Actions

Editing An Eagle in Your Mind

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.

This page supports semantic in-text annotations (e.g. "[[Is specified as::World Heritage Site]]") to build structured and queryable content provided by Semantic MediaWiki. For a comprehensive description on how to use annotations or the #ask parser function, please have a look at the getting started, in-text annotation, or inline queries help pages.

Latest revision Your text
Line 8: Line 8:
 
==Comments==
 
==Comments==
  
−
*All of the percussion on "[[An Eagle in Your Mind]]" was created using cut up samples of [[Mike]]'s girlfriend's voice. <ref>[[Interviews#2002-07-01:_Remix|Remix Magazine, 2002]]</ref>
+
*All of the percussion on "[[An Eagle in Your Mind]]" was created using cut up samples of [[Michael Sandison]]'s girlfriend's voice ([[Interviews#2002-07-01:_Remix|Remix Magazine, 2002]]).
 
* A video (made for the [[WATMM video contest]]) was created for "[[An Eagle in Your Mind]]" by "[https://on-go.bandcamp.com/ Jesse Anderson]" using stock footage sampled from Tatsuo Sato's anime film "[http://www.imdb.com/title/tt0385586/ Cat Soup]." This video also offers an interpretation of the vocal sample heard during the track.
 
* A video (made for the [[WATMM video contest]]) was created for "[[An Eagle in Your Mind]]" by "[https://on-go.bandcamp.com/ Jesse Anderson]" using stock footage sampled from Tatsuo Sato's anime film "[http://www.imdb.com/title/tt0385586/ Cat Soup]." This video also offers an interpretation of the vocal sample heard during the track.
  
 
==Samples / Lyrics==
 
==Samples / Lyrics==
  
−
* Between 1:53 and 2:50, a speech sample can be heard. It comes from the documentary "On the Tracks of the Wild Otter (1983)" <ref>http://www.reddit.com/r/boardsofcanada/comments/2sndzz/sound_familiar/</ref><ref>http://www.wildfilmhistory.org/film/467/On+the+Tracks+of+the+Wild+Otter.html</ref>, narrated by Hugh Miles. The sample can be heard at around 26:31 <ref>{{#ev:youtube|NvIneE_fcHM|480||||start=0|false}}</ref>, and says  :
+
The song samples the documentary On the Tracks of the Wild Otter (1983). The sample can be heard at around 26:40.
  
 +
<nowiki>all atop of the santcus
 +
high above the sea
 +
a safe place on all counts
 +
a great place</nowiki>
 +
*At 1:53 an unidentified speech sample (thought by some to be the voice Welsh actor [http://www.imdb.com/name/nm0535053/ Philip Madoc]) begins narrating a story. It is difficult to understand, but thought to be the following:
 
<blockquote>
 
<blockquote>
−
The holts are nearly always close to the sea<br />
+
"the holts are nearly always close to sea<br />
−
in fallen boulders, old ruins, and cliffs<br />
+
fallen boulders, old ruins, and cliffs<br />
−
all at the top of a stack, like this<br />
+
all at the top of a sand edifice<br />
−
High above the sea<br />
+
high above the sea<br />
−
A safe place for cubs<br />
+
a safe place for cubs<br />
−
I wait, tense<br />
+
we wait, tense<br />
−
then disappointed<br />
 
−
She leaves her spraint to notify others of her visit<br />
 
−
The holts are evenly spaced<br />
 
−
about 500 yards apart, [enough for the use of any otter who passes by?], with or without cubs<br /> </blockquote>
 
  
−
*Right after this sample, around 2:50, a different voice, saying "I love you", is heard. It cames from the same source as the vocal sample of "[[The Color of the Fire]]"<ref>{{#ev:youtube|pfTks0bgEO4|480||||start=120|false}}</ref>.
+
we're disappointed<br />
 +
she leaves her [?] loaded by others of us<br />
 +
the holts are evenly spread<br />
 +
about 500 meters apart [?] or so they advertise"''
 +
</blockquote>
  
−
* [JimE] noticed something else:
+
* Another variation is as follows:
 
<blockquote>
 
<blockquote>
−
"there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with  "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of [[Boards of Canada|BoC]]." </blockquote>
+
"Holts are nearly always close to the sea,<br />
 +
fallen boulders, old ruins, and cliffs,<br />
 +
all atop the sand edifice,<br />
 +
high above the sea:<br />
 +
a safe place for cubs.<br />
 +
We wait ... tense. We're disappointed. <br />
 +
She leaves her [?] to look for [others?]<br />
 +
The holts are evenly spaced, about 5 meters apart, <br />
 +
Only enough to fool the passers-by, or so they advertise<br />
 +
I love you"
 +
</blockquote>
  
−
* A voice that sounds like a black male singing "No" fades in at 4:35 and continues throughout the song.  (Sounds like another 70s/80s disco/funk sample). At 5:27, a scratchy sample saying "Yeah" is played forward, then backward, then forward again, with some additional scrubbing in between. At 6:00, "Yeah" plays again, but only once.
+
* [Simon Wilkinson] suggests similar words, with a few minor changes:
 +
<blockquote>
 +
"She leaves us [wait?] [loaded for others of us?].<br />
 +
The holts are about 500 meters apart,<br />
 +
And of use only [?] pass us by, or they [advertise?]"
 +
</blockquote>
 +
 
 +
* [Simon Wilkinson] also points out that the voice sounds similar to that of Welsh actor [http://www.imdb.com/name/nm0535053/ Philip Madoc] (heard very briefly here at links Simon provided: [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988.rm], [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988b.rm].
 +
 
 +
* Thanks again to [JimE] for noticing something else:
 +
<blockquote>
 +
"there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with  "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of [[Boards of Canada|BoC]]."
 +
 
 +
* A voice that sounds like a black male singing "No" fades in at 4:35 and continues throughout the song.  (Sounds like another 70s/80s disco/funk sample) At 5:27 A scratchy sample saying "Yeah" is played forward, then backward, then forward again, with some additional scrubbing in between. At 6:00, "Yeah" plays again, but only once.
 +
</blockquote>
  
 
==Trivia==
 
==Trivia==
  
−
*This track's title is referenced in "[[Sunshine Recorder]]" on ''[[Geogaddi]]''.
+
*This track's title is referenced in "[[Sunshine Recorder]]" on [[Geogaddi]]
  
 
== Videos ==
 
== Videos ==
  
−
{{#widget:YouTube|id= xf66Lmrqk00}}
+
{{#widget:YouTube|id= xf66Lmrqk00|width=300|height=300}} {{#widget:YouTube|id= UVMh7r0LHW4|width=300|height=300}}
 +
(skip to 26m40)
  
−
== External Links ==
+
== External links==
 +
 +
[https://www.youtube.com/watch?v=UVMh7r0LHW4&t=26m40s On the Tracks of the Wild Otter]
  
 
== References ==
 
== References ==
−
<references />
 
  
 
[[Category:Released tracks]]
 
[[Category:Released tracks]]
 
[[Category:Music Has the Right to Children tracks]]
 
[[Category:Music Has the Right to Children tracks]]

Please note that all contributions to bocpages - the unofficial Boards of Canada fan wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see bocpages:Copyrights for details). Do not submit copyrighted work without permission!

To edit this page, please answer the question that appears below (more info):

Cancel | Editing help (opens in new window)

Template used on this page: