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(Added a section about the live version, also added a bit about the "revolution" sample) |
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| name=Julie And Candy | | name=Julie And Candy | ||
| runtime=5:30 | | runtime=5:30 | ||
| − | | appearson=[[Geogaddi]]}} | + | | appearson=[[Geogaddi]] |
| + | | next=[[The Smallest Weird Number]] | ||
| + | | prev=[[In The Annexe]]}} | ||
== Comments == | == Comments == | ||
| − | * In the adult film [https://www.imdb.com/title/tt0128647/ "Summer of '72"] (which is the source of samples found in "[[Sixtyniner]]" / "[[Sir Prancelot Brainfire]]", "[[Niagara]]" and "[[P:C:]]"), there is a character duo named "Julie" and "Candy", so the title may be a reference to them. | + | * In the adult film [https://www.imdb.com/title/tt0128647/ "Summer of '72"] (which is the source of samples found in "[[Sixtyniner]]" / "[[Sir Prancelot Brainfire]]", "[[Niagara]]" and "[[P:C:]]"), there is a character duo named "Julie" and "Candy", so the title may be a reference to them. Another theory posits it could, instead, be a reference to [[wikipedia:Death_of_Candace_Newmaker|Julie Ponder and Candace Newmaker]]. |
* In interviews, [[Boards of Canada]] have used "[[Julie And Candy]]" as a point of reference for their approach to music production: | * In interviews, [[Boards of Canada]] have used "[[Julie And Candy]]" as a point of reference for their approach to music production: | ||
| − | <blockquote>In the past, we've taken a much more minimal approach to the texture, like single melody lines where you could clearly hear the | + | <blockquote>In the past, we've taken a much more minimal approach to the texture, like single melody lines where you could clearly hear the instrument. I guess we're heading back toward that empty sound now after Geogaddi, but sometimes it's nice to make a track that just sounds like a weird cacophony of undefined instruments. ''Most of "[[Julie And Candy]]" was actually made up of recorders and flutes.<ref>[[Interviews#2002-07-01:_Remix|Remix Magazine, July 2002]]</ref></blockquote> |
<blockquote>We don't like using digital things or computer effects so we get sounds by doing things like running whole parts through a really bad tape recorder or something like that. ''Like the intro on "[[Julie And Candy]]" for example, we just played the melody on a couple of whistles and then we bounced it back and forward between the internal mics of two tape-decks until the sound started disappearing into hell. Like when you look at an image reflected within two mirrors forever, in the distance it gets darker and greener and murkier.<ref>[[Interviews#2002-02:_HMV|HMV Magazine, February 2002]]</ref></blockquote> | <blockquote>We don't like using digital things or computer effects so we get sounds by doing things like running whole parts through a really bad tape recorder or something like that. ''Like the intro on "[[Julie And Candy]]" for example, we just played the melody on a couple of whistles and then we bounced it back and forward between the internal mics of two tape-decks until the sound started disappearing into hell. Like when you look at an image reflected within two mirrors forever, in the distance it gets darker and greener and murkier.<ref>[[Interviews#2002-02:_HMV|HMV Magazine, February 2002]]</ref></blockquote> | ||
| Line 35: | Line 37: | ||
</blockquote> | </blockquote> | ||
| − | The original audio sampled from "[[wikipedia:Season_of_the_Witch_(1972_film)|Season of the Witch]]" | + | The original audio sampled from "[[wikipedia:Season_of_the_Witch_(1972_film)|Season of the Witch]]": |
[[File:Julie-and-candy--sample-(putting-me-on).mp3]] | [[File:Julie-and-candy--sample-(putting-me-on).mp3]] | ||
| Line 42: | Line 44: | ||
* During parts of the song a low voice can be heard possibly saying "revolution" in time with the beat. This is heard most clearly at 2:30. The sample is also present in the live version of the track. | * During parts of the song a low voice can be heard possibly saying "revolution" in time with the beat. This is heard most clearly at 2:30. The sample is also present in the live version of the track. | ||
| − | * From 4:00 to about 4:40, a female voice can be heard quickly saying, "Hey!" | + | * From 4:00 to about 4:40, a female voice can be heard quickly saying, "Hey!" It starts at 4:00 and is very easy to hear at 4:26 and 4:33. It comes from the left side. |
| − | |||
== Live Version == | == Live Version == | ||
| Line 51: | Line 52: | ||
* The Season of the Witch sample is not present in the live version | * The Season of the Witch sample is not present in the live version | ||
| − | A high-quality soundboard recording of the live version, along with visuals allegedly shown during the show, was uploaded to YouTube by AtalantaFugiens in 2009.<ref> | + | A high-quality soundboard recording of the live version, along with visuals allegedly shown during the show, was uploaded to YouTube by AtalantaFugiens in 2009.<ref> {{#widget:YouTube|id=h-y8HNhJkyM}} </ref> |
| Line 59: | Line 60: | ||
{{#widget:YouTube|id=lZg2sw-92s0}} | {{#widget:YouTube|id=lZg2sw-92s0}} | ||
{{#widget:YouTube|id=SgDLT2MWthw}} | {{#widget:YouTube|id=SgDLT2MWthw}} | ||
| + | |||
| + | |||
| + | == See Also == | ||
| + | * "[[Sixtyniner]]" | ||
| + | * "[[Sir Prancelot Brainfire]]" | ||
| + | * "[[Niagara]]" | ||
| + | * "[[P:C:]]" | ||
| + | * [[Gigs]] | ||
| + | * [[Live @ Lighthouse|The Incredible Warp Lighthouse Party]] | ||
| + | * [[Live @ ATP|All Tomorrow's Parties]] | ||
== External links== | == External links== | ||
| + | * https://www.youtube.com/user/AtalantaFugiens | ||
| + | * [https://www.imdb.com/title/tt0128647/ "Summer of '72"] | ||
| + | * [[wikipedia:Season_of_the_Witch_(1972_film)|Season of the Witch]] | ||
== References == | == References == | ||
| Julie And Candy | |
|---|---|
| Running time | 5:30 |
| Appears on | Geogaddi |
| Next | The Smallest Weird Number |
| Prev | In The Annexe |
In the past, we've taken a much more minimal approach to the texture, like single melody lines where you could clearly hear the instrument. I guess we're heading back toward that empty sound now after Geogaddi, but sometimes it's nice to make a track that just sounds like a weird cacophony of undefined instruments. Most of "Julie And Candy" was actually made up of recorders and flutes.[1]
We don't like using digital things or computer effects so we get sounds by doing things like running whole parts through a really bad tape recorder or something like that. Like the intro on "Julie And Candy" for example, we just played the melody on a couple of whistles and then we bounced it back and forward between the internal mics of two tape-decks until the sound started disappearing into hell. Like when you look at an image reflected within two mirrors forever, in the distance it gets darker and greener and murkier.[2]
Shirley: "You're putting me on!"
Gregg: "We're going to try it, you ever try it?"
Shirley: "You're putting me on!"
Gregg: "I'm TURNING you on."
Shirley: "You're putting me on! Where did you get that stuff?"
Gregg: "Oh, Nikki's growing a patch out in the backyard".
Shirley: "Come on, you're putting me on."
Nikki: "Yeah, he's putting you on, he's a brat!"
Shirley: "Uh-huh. Sure, sure!"
The original audio sampled from "Season of the Witch":
Julie And Candy is one of the few Boards of Canada tracks to have been performed live more than once, being performed at both The Incredible Warp Lighthouse Party in 2000, and the All Tomorrow's Parties festival in 2001. The live version differs substantially from the final version included on Geogaddi. Notable differences include:
A high-quality soundboard recording of the live version, along with visuals allegedly shown during the show, was uploaded to YouTube by AtalantaFugiens in 2009.[3]