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Difference between revisions of "Julie And Candy"
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== Comments == | == Comments == | ||
* In the adult film [https://www.imdb.com/title/tt0128647/ "Summer of '72"] (which is the source of samples found in "[[Sixtyniner]]" / "[[Sir Prancelot Brainfire]]", "[[Niagara]]" and "[[P:C:]]"), there is a character duo named "Julie" and "Candy", so the title may be a reference to them. | * In the adult film [https://www.imdb.com/title/tt0128647/ "Summer of '72"] (which is the source of samples found in "[[Sixtyniner]]" / "[[Sir Prancelot Brainfire]]", "[[Niagara]]" and "[[P:C:]]"), there is a character duo named "Julie" and "Candy", so the title may be a reference to them. | ||
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* In interviews, [[Boards of Canada]] have used "[[Julie And Candy]]" as a point of reference for their approach to music production: | * In interviews, [[Boards of Canada]] have used "[[Julie And Candy]]" as a point of reference for their approach to music production: | ||
| + | <blockquote>In the past, we've taken a much more minimal approach to the texture, like single melody lines where you could clearly hear the instrument. I guess we're heading back toward that empty sound now after Geogaddi, but sometimes it's nice to make a track that just sounds like a weird cacophony of undefined instruments. ''Most of "[[Julie And Candy]]" was actually made up of recorders and flutes.<ref>[[Interviews#2002-07-01:_Remix|Remix Magazine, July 2002]]</ref></blockquote> | ||
| − | + | <blockquote>We don't like using digital things or computer effects so we get sounds by doing things like running whole parts through a really bad tape recorder or something like that. ''Like the intro on "[[Julie And Candy]]" for example, we just played the melody on a couple of whistles and then we bounced it back and forward between the internal mics of two tape-decks until the sound started disappearing into hell. Like when you look at an image reflected within two mirrors forever, in the distance it gets darker and greener and murkier.<ref>[[Interviews#2002-02:_HMV|HMV Magazine, February 2002]]</ref></blockquote> | |
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| − | <blockquote>We don't like using digital things or computer effects so we get sounds by doing things like running whole parts through a really bad tape recorder or something like that. ''Like the intro on "[[Julie And Candy]]" for example, we just played the melody on a couple of whistles and then we bounced it back and forward between the internal mics of two tape-decks until the sound started disappearing into hell. Like when you look at an image reflected within two mirrors forever, in the distance it gets darker and greener and murkier.</blockquote> | ||
| − | ==Samples/Lyrics== | + | ==Samples / Lyrics== |
* In the opening bars of "[[Julie And Candy]]" (and again at 2:46), a sample of dialogue taken from George A. Romero's 1972 film "[[wikipedia:Season_of_the_Witch_(1972_film)|Season of the Witch]]" (alternately titled "Hungry Wives") can be heard: | * In the opening bars of "[[Julie And Candy]]" (and again at 2:46), a sample of dialogue taken from George A. Romero's 1972 film "[[wikipedia:Season_of_the_Witch_(1972_film)|Season of the Witch]]" (alternately titled "Hungry Wives") can be heard: | ||
Revision as of 12:13, 31 May 2022
| Julie And Candy | |
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| Running time | 5:30 |
| Appears on | Geogaddi |
Comments
- In the adult film "Summer of '72" (which is the source of samples found in "Sixtyniner" / "Sir Prancelot Brainfire", "Niagara" and "P:C:"), there is a character duo named "Julie" and "Candy", so the title may be a reference to them.
- In interviews, Boards of Canada have used "Julie And Candy" as a point of reference for their approach to music production:
In the past, we've taken a much more minimal approach to the texture, like single melody lines where you could clearly hear the instrument. I guess we're heading back toward that empty sound now after Geogaddi, but sometimes it's nice to make a track that just sounds like a weird cacophony of undefined instruments. Most of "Julie And Candy" was actually made up of recorders and flutes.[1]
We don't like using digital things or computer effects so we get sounds by doing things like running whole parts through a really bad tape recorder or something like that. Like the intro on "Julie And Candy" for example, we just played the melody on a couple of whistles and then we bounced it back and forward between the internal mics of two tape-decks until the sound started disappearing into hell. Like when you look at an image reflected within two mirrors forever, in the distance it gets darker and greener and murkier.[2]
Samples / Lyrics
- In the opening bars of "Julie And Candy" (and again at 2:46), a sample of dialogue taken from George A. Romero's 1972 film "Season of the Witch" (alternately titled "Hungry Wives") can be heard:
Shirley: "You're putting me on!"
Gregg: "We're going to try it, you ever try it?"
Shirley: "You're putting me on!"
Gregg: "I'm TURNING you on."
Shirley: "You're putting me on! Where did you get that stuff?"
Gregg: "Oh, Nikki's growing a patch out in the backyard".
Shirley: "Come on, you're putting me on."
Nikki: "Yeah, he's putting you on, he's a brat!"
Shirley: "Uh-huh. Sure, sure!"
The original audio sampled from "Season of the Witch". MP3 sample
- From 4:00 to about 4:40, a female voice can be heard quickly saying, "Hey!" It starts at 4:00, it's very easy to hear at 4:26 and 4:33. It comes from the left side.
Videos