Moins industriel et plus champêtre - Revision history

Fredd-E: /* Translated text */

2025-05-01T23:44:30Z

‎Translated text

Fredd-E at 20:18, 7 December 2021

2021-12-07T20:18:10Z

Fredd-E at 17:27, 2 December 2021

2021-12-02T17:27:46Z

Fredd-E at 15:01, 9 November 2021

2021-11-09T15:01:01Z

Fredd-E: Fredd-E moved page Boards of Canada: Moins industriel et plus champêtre... to Moins industriel et plus champêtre

2021-11-09T15:00:04Z

Fredd-E moved page Boards of Canada: Moins industriel et plus champêtre... to Moins industriel et plus champêtre

ZosoCon: minor changes

2020-04-20T10:23:26Z

minor changes

ZosoCon: /* Original Text */

2018-12-11T14:02:08Z

‎Original Text

ZosoCon at 15:08, 14 November 2018

2018-11-14T15:08:05Z

ZosoCon: /* Scans */

2018-11-07T11:08:20Z

‎Scans

ZosoCon: /* Scans */

2018-11-07T11:05:47Z

‎Scans

@@ Line 72: / Line 72: @@
 '''Photos: Stéphane Burlot'''
-{{boc|'''Michael Sanderson[sic]''': We've been making music since we were young. We started when we were kids, learning piano and guitar. We've known each other for a long time, but we were playing in different groups since about 1983. We decided to form a band together in 1987, because we work best this way. In actuality Boards of Canada has existed seriously for four years.}}
+Less industrial and more rural than the big productions of [[Warp]], [[Boards of Canada]] have long been perfected with blurred music, playing with time, repetition and strange voices. If at first, [[Mike|Michael Sanderson]][sic] and [[Marcus Eoin]] may look like hippies, their first album, in the form of an introductory compilation, won't leave much room for flowers.
 {{question|Your music has many nostalgic accents.}}
@@ Line 80: / Line 81: @@
 {{boc|'''Michael''': Yes, many people have already pointed that out to us. This is because we have been greatly influenced by what we listened to when young, children's TV programs, movies or music that accompany television documentaries. We grew up with this and it affects us far more than contemporary music, such as "dance".}}
-{{question|From where does the title of your album, "Music Has The Right To Children", come?}}
+{{question|From where does the title of your album, ''[[Music Has the Right to Children]]'', come?}}
 {{boc|'''Michael''': From a children's book published in the 70's that has never left my mind, which was entitled "Children Have Right To Music." It was a very funny introductory book. We also decided to baptize the album with this title because we see music as a weapon to affect people. }}
@@ Line 92: / Line 93: @@
 {{question|Your music includes many vocal elements. Have you ever worked with a singer?}}
-{{boc|'''Marcus''': We did a long time ago, well before forming Boards of Canada, but we don't want to focus our music around vocals. We prefer to convert voices, cut them, make them unidentifiable. It should no longer remain an organic sound. }}
+{{boc|'''Marcus''': We did a long time ago, well before forming [[Boards of Canada]], but we don't want to focus our music around vocals. We prefer to convert voices, cut them, make them unidentifiable. It should no longer remain an organic sound. }}
-{{boc|'''Michael''': Vocals processed through a synthesizer bring something frightening. We often listen to records of artists such as Walter Carlos (the now transsexual composer, who became famous on the soundtrack of '' A Clockwork Orange "and a cover album of Bach at Moog, Ed.) who has worked in this direction. On the next album, it will be possible to hear more.}}
+{{boc|'''Michael''': Vocals processed through a synthesizer bring something frightening. We often listen to records of artists such as [[wikipedia:Walter Carlos|Walter Carlos]] (the now transsexual composer, who became famous on the soundtrack of [[wikipedia:A Clockwork Orange|A Clockwork Orange]] and a cover album of Bach at Moog, Ed.) who has worked in this direction. On the next album, it will be possible to hear more.}}
 {{question|What relationship do you have with machines?}}
-{{boc|'''Marcus''': We do not want to be dependent on technology. It is so easy today to compose techno music, that many artists are alike. While anyone can easily identify a piece of Aphex Twin, even if they've never heard it.}}
+{{boc|'''Marcus''': We do not want to be dependent on technology. It is so easy today to compose techno music, that many artists are alike. While anyone can easily identify a piece of [[wikipedia:Aphex Twin|Aphex Twin]], even if they've never heard it.}}
 {{boc|'''Michael''': We can use any type of instrument. If we are currently using synthesizers, it is because we like them a lot, they remind us of old memories. The only thing we do not want to use is the music of others, because we consider it too easy.}}

@@ Line 114: / Line 114: @@
 </onlyinclude>
 * Mike reveals that MHTRTC's title was inspired by a children's introductory music book, as previously stated in the May 1998 [http://bocpages.org/wiki/Nice_Melodies_from_Nice_People DeBug interview].
 * One of the images used for the article is the same image for the 2002 Geogaddi album cover, which thus dates the image prior to June 1998.
-<gallery>
+== External Links ==
-Image:1998 06 Premonition No29 Cover.jpg
-Image:1998 06 Premonition No29 pg35.jpg
 == References  ==

@@ Line 9: / Line 9: @@
 }}
 </onlyinclude>
 __TOC__
 == Original Text ==
 <onlyinclude>
 {{original}}
 '''Entretien: Quentin Groslier'''
@@ Line 67: / Line 66: @@
 == Translated text  ==
 <onlyinclude>
 '''Interview: Quentin Groslier'''
@@ Line 122: / Line 119: @@
 * Mike reveals that MHTRTC's title was inspired by a children's introductory music book, as previously stated in the May 1998 [http://bocpages.org/wiki/Nice_Melodies_from_Nice_People DeBug interview].
 * One of the images used for the article is the same image for the 2002 Geogaddi album cover, which thus dates the image prior to June 1998.
 == Scans  ==
@@ Line 134: / Line 130: @@
 <references />
 [[Category: Music Has the Right to Children era]]

@@ Line 1: / Line 1: @@
 <onlyinclude>
 {{interview
-|title=Boards of Canada
+|title=Moins industriel et plus champêtre
 |author= Quentin Groslier
 |date=1998/06
@@ Line 13: / Line 13: @@
 == Original Text ==
 <onlyinclude>
-'''"Boards of Canada"''' is an interview (in French) by Quentin Groslier originally published June 1998 in Prémonition magazine Number 29 p.35
+'''"Moins industriel et plus champêtre"''' is an interview (in French) by Quentin Groslier originally published June 1998 in Prémonition magazine Number 29 p.35
 {{original}}
 </onlyinclude>

@@ Line 13: / Line 13: @@
 == Original Text ==
 <onlyinclude>
-'''"Boards of Canada"''' was an interview (in French) by Quentin Groslier originally published June 1998 in Prémonition magazine Number 29 p.35
+'''"Boards of Canada"''' is an interview (in French) by Quentin Groslier originally published June 1998 in Prémonition magazine Number 29 p.35
 {{original}}
 </onlyinclude>
@@ Line 116: / Line 116: @@
 </onlyinclude>
 == Highlights and Notes ==
-* Mike reveals that MHTRTC's title was inspired by a children's introductory music book.
+* Mike reveals that MHTRTC's title was inspired by a children's introductory music book, as previously stated in the May 1998 [http://bocpages.org/wiki/Nice_Melodies_from_Nice_People DeBug interview].
 * One of the images used for the article is the same image for the 2002 Geogaddi album cover, which thus dates the image prior to June 1998.
 == Scans  ==

← Older revision	Revision as of 15:00, 9 November 2021
(No difference)

@@ Line 3: / Line 3: @@
 |title=Boards of Canada
 |author= Quentin Groslier
-|date=1998-06
+|date=1998/06
 |publication= Prémonition
-|issue=No.29
+|issue=29
 |pages=p.35
 }}
@@ Line 11: / Line 11: @@
 __TOC__
-== Text ==
+== Original Text ==
 <onlyinclude>
 === Boards of Canada ===
@@ Line 19: / Line 24: @@
 '''Photos: Stéphane Burlot'''
-Moins industriel et plus champêtre que le gros des productions Warp, Boards of Canada perfectionne depuis déjà longtemps des musiques aux contours flous, jouant sur le temps, la répétition et d'étranges vocaux. Si à première vue, Michael Sanderson[sic] et Marcus Eoin ressemblent à des hippies, leur premier album, sous forme de compilation introductive, ne laisse pas pour autant beaucoup de place aux fleurs.
+Moins industriel et plus champêtre que le gros des productions Warp, Boards of Canada perfectionne depuis déjà longtemps des musiques aux contours flous, jouant sur le temps, la répétition et d'étranges vocaux. Si à première vue, Michael Sanderson et Marcus Eoin ressemblent à des hippies, leur premier album, sous forme de compilation introductive, ne laisse pas pour autant beaucoup de place aux fleurs.
-{{boc|'''Michael Sanderson[sic]''' : Nous faisons de la musique depuis notre jeunesse. Nous avons débuté alors que nous étions enfants, en apprenant le piano et la guitare. Nous nous connaissons depuis fort longtemps, mais nous jouions dans des groupes différents depuis environ 1983. Nous nous sommes décidés à former un groupe ensemble en 1987, car nous travaillons mieux ainsi. Boards of Canada existe en réalité sérieusement depuis quatre ans.}}
+{{boc|'''Michael Sanderson''' : Nous faisons de la musique depuis notre jeunesse. Nous avons débuté alors que nous étions enfants, en apprenant le piano et la guitare. Nous nous connaissons depuis fort longtemps, mais nous jouions dans des groupes différents depuis environ 1983. Nous nous sommes décidés à former un groupe ensemble en 1987, car nous travaillons mieux ainsi. Boards of Canada existe en réalité sérieusement depuis quatre ans.}}
 {{question|Votre musique possède des accents très nostalgiques.}}
@@ Line 114: / Line 119: @@
 == Highlights and Notes ==
-* Mike reveals that the MHTRTC title was inspired by a children's introductory music book.
+* Mike reveals that MHTRTC's title was inspired by a children's introductory music book.
 * One of the images used for the article is the same image for the 2002 Geogaddi album cover, which thus dates the image prior to June 1998.