Harvest]]''?}}

{{boc|[[Marcus]]: “''[[Tomorrow's Harvest]]'' suggests the consequences of today's actions. It's about inheriting the outcomes of decisions made long ago—social, environmental, even cosmic. There's a sadness in that, a sense of inevitability.”}}

{{question|Q: The record begins with a [[https://bocpages.org/wiki/Tomorrow%27s_Harvest#Viral_Marketing|promotional mystery campaign]]—how did that idea come about? Also, do you believe in the existence of intelligent life in the universe?}}

{{boc|[[Michael]]: “The [[Tomorrow%27s_Harvest#Viral_Marketing|promotional campaign]] was inspired by [[wikipedia:Numbers station|shortwave radio number stations]], secret codes, and Cold War paranoia. It wasn't just marketing—it was a continuation of the album's world-building. We love that kind of cryptic storytelling.”}}

{{boc|[[Marcus]]: “As for [[wikipedia:Extraterrestrial intelligence|intelligent life]]—absolutely. It seems statistically impossible that we're alone. But whether contact would be beneficial or dangerous is another question entirely.”}}

{{question|Q: One track, "[[Sundown]]" feels especially intimate. What inspired it?}}

{{boc|[[Michael]]: “The track actually began as a collaboration with another band, but the timing didn't work out. We reworked it alone. It's a minimal piece, but emotionally heavy. It's like watching the sun set on something irreversible. I'm glad it made the album.”}}

{{question|Q: The album is filled with haunting sci-fi aesthetics and sounds that feel retro-futuristic. Was that conscious?}}

{{boc|[[Marcus]]: “Yeah. We were definitely drawn to 1960s and '70s sci-fi films—the kind that feel eerie even without showing anything explicitly scary. Also, the way analog synths sound slightly broken adds to that atmosphere. We wanted the album to feel like a relic from an alternate past.”}}

{{question|Q: Do you plan to tour or perform live?}}

{{boc|[[Marcus]]: “Not really. We're not planning any [[Gigs|live shows]] right now. Touring is exhausting and not something we enjoy. Our music is really built for introspective listening, not festivals. So no immediate plans, sorry.”}}

{{question|Q: Any message for your fans in Japan?}}

{{boc|[[Michael]]: “We've always felt a strong connection to our Japanese fans. We really appreciate the deep understanding and support from that part of the world. [[wikipedia:Japan|Japan]] has always been close to our hearts—and we hope the album resonates with you.”}}

'''CHECK!!'''

[[BoC|BOARDS OF CANADA]] - ''[[Tomorrow's Harvest]]''

Label: [[Warp Records]] / [[Beat Records]]

Available now

[[BoC|BOARDS OF CANADA]]

Formed: Early 1990s

Signed to [[Warp Records]] in 1998

Known for albums like ''[[Music Has the Right to Children]]'' (1998), ''[[Geogaddi]]'' (2002), and ''[[The Campfire Headphase]]'' (2005)

Their sound blends [[wikipedia:IDM|IDM]], [[wikipedia:Ambient|ambient]], and analog warmth, often evoking themes of memory, nature, and forgotten media.

</onlyinclude>

== Scans ==
<gallery>
Image:2013-08 night out page 1.jpg
Image:2013-08 night out page 2.jpg
Image:2013-08 night out page 3.jpg
Image:2013-08 night out page 4.jpg
</gallery>

== Highlights ==
* [[Michael]]: "For a while, we were each working on solo or group projects."
* [[Marcus]]: "Looking backward helped us move forward."
* [[Michael]]: "It's not a strict concept album."
* [[Michael]]: "[[Sundown]] actually began as a collaboration with another band, but the timing didn't work out."
* [[Marcus]]: "We're not planning any live shows right now. Touring is exhausting and not something we enjoy."

== See Also ==
* [[Tomorrow%27s_Harvest#Viral_Marketing|Tomorrow's Harvest Viral Marketing]]
* [[Interviews#Tomorrow.27s_Harvest_era|Tomorrow's Harvest interviews]]
* [[:Category: Japanese interviews]]

== External Links ==
*

== References ==
<references />

[[Category: Interviews]]
[[Category: Tomorrow's Harvest era]]
[[Category: Japanese interviews]]
[[Category: Articles needing transcription]]

@@ Line 677: / Line 677: @@
 Though it was a long interview, [[Marcus]] and [[Michael]] took the time to answer each question with sincerity.
 They've long held a revered place as one of the most important acts in the world of electronica and [[wikipedia:IDM|IDM]].
-And yet, up until now, they've remained elusive—enigmatic figures behind a [[Discography|mythic body of work]]. But this conversation gave us a rare glimpse of the people behind the music. ''[[Tomorrow's Harvest]]'', the result of painstaking work—meticulous concepting, constant redrafting of the big picture, obsessing over every single sound and its modulation—can be considered [[BoC|BOC]]'s most refined work to date. Unlike the dreamy, pastoral psychedelia of their past three records, ''[[Tomorrow's Harvest]]'' evokes a kind of decadent beauty—death and life, the end of worlds. It hums with a retro-futuristic sci-fi feeling, like the Cold War-era space race between the U.S. and the Soviet Union in the 1960s and 70s. Where earlier albums felt like drifting through lucid dreams, this one feels more like boarding a time machine—or a spacecraft. In that sense, it may well mark a turning point for [[BoC|BOC]]. And as they hinted during the interview, the album is laced with double meanings and veiled implications. Paired with its [[Category:Tomorrow%27s_Harvest_viral_marketing|cryptic, cinematic pre-release campaign]], ''[[Tomorrow's Harvest]]'' invites you to peer into their deepest layers.
+And yet, up until now, they've remained elusive—enigmatic figures behind a [[Discography|mythic body of work]]. But this conversation gave us a rare glimpse of the people behind the music. ''[[Tomorrow's Harvest]]'', the result of painstaking work—meticulous concepting, constant redrafting of the big picture, obsessing over every single sound and its modulation—can be considered [[BoC|BOC]]'s most refined work to date. Unlike the dreamy, pastoral psychedelia of their past three records, ''[[Tomorrow's Harvest]]'' evokes a kind of decadent beauty—death and life, the end of worlds. It hums with a retro-futuristic sci-fi feeling, like the Cold War-era space race between the U.S. and the Soviet Union in the 1960s and 70s. Where earlier albums felt like drifting through lucid dreams, this one feels more like boarding a time machine—or a spacecraft. In that sense, it may well mark a turning point for [[BoC|BOC]]. And as they hinted during the interview, the album is laced with double meanings and veiled implications. Paired with its [[:Category:Tomorrow%27s_Harvest_viral_marketing|cryptic, cinematic pre-release campaign]], ''[[Tomorrow's Harvest]]'' invites you to peer into their deepest layers.

@@ Line 17: / Line 17: @@
 == Original Text ==
-'''Note''': OCR by [https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://apps.apple.com/us/app/ocr-text-recognition-textify/id1522041836%3Fmt%3D12&ved=2ahUKEwj6lc3HqNuOAxXuKvsDHc11GdwQFnoECAkQAQ&usg=AOvVaw38_Q0CRuMEpWVWviU8bzSg Textify] (MacOS)]
+'''Note''': OCR by [https://apps.apple.com/be/app/ocr-text-recognition-textify/id1522041836?mt=12 Textify] (MacOS)]
@@ Line 588: / Line 588: @@
-As explained on the previous page, [[Boards of Canada]] launched an [[:Category:TH_ARG|elaborate and mysterious promotional campaign]] for their new release, ''[[Tomorrow's Harvest]]''. Even before its release, the album had already generated [[Communities|considerable buzz]]—understandable, considering it's their first new work in eight years. Naturally, expectations for the actual music were extremely high.
+As explained on the previous page, [[Boards of Canada]] launched an [[:Category:Tomorrow%27s_Harvest_viral_marketing|elaborate and mysterious promotional campaign]] for their new release, ''[[Tomorrow's Harvest]]''. Even before its release, the album had already generated [[Communities|considerable buzz]]—understandable, considering it's their first new work in eight years. Naturally, expectations for the actual music were extremely high.
@@ Line 595: / Line 595: @@
-This magazine was fortunate to obtain a rare opportunity to interview the [[Boards of Canada|two members]], [[Michael Sandison]] and [[Marcus Eoin]]. Through their words, we hope to uncover the intentions behind this work, as well as the true meaning of their [[:Category:TH_ARG|enigmatic promotional campaign]] that accompanied it.
+This magazine was fortunate to obtain a rare opportunity to interview the [[Boards of Canada|two members]], [[Michael Sandison]] and [[Marcus Eoin]]. Through their words, we hope to uncover the intentions behind this work, as well as the true meaning of their [[:Category:Tomorrow%27s_Harvest_viral_marketing|enigmatic promotional campaign]] that accompanied it.
 </onlyinclude>
@@ Line 677: / Line 677: @@
 Though it was a long interview, [[Marcus]] and [[Michael]] took the time to answer each question with sincerity.
 They've long held a revered place as one of the most important acts in the world of electronica and [[wikipedia:IDM|IDM]].
-And yet, up until now, they've remained elusive—enigmatic figures behind a [[Discography|mythic body of work]]. But this conversation gave us a rare glimpse of the people behind the music. ''[[Tomorrow's Harvest]]'', the result of painstaking work—meticulous concepting, constant redrafting of the big picture, obsessing over every single sound and its modulation—can be considered [[BoC|BOC]]'s most refined work to date. Unlike the dreamy, pastoral psychedelia of their past three records, ''[[Tomorrow's Harvest]]'' evokes a kind of decadent beauty—death and life, the end of worlds. It hums with a retro-futuristic sci-fi feeling, like the Cold War-era space race between the U.S. and the Soviet Union in the 1960s and 70s. Where earlier albums felt like drifting through lucid dreams, this one feels more like boarding a time machine—or a spacecraft. In that sense, it may well mark a turning point for [[BoC|BOC]]. And as they hinted during the interview, the album is laced with double meanings and veiled implications. Paired with its [[Category:TH_ARG|cryptic, cinematic pre-release campaign]], ''[[Tomorrow's Harvest]]'' invites you to peer into their deepest layers.
+And yet, up until now, they've remained elusive—enigmatic figures behind a [[Discography|mythic body of work]]. But this conversation gave us a rare glimpse of the people behind the music. ''[[Tomorrow's Harvest]]'', the result of painstaking work—meticulous concepting, constant redrafting of the big picture, obsessing over every single sound and its modulation—can be considered [[BoC|BOC]]'s most refined work to date. Unlike the dreamy, pastoral psychedelia of their past three records, ''[[Tomorrow's Harvest]]'' evokes a kind of decadent beauty—death and life, the end of worlds. It hums with a retro-futuristic sci-fi feeling, like the Cold War-era space race between the U.S. and the Soviet Union in the 1960s and 70s. Where earlier albums felt like drifting through lucid dreams, this one feels more like boarding a time machine—or a spacecraft. In that sense, it may well mark a turning point for [[BoC|BOC]]. And as they hinted during the interview, the album is laced with double meanings and veiled implications. Paired with its [[Category:Tomorrow%27s_Harvest_viral_marketing|cryptic, cinematic pre-release campaign]], ''[[Tomorrow's Harvest]]'' invites you to peer into their deepest layers.

@@ Line 650: / Line 650: @@
 {{boc|[[Marcus]]: "Relief. That's the first emotion that came to mind. Compared to our previous works, ''[[Tomorrow's Harvest|this album]]'' is unique in that its outline was extremely clear, even years before we actually started building it. I mean that literally—we already had a very defined vision of the record two or three years before it was finished. So, when we began creating it, it wasn't like we were trying to find the shape. The shape was already there. It was more like carefully pouring everything into a mold that had already been cast."}}
-{{question|Out of all the tracks on the album, which one was the most difficult to complete—or the one you feel most emotionally attached to?}}
+{{question|Among the recorded tracks, which one was the most difficult to complete or had the most emotional significance to you?}}
-{{boc|[[Michael]]: "That would have to be "[[Jacquard Causeway]]". It was technically a nightmare. A part of the melody was flagged as "unsynchronizable" with other parts of the track."}}
+{{boc|[[Michael]]: "Hmm, on the album, "[[Jacquard Causeway]]" was technically the most difficult. Part of the melody kept being flagged as 'out of phase' with the other parts."}}
-{{question|What exactly do you mean by that?}}
+{{question|What do you mean by that?}}
-{{boc|[[Michael]]: "In mono playback, the melody line—what should be a central part of the song—completely broke down and registered as an error. We thought maybe we could resolve it with phase inversion, but the moment we did that, the other parts of the track fell out of sync instead. It was like a loop of errors—one fix caused another failure. A total nightmare. Luckily, [[Marcus]] is a tech genius. He managed to rescue the track in its entirety. Thanks to him, we were able to include it on the album after all. Other than that, I have a strong connection to "[[Come To Dust]]". When we finished that one, we cranked the studio speakers to full blast and popped open a bottle of champagne. It was a real moment."}}
+{{boc|[[Michael]]: "Basically, when played in mono, all the melody lines would error out and disappear. In order to solve the issue, we had to invert the phase — but we couldn’t just flip it like that. The problem was, when we fixed one part of the melody, another part would go out of sync instead, and we’d get a new error. It was a total nightmare. But [[Marcus]] is a technology genius, so he managed to save the entire track. Thanks to that, we were able to include it on the album.
 {{question|The artwork for this album is particularly symbolic. How does it connect to the music?}}

@@ Line 648: / Line 648: @@
 {{question|When Tomorrow's Harvest was finally completed—your first album in eight years—how did you feel?}}
-{{boc|[[Marcus]]: "Relief. That's the first emotion that came to mind. Compared to our previous works, ''[[Tomorrow's Harvest]]'' this album is unique in that its outline was extremely clear, even years before we actually started building it. I mean that literally—we already had a very defined vision of the record two or three years before it was finished. So, when we began creating it, it wasn't like we were trying to find the shape. The shape was already there. It was more like carefully pouring everything into a mold that had already been cast."}}
+{{boc|[[Marcus]]: "Relief. That's the first emotion that came to mind. Compared to our previous works, ''[[Tomorrow's Harvest|this album]]'' is unique in that its outline was extremely clear, even years before we actually started building it. I mean that literally—we already had a very defined vision of the record two or three years before it was finished. So, when we began creating it, it wasn't like we were trying to find the shape. The shape was already there. It was more like carefully pouring everything into a mold that had already been cast."}}
 {{question|Out of all the tracks on the album, which one was the most difficult to complete—or the one you feel most emotionally attached to?}}

@@ Line 57: / Line 57: @@
 Unravel the mystery!
 '''Note''':
@@ Line 80: / Line 81: @@
-'''Interview Part 1'''
+====Interview Part 1====
 '''Note''': OCR is difficult for this page, leading to unreliable translations.
@@ Line 95: / Line 96: @@
-'''Interview Part 2'''
+====Interview Part 2====
 '''Note''': OCR is difficult for this page, leading to unreliable translations.
@@ Line 101: / Line 102: @@
 {{transcription-needed}}
 '''CHECK!!'''
@@ Line 123: / Line 123: @@
 </onlyinclude>
 == Scans  ==

@@ Line 30: / Line 30: @@
 === Page 1 ===
 [[BoC|BOARDS OF CANADA]]
 Complete Guide to the New Work ''[[Tomorrow's Harvest]]''
@@ Line 38: / Line 37: @@
 On April 20, 2013, a new record by [[BoC|BOARDS OF CANADA]] was [[Cosecha_Transmisiones|suddenly discovered]] at a record store in New York. Engraved on its title was:
-[[Cosecha_Transmisiones#Key_and_Message_Format|"------/------/------/XXXXXX/------/------"]] accompanied by a short 20-second synth sound, a voice was recorded reading the number "936557".
+[[Cosecha_Transmisiones#Key_and_Message_Format|"------/------/------/XXXXXX/------/------"]] accompanied by a short 20-second synth sound, a voice was recorded reading the number "936557". A series of mysteries followed from [[BoC|BOARDS OF CANADA]] leading up to the release of their first new work in 8 years, ''[[Tomorrow's Harvest]]''.
 With valuable interviews, we unravel the most important release of 2013!
@@ Line 61: / Line 58: @@
 Unravel the mystery!
 Page two of this article has not been translated in full, but the following two articles provide a detailed overview of the viral marketing campaign that preceded the release of ''[[Tomorrow's Harvest]]''.
@@ Line 69: / Line 67: @@
 [[File:2013-08 night out page 3.jpg|100px|right]]
 === Page 3 ===
-'''[[BoC|BOC]] Speaks. The Truth Behind Their First New Work in 8 Years, from the Reclusive Sages of the Music World'''
+'''BOC Speaks.'''
 As explained on the previous page, [[Boards of Canada]] launched an [[Tomorrow%27s_Harvest#Viral_Marketing|elaborate and mysterious promotional campaign]] for their new release, ''[[Tomorrow's Harvest]]''. Even before its release, the album had already generated considerable buzz—understandable, considering it's their first new work in eight years. Naturally, expectations for the actual music were extremely high.
@@ Line 80: / Line 81: @@
 '''Interview Part 1'''
 {{transcription-needed}}
@@ Line 92: / Line 96: @@
 '''Interview Part 2'''
 {{transcription-needed}}