Difference between revisions of "Children Have the Right to Film"
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Revision as of 12:23, 20 April 2020
| title | Children Have The Right To Film |
|---|---|
| author | Daniel Chamberlin |
| publication | URB |
| date | 1999/01 |
| issue | Vol.09 No.63 (Jan/Feb 1999) |
| pages | p.26 |
Contents
Original Text
"Children Have The Right To Film" is an interview by Daniel Chamberin originally published Jan. 1999 in Urb magazine Volume 09, Number 63 (Jan/Feb 1999), p.26
This is an original text copied verbatim from the original source. Do not edit this text to correct errors or misspellings. Aside from added wikilinks, this text is exactly as it originally appeared.
Children Have the Right to Film
Scotland's Boards of Canada (Michael Sandison and Marcus Eoin) make downtempo techno out of samples of smiling children and their tripping teachers, melodic lullabies, tones and rhythms as chilly and deep as a summer loch. Much of the atmosphere created in their music springs from an elaborate, far-from-kitschy use of sampled motifs from both television programs and the '70s-era documentaries produced by the National Film Board of Canada (hence the name). Not surprisingly, original video footage has accompanied some of their live sets alongside soundtracks from obscure children's programming.
- Michael Sandison's Top Ten Films
- Be Glad for the Song Has No End
- Picnic at Hanging Rock
- The New Numbers (unknown)
- Heavenly Creatures
- Dark Star
- The Elephant Man
- Dandelion Seed (unknown)
- Followers
- A Man Escaped
- Revolution (unknown)
- Marcus Eoin's Top Ten Films
- Papillon
- Ice Core Drilling (unknown - thought to perhaps be an NFBC film)
- The Invention of Destruction
- Zabriskie Point
- Alice
- The Andromeda Strain
- Jesus Christ Superstar
- Diagram (unknown - may refer to Paul Glabicki's 1978 Diagram Film)
- Capricorn One
- The Wizard of Oz
interview by Daniel Chamberlin, February 1999.
Highlights and Notes
