artists mentioned by Boards of Canada in their interviews
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|title=Special Long Long Interview | |title=Special Long Long Interview | ||
|author=Heiko Hoffmann | |author=Heiko Hoffmann | ||
− | |date= | + | |date=2005/12 |
|publication=After Hours | |publication=After Hours | ||
|issue=22 (Autumn/Winter) | |issue=22 (Autumn/Winter) | ||
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}} | }} | ||
</onlyinclude> | </onlyinclude> | ||
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+ | "[[Special Long Long Interview]]" was an interview (in Japanese) by Heiko Hoffmann, Translated by Asami Shida, originally published December 2005 in After Hours magazine Number 22 (Autumn/Winter). | ||
+ | </onlyinclude> | ||
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__TOC__ | __TOC__ | ||
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== Original Text == | == Original Text == | ||
<onlyinclude> | <onlyinclude> | ||
− | + | {{transcription-needed}} | |
− | {{ | ||
</onlyinclude> | </onlyinclude> | ||
+ | == Translated Text == | ||
<onlyinclude> | <onlyinclude> | ||
− | + | {{translation-needed}} | |
+ | Note: rough translation | ||
− | + | pg.22: | |
+ | {{question|どの曲が「The Campfire Headphase 」の中で一番アルバムを象徴していますか?}} | ||
+ | {{boc|'''Mike'''「Dayan Cowboy」。それがたぶんみんなを一番驚かす曲だと思う。なぜってイント口がすっごく長くて、何が起きるかを全然匂わせないのに、突然動き出すっていう、ギターの震音とストリングがいっぱい入ったかなりワイルドな曲だからさ。恐らく僕らの音楽を知ってる人たちは、その曲に一番びっくりしてしまうだろうね。}} | ||
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− | + | .... | |
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+ | pg. 23: | ||
+ | {{question|以前にスタジオでギターを使った作業をしたことはあったんですか?}} | ||
+ | {{boc|'''Mike'''実は「Twoism」をレコーディングする直前が僕らのターニングポイントだったんだ。それまではアルバム全体がギターをかなりふんだんに使ったものになっていてね。94年から95年の間prの年は恐らく10カ月はこういう、Killing Jokeのような音楽に影響されたものを当時作ろうとしてたんだ。とても暗いやつ。その後そういうものとの重大な分かれ目にぶち当たり、本当にスムトレスになってきて、全部ボツにしてすぐ直感的に何か他のことをすることに決めたんだ。本当にクシンプルな電子音楽やミニマルをやりたかったのにさ。そして、なるべく空っぽでゆったりとした感じにしようとして、そうしてできたのが「Twoism」シなんだ。}} | ||
</onlyinclude> | </onlyinclude> | ||
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== Scans == | == Scans == | ||
<gallery> | <gallery> | ||
− | Image: | + | Image:2005 12 After Hours Autumn Winter No22 Cover.JPG |
− | Image: | + | Image:2005 12 After Hours Autumn Winter No22 pg17.jpg |
− | Image: | + | Image:2005 12 After Hours Autumn Winter No22 pg18 pg19.jpg |
+ | Image:2005 12 After Hours Autumn Winter No22 pg20 pg21.jpg | ||
+ | Image:2005 12 After Hours Autumn Winter No22 pg22 pg 23.jpg | ||
+ | Image:2005 12 After Hours Autumn Winter No22 pg24 pg25.jpg | ||
</gallery> | </gallery> | ||
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+ | == Highlights == | ||
+ | * This appears to be the full Hoffmann interview, which essentially pieces together the Pitchfork [https://bocpages.org/wiki/The_Downtempo_Duo interview] and Groove [https://bocpages.org/wiki/Boards_of_Canada:_O_Brothers_Where_Art_Thou interview] | ||
+ | * Appears to have only two question and answers unique to this publication. One of which describes Pre-Twoism influences and style, e.g., using more guitars and being influenced by [[wikipedia:Killing Joke|Killing Joke]]. | ||
+ | |||
+ | == External Links == | ||
+ | * | ||
+ | |||
== References == | == References == |
title | Special Long Long Interview |
---|---|
author | Heiko Hoffmann |
publication | After Hours |
date | 2005/12 |
issue | 22 (Autumn/Winter) |
pages | 17-25 |
"Special Long Long Interview" was an interview (in Japanese) by Heiko Hoffmann, Translated by Asami Shida, originally published December 2005 in After Hours magazine Number 22 (Autumn/Winter).
This article needs to be transcribed. If you can provide a transcription, please update this article! |
This article needs to be translated. If you can provide a translation, please update this article! |
Note: rough translation
pg.22:
....
pg. 23: