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about 500 yards apart, [enough for the use of any otter who passes by?], with or without cubs<br /> </blockquote> | about 500 yards apart, [enough for the use of any otter who passes by?], with or without cubs<br /> </blockquote> | ||
− | * | + | * [JimE] noticed something else: |
<blockquote> | <blockquote> | ||
"there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of [[Boards of Canada|BoC]]." </blockquote> | "there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of [[Boards of Canada|BoC]]." </blockquote> |
An Eagle in Your Mind | |
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Running time | 6:23 |
Appears on | MHTRTC |
the holts are nearly always close to sea
about 500 yards apart, [enough for the use of any otter who passes by?], with or without cubs
in fallen boulders, old ruins, and cliffs
all at the top of a stack, like this
high above the sea
a safe place for cubs
I wait, tense
then disappointed
she leaves her spraint to notify others of her visit
the holts are evenly spaced
"there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of BoC."
(skip to 26m40)