m (ββSamples/Lyrics) |
(changed the formerboc pages interview links to the proper wiki interview section) |
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| runtime=6:23 | | runtime=6:23 | ||
| appearson=[[MHTRTC]]}} | | appearson=[[MHTRTC]]}} | ||
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==Production== | ==Production== | ||
β | *All of the percussion on "An Eagle in Your Mind" was created using cut up samples of [[Michael Sandison]]'s girlfriend's voice ([ | + | *All of the percussion on "[[An Eagle in Your Mind]]" was created using cut up samples of [[Michael Sandison]]'s girlfriend's voice ([[Interviews#2002-07-01:_Remix|Remix Magazine, 2002]]). |
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==Samples/Lyrics== | ==Samples/Lyrics== | ||
β | *At 1:53 an unidentified speech sample (thought by some to be the voice Welsh actor Philip Madoc) begins narrating a story. It is difficult to understand, but thought to be the following: | + | *At 1:53 an unidentified speech sample (thought by some to be the voice Welsh actor [http://www.imdb.com/name/nm0535053/ Philip Madoc]) begins narrating a story. It is difficult to understand, but thought to be the following: |
''"the holts are nearly always close to sea | ''"the holts are nearly always close to sea | ||
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And of use only [?] pass us by, or they [advertise?]"'' | And of use only [?] pass us by, or they [advertise?]"'' | ||
β | * [Simon Wilkinson] also points out that the voice sounds similar to that of Welsh actor Philip Madoc (heard very briefly here at links Simon provided: [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988.rm], [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988b.rm]. | + | * [Simon Wilkinson] also points out that the voice sounds similar to that of Welsh actor [http://www.imdb.com/name/nm0535053/ Philip Madoc] (heard very briefly here at links Simon provided: [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988.rm], [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988b.rm]. |
β | * Thanks again to [JimE] for noticing something else: ''"there's a background sound throughout the song which could be ''"sweat-sweat"'' (in the first part of the song), with ''"tension"'' coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the ''"percussion"'' in the track was constructed using the voice of the girlfriend of one of BoC."'' | + | * Thanks again to [JimE] for noticing something else: |
+ | ''"there's a background sound throughout the song which could be ''"sweat-sweat"'' (in the first part of the song), with ''"tension"'' coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the ''"percussion"'' in the track was constructed using the voice of the girlfriend of one of BoC."'' | ||
==Other Versions/Contexts== | ==Other Versions/Contexts== | ||
β | * A video (made for the [[WATMM video contest]]) was created for "An Eagle in Your Mind" using stock footage sampled from Tatsuo Sato's anime film "[http://www.imdb.com/title/tt0385586/ Cat Soup]." This video also offers an interpretation of the vocal sample heard during the track. | + | * A video (made for the [[WATMM video contest]]) was created for "[[An Eagle in Your Mind]]" using stock footage sampled from Tatsuo Sato's anime film "[http://www.imdb.com/title/tt0385586/ Cat Soup]." This video also offers an interpretation of the vocal sample heard during the track. |
==Trivia== | ==Trivia== | ||
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[[Category:Released tracks]] | [[Category:Released tracks]] | ||
[[Category:Music Has the Right to Children tracks]] | [[Category:Music Has the Right to Children tracks]] | ||
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An Eagly in Your Mind | |
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Running time | 6:23 |
Appears on | MHTRTC |
"the holts are nearly always close to sea fallen boulders, old ruins, and cliffs all at the top of a sand edifice high above the sea a safe place for cubs we wait, tense we're disappointed she leaves her [?] loaded by others of us the holts are evenly spread about 500 meters apart [?] or so they advertise"
"Holts are nearly always close to the sea, fallen boulders, old ruins, and cliffs, all atop the sand edifice, high above the sea: a safe place for cubs. We wait ... tense. We're disappointed. She leaves her [?] to look for [others?] The holts are evenly spaced, about 5 meters apart, Only enough to fool the passers-by, or so they advertise I love you"
"She leaves us [wait?] [loaded for others of us?]. The holts are about 500 meters apart, And of use only [?] pass us by, or they [advertise?]"
"there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of BoC."