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Difference between revisions of "Telepath"

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* The audio distortions on the vocals of this track may have been modeled after the reported auditory distortions present in Microwave auditory effect <ref>en.wikipedia.org/wiki/Microwave_auditory_effect</ref>, which was a facet of telepathy research during the Cold War. This auditory phenomenon was used to transmit sounds directly from a microwave emitter into the human brain. Researchers described that the auditory distortions inherent to this process caused "the sounds [to resemble] those emitted by persons with an artificial voice box." <ref> D.R. Justesen. "Microwaves and Behavior", Am Psychologist, 392(Mar): 391–401, 1975.</ref>
 
* The audio distortions on the vocals of this track may have been modeled after the reported auditory distortions present in Microwave auditory effect <ref>en.wikipedia.org/wiki/Microwave_auditory_effect</ref>, which was a facet of telepathy research during the Cold War. This auditory phenomenon was used to transmit sounds directly from a microwave emitter into the human brain. Researchers described that the auditory distortions inherent to this process caused "the sounds [to resemble] those emitted by persons with an artificial voice box." <ref> D.R. Justesen. "Microwaves and Behavior", Am Psychologist, 392(Mar): 391–401, 1975.</ref>
 
*When played backwards, the voice counting in the track can be heard to say "This is (is) the end of the Earth.. for now."
 
*When played backwards, the voice counting in the track can be heard to say "This is (is) the end of the Earth.. for now."
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* Narratively, in sticking with the theme of cycles on the album, This tracks follows the evolution or mutation of a new civilisation on earth following the thawing of the planet from an artificial nuclear ice age, who also fail or [[Collapse]], back to an ice-age, or [[Cold Earth]], the next track on the album.
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* Narratively, in sticking with the theme of cycles on the album, this tracks follows the evolution or mutation of a new civilisation on Earth following the thawing of the planet from an artificial nuclear ice age ([[White Cyclosa]], who also fail (or [[Collapse]]) due to an ice-age, as presented in [[Cold Earth]], the next track on the album. This implies cycles operating at multiple scales, that of the death-rebirth cycle of civilisations, of cyclical weather patterns, and of the civilisation itself, who were born out of, and died from an ice age.
  
 
== Samples / Lyrics ==
 
== Samples / Lyrics ==

Revision as of 08:22, 5 April 2023

Telepath
Running time 1:32
Appears on Tomorrow's Harvest


Comments

  • Telepathy is the supposed communication of thoughts or ideas by means other than the known senses. It was a major field of research for scientists during the early 20th century and into the Cold War. [1] Upton Sinclair also conducted telepathy experiments in the 30's.[2]
  • The audio distortions on the vocals of this track may have been modeled after the reported auditory distortions present in Microwave auditory effect [3], which was a facet of telepathy research during the Cold War. This auditory phenomenon was used to transmit sounds directly from a microwave emitter into the human brain. Researchers described that the auditory distortions inherent to this process caused "the sounds [to resemble] those emitted by persons with an artificial voice box." [4]
  • When played backwards, the voice counting in the track can be heard to say "This is (is) the end of the Earth.. for now."
  • Narratively, in sticking with the theme of cycles on the album, this tracks follows the evolution or mutation of a new civilisation on Earth following the thawing of the planet from an artificial nuclear ice age (White Cyclosa, who also fail (or Collapse) due to an ice-age, as presented in Cold Earth, the next track on the album. This implies cycles operating at multiple scales, that of the death-rebirth cycle of civilisations, of cyclical weather patterns, and of the civilisation itself, who were born out of, and died from an ice age.

Samples / Lyrics

0:04 "Testing. One, two, three, four, five, six, seven, eight, nine, ten. (oops) Up and down, quite a thing [while I'm counting?]." (background) six, six, nine.

0:20: (Second voice) "On repeat. Give me a count." (also sounds like "you can't")

0:23 "The stuff that they know, the one on the right and then turn it up, while I'm counting. One... three, four, fi-ive, six, seven, eight, through ni- (garbled)"

0:43: (Second voice) "It's too loud." (Pitched down) "Plaid."

0:45 "Well, this is quite pleasant. Let's play it back and see what it sounds like."

(Second and third voice) "Could I get the one voice?", "Nervous!", "Don't be nervous."

"One, two, three, four, fi-ive, six, six, seven."

  • After the last number you can hear a quiet "listen" (same as in "Reach for the Dead").

Trivia

  • In one sequence, the number six is repeated in the background, the result sounding more like "666".
  • Madonna’s β€œLive to Tell” intro at .75x sounds like "Telepath".[5]

Videos

External links

References

  1. ↑ http://en.wikipedia.org/wiki/Telepathy
  2. ↑ http://books.google.com/books?id=ZQEmLUlDXz0C
  3. ↑ en.wikipedia.org/wiki/Microwave_auditory_effect
  4. ↑ D.R. Justesen. "Microwaves and Behavior", Am Psychologist, 392(Mar): 391–401, 1975.
  5. ↑ https://www.youtube.com/watch?v=ZmE-fC9ZEBg