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"there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of [[Boards of Canada|BoC]]." </blockquote> | "there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of [[Boards of Canada|BoC]]." </blockquote> | ||
− | * A voice that sounds like a black male singing "No" fades in at 4:35 and continues throughout the song. (Sounds like another 70s/80s disco/funk sample). At 5:27 | + | * A voice that sounds like a black male singing "No" fades in at 4:35 and continues throughout the song. (Sounds like another 70s/80s disco/funk sample). At 5:27, a scratchy sample saying "Yeah" is played forward, then backward, then forward again, with some additional scrubbing in between. At 6:00, "Yeah" plays again, but only once. |
==Trivia== | ==Trivia== |
An Eagle in Your Mind | |
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Running time | 6:23 |
Appears on | MHTRTC |
The holts are nearly always close to the sea
about 500 yards apart, [enough for the use of any otter who passes by?], with or without cubs
in fallen boulders, old ruins, and cliffs
all at the top of a stack, like this
High above the sea
A safe place for cubs
I wait, tense
then disappointed
She leaves her spraint to notify others of her visit
The holts are evenly spaced
"there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of BoC."
(skip to 23m56)