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Difference between revisions of "Telepath"

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[[Category: Released tracks]]
 
[[Category: Tomorrow's Harvest tracks]]
 
 
  
 
== Comments ==
 
== Comments ==
* Telepathy is the supposed communication of thoughts or ideas by means other than the known senses. It was a major field of research for scientists during the early 20th century and into the Cold War. <ref>http://en.wikipedia.org/wiki/Telepathy</ref>  Upton Sinclair also conducted telepathy experiments in the 30's.<ref>http://books.google.com/books?id=ZQEmLUlDXz0C</ref>
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* Telepathy is the supposed communication of thoughts or ideas by means other than the known senses. It was a major field of research for scientists during the early 20th century and into the Cold War. <ref>http://en.wikipedia.org/wiki/Telepathy</ref>  Upton Sinclair also conducted telepathy experiments in the '30s.<ref>http://books.google.com/books?id=ZQEmLUlDXz0C</ref>
  
* The audio distortions on the vocals of this track may have been modeled after the reported auditory distortions present in Microwave auditory effect <ref>en.wikipedia.org/wiki/Microwave_auditory_effect</ref>, which was a facet of telepathy research during the Cold War. This auditory phenomenon was used to transmit sounds directly from a microwave emitter into the human brain. Researchers described that the auditory distortions inherent to this process caused "the sounds [to resemble] those emitted by persons with an artificial voice box." <ref> D.R. Justesen. "Microwaves and Behavior", Am Psychologist, 392(Mar): 391–401, 1975.</ref>
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* The audio distortions on the vocals of this track may have been modeled after the reported auditory distortions present in Microwave auditory effect <ref>[[wikipedia|Microwave_auditory_effect]]</ref>, which was a facet of telepathy research during the Cold War. This auditory phenomenon was used to transmit sounds directly from a microwave emitter into the human brain. Researchers described that the auditory distortions inherent to this process caused "the sounds [to resemble] those emitted by persons with an artificial voice box." <ref> D.R. Justesen. "Microwaves and Behavior", Am Psychologist, 392(Mar): 391–401, 1975.</ref>
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*When played backward, the voice counting in the track can be heard to say "This is (is) the end of the Earth.. for now."
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* Narratively, in sticking with the theme of cycles on the album, this track follows the evolution or mutation of a new civilization on Earth following the thawing of the planet from an artificial nuclear ice age ("[[White Cyclosa]]", who also fail (or "[[Collapse]]") due to an ice-age, as presented in "[[Cold Earth]]", the next track on the album. This implies cycles operating at multiple scales, that of the death-rebirth cycle of civilizations, and perhaps that of individual humans as in some other religious or spiritual beliefs, of cyclical weather patterns, and of the civilization itself, which was born out of an ice age ("[[Jacquard Causeway]]") and died from an ice age ("[[Cold Earth]]").
  
 
== Samples / Lyrics ==
 
== Samples / Lyrics ==
  
0:04 "Testing.  One,  two,  three,  four,  five,  six,  seven, eight,  nine, (nine), ten. (oops) Up and down, quite a thing."  
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0:04 "Testing.  One,  two,  three,  four,  five,  six,  seven, eight,  nine, ten. (oops) Up and down, quite a thing [while I'm counting?]."  
 
(background)  six, six, nine.
 
(background)  six, six, nine.
  
0:20: (Second voice) "On repeat. Give me a count."
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0:20: (Second voice) "On repeat. Give me a count." (also sounds like "you can't")
  
0:23 "The stuff that they know, the one on the right and then turn it up, while I'm counting. One... three, four, fi-ive, six, seven, eight, ni- (garbled)"
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0:23 "The stuff that they know, the one on the right and then turn it up, while I'm counting. One... three, four, fi-ive, six, seven, eight, through ni- (garbled)"
  
 
0:43: (Second voice) "It's too loud."  (Pitched down) "Plaid."
 
0:43: (Second voice) "It's too loud."  (Pitched down) "Plaid."
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"One, two, three, four, fi-ive, six, six, seven."
 
"One, two, three, four, fi-ive, six, six, seven."
  
* After last number you can also hear quiet "listen" (same, as in "Reach for the Dead").
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* After the last number you can hear a quiet "listen" (same as in "Reach for the Dead").
  
 
== Trivia ==
 
== Trivia ==
*In one sequence, the number six is repeated in the background, the result sounding more like "666".
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* In one sequence, the number six is repeated in the background, the result sounding more like "666".
* Download the video "The Pharmacratic Inquisition - Full Length Lecture" (http://www.youtube.com/watch?v=w5zGRzz_5YA), open it in Quicktime Player and scrub to 03:05:21. Link: Telepath has a rhythm very similar to Trent Reznor's "Hand Covers Bruise" from The Social Network soundtrack (Bruise is 6-4-7/11-9-2 and Telepath is 5-1-11-6-(3)). Start Telepath at the same time they say "Bruise" at 03:05:31; concurrently, double tap CMD+right-right to pop the video to 4x speed (hint: loop Telepath and start two seconds until the end). You'll find the video during Telepath's fadeout has noise that sounds similar to the speaking voice from Telepath.
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* Madonna’s “Live to Tell” intro at .75x sounds like "[[Telepath]]".<ref>https://www.youtube.com/watch?v=ZmE-fC9ZEBg</ref>
  
 
== Videos ==
 
== Videos ==
  
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{{#widget:YouTube|id=q8inVehcG90}}
 
{{#widget:YouTube|id=pi4GHBny_eg}}
 
{{#widget:YouTube|id=pi4GHBny_eg}}
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{{#widget:YouTube|id= ZmE-fC9ZEBg}}
  
 
== External links==
 
== External links==
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<references />
 
<references />
  
<br />
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[[Category: Released tracks]]
{{stub}}
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[[Category: Tomorrow's Harvest tracks]]

Latest revision as of 12:56, 13 June 2024

Telepath
Running time 1:32
Appears on Tomorrow's Harvest


Comments[edit]

  • Telepathy is the supposed communication of thoughts or ideas by means other than the known senses. It was a major field of research for scientists during the early 20th century and into the Cold War. [1] Upton Sinclair also conducted telepathy experiments in the '30s.[2]
  • The audio distortions on the vocals of this track may have been modeled after the reported auditory distortions present in Microwave auditory effect [3], which was a facet of telepathy research during the Cold War. This auditory phenomenon was used to transmit sounds directly from a microwave emitter into the human brain. Researchers described that the auditory distortions inherent to this process caused "the sounds [to resemble] those emitted by persons with an artificial voice box." [4]
  • When played backward, the voice counting in the track can be heard to say "This is (is) the end of the Earth.. for now."
  • Narratively, in sticking with the theme of cycles on the album, this track follows the evolution or mutation of a new civilization on Earth following the thawing of the planet from an artificial nuclear ice age ("White Cyclosa", who also fail (or "Collapse") due to an ice-age, as presented in "Cold Earth", the next track on the album. This implies cycles operating at multiple scales, that of the death-rebirth cycle of civilizations, and perhaps that of individual humans as in some other religious or spiritual beliefs, of cyclical weather patterns, and of the civilization itself, which was born out of an ice age ("Jacquard Causeway") and died from an ice age ("Cold Earth").

Samples / Lyrics[edit]

0:04 "Testing. One, two, three, four, five, six, seven, eight, nine, ten. (oops) Up and down, quite a thing [while I'm counting?]." (background) six, six, nine.

0:20: (Second voice) "On repeat. Give me a count." (also sounds like "you can't")

0:23 "The stuff that they know, the one on the right and then turn it up, while I'm counting. One... three, four, fi-ive, six, seven, eight, through ni- (garbled)"

0:43: (Second voice) "It's too loud." (Pitched down) "Plaid."

0:45 "Well, this is quite pleasant. Let's play it back and see what it sounds like."

(Second and third voice) "Could I get the one voice?", "Nervous!", "Don't be nervous."

"One, two, three, four, fi-ive, six, six, seven."

  • After the last number you can hear a quiet "listen" (same as in "Reach for the Dead").

Trivia[edit]

  • In one sequence, the number six is repeated in the background, the result sounding more like "666".
  • Madonna’s “Live to Tell” intro at .75x sounds like "Telepath".[5]

Videos[edit]

External links[edit]

References[edit]

  1. http://en.wikipedia.org/wiki/Telepathy
  2. http://books.google.com/books?id=ZQEmLUlDXz0C
  3. Microwave_auditory_effect
  4. D.R. Justesen. "Microwaves and Behavior", Am Psychologist, 392(Mar): 391–401, 1975.
  5. https://www.youtube.com/watch?v=ZmE-fC9ZEBg