artists mentioned by Boards of Canada in their interviews
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==Comments== | ==Comments== | ||
β | *All of the percussion on "[[An Eagle in Your Mind]]" was created using cut up samples of [[ | + | *All of the percussion on "[[An Eagle in Your Mind]]" was created using cut up samples of [[Michael Sandison]]'s girlfriend's voice ([[Interviews#2002-07-01:_Remix|Remix Magazine, 2002]]). |
* A video (made for the [[WATMM video contest]]) was created for "[[An Eagle in Your Mind]]" by "[https://on-go.bandcamp.com/ Jesse Anderson]" using stock footage sampled from Tatsuo Sato's anime film "[http://www.imdb.com/title/tt0385586/ Cat Soup]." This video also offers an interpretation of the vocal sample heard during the track. | * A video (made for the [[WATMM video contest]]) was created for "[[An Eagle in Your Mind]]" by "[https://on-go.bandcamp.com/ Jesse Anderson]" using stock footage sampled from Tatsuo Sato's anime film "[http://www.imdb.com/title/tt0385586/ Cat Soup]." This video also offers an interpretation of the vocal sample heard during the track. | ||
==Samples / Lyrics== | ==Samples / Lyrics== | ||
β | + | The song samples the documentary On the Tracks of the Wild Otter (1983). The sample can be heard at around 26:40. | |
+ | <nowiki>all atop of the santcus | ||
+ | high above the sea | ||
+ | a safe place on all counts | ||
+ | a great place</nowiki> | ||
+ | *At 1:53 an unidentified speech sample (thought by some to be the voice Welsh actor [http://www.imdb.com/name/nm0535053/ Philip Madoc]) begins narrating a story. It is difficult to understand, but thought to be the following: | ||
<blockquote> | <blockquote> | ||
β | + | "the holts are nearly always close to sea<br /> | |
β | + | fallen boulders, old ruins, and cliffs<br /> | |
β | all at the top of a | + | all at the top of a sand edifice<br /> |
β | + | high above the sea<br /> | |
β | + | a safe place for cubs<br /> | |
β | + | we wait, tense<br /> | |
β | |||
β | |||
β | |||
β | |||
β | + | we're disappointed<br /> | |
+ | she leaves her [?] loaded by others of us<br /> | ||
+ | the holts are evenly spread<br /> | ||
+ | about 500 meters apart [?] or so they advertise"'' | ||
+ | </blockquote> | ||
β | * | + | * Another variation is as follows: |
<blockquote> | <blockquote> | ||
β | " | + | "Holts are nearly always close to the sea,<br /> |
+ | fallen boulders, old ruins, and cliffs,<br /> | ||
+ | all atop the sand edifice,<br /> | ||
+ | high above the sea:<br /> | ||
+ | a safe place for cubs.<br /> | ||
+ | We wait ... tense. We're disappointed. <br /> | ||
+ | She leaves her [?] to look for [others?]<br /> | ||
+ | The holts are evenly spaced, about 5 meters apart, <br /> | ||
+ | Only enough to fool the passers-by, or so they advertise<br /> | ||
+ | I love you" | ||
+ | </blockquote> | ||
β | * A voice that sounds like a black male singing "No" fades in at 4:35 and continues throughout the song. (Sounds like another 70s/80s disco/funk sample) | + | * [Simon Wilkinson] suggests similar words, with a few minor changes: |
+ | <blockquote> | ||
+ | "She leaves us [wait?] [loaded for others of us?].<br /> | ||
+ | The holts are about 500 meters apart,<br /> | ||
+ | And of use only [?] pass us by, or they [advertise?]" | ||
+ | </blockquote> | ||
+ | |||
+ | * [Simon Wilkinson] also points out that the voice sounds similar to that of Welsh actor [http://www.imdb.com/name/nm0535053/ Philip Madoc] (heard very briefly here at links Simon provided: [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988.rm], [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988b.rm]. | ||
+ | |||
+ | * Thanks again to [JimE] for noticing something else: | ||
+ | <blockquote> | ||
+ | "there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of [[Boards of Canada|BoC]]." | ||
+ | |||
+ | * A voice that sounds like a black male singing "No" fades in at 4:35 and continues throughout the song. (Sounds like another 70s/80s disco/funk sample) At 5:27 A scratchy sample saying "Yeah" is played forward, then backward, then forward again, with some additional scrubbing in between. At 6:00, "Yeah" plays again, but only once. | ||
+ | </blockquote> | ||
==Trivia== | ==Trivia== | ||
β | *This track's title is referenced in "[[Sunshine Recorder]]" on | + | *This track's title is referenced in "[[Sunshine Recorder]]" on [[Geogaddi]] |
== Videos == | == Videos == | ||
β | {{#widget:YouTube|id= xf66Lmrqk00}} | + | {{#widget:YouTube|id= xf66Lmrqk00|width=300|height=300}} {{#widget:YouTube|id= UVMh7r0LHW4|width=300|height=300}} |
+ | (skip to 26m40) | ||
β | == External | + | == External links== |
+ | |||
+ | [https://www.youtube.com/watch?v=UVMh7r0LHW4&t=26m40s On the Tracks of the Wild Otter] | ||
== References == | == References == | ||
β | |||
[[Category:Released tracks]] | [[Category:Released tracks]] | ||
[[Category:Music Has the Right to Children tracks]] | [[Category:Music Has the Right to Children tracks]] |