(→Tape decks) |
|||
Line 26: | Line 26: | ||
* [http://www.tascam.com/Company.html#1988 TASCAM Company History] | * [http://www.tascam.com/Company.html#1988 TASCAM Company History] | ||
* [http://www.audioscope.net/images/tascammsr16.jpg Image] | * [http://www.audioscope.net/images/tascammsr16.jpg Image] | ||
+ | |||
+ | == Samplers == | ||
+ | === Akai === | ||
+ | ==== S1000 ==== | ||
+ | ''We have five or six samplers, but my favorite by far is still the <b>Akai S1000</b>. It's an old tank now, and the screen has faded so that I almost can't read it, but I know it inside out. It's the most spontaneous thing for making up little tunes. It adds something to the sound — maybe the lower bit depth has something to do with that.'' - [[interviews|Remix, 2002]] | ||
+ | |||
+ | * [www.vintagesynth.com/akai/s1000.shtml Vintage Synth Explorer] | ||
+ | * [http://www.synthmuseum.com/akai/akas100001.jpg Image] |
There has been much debate on what equipment Boards of Canada uses to get their unique sound. Due to their reclusive nature and lack of touring, not much is known for certain, but there is much speculation.
BoC themselves have, in multiple interviews, mentioned the use of a "secret weapon" they use to generate their unique sound. As the name implied, they have declined to provide any specific information on what this "weapon" might be, but most expect it to be some sort of old analog synth.
Many believe the Yamaha CS-80, used by Vangelis, to be this weapon. In the WATMM thread "ATTN BOC-sessives, CS-80 on eBay, however, jbible refutes this, saying
"The synth used by BOC often mistaken for a CS80 is a Crumar with a BOC emblem covering the name of the synth on the back.".
Since jbible has seen BoC live (and is the source of the Live @ ATP bootleg), his comments hold some weight.
In a 2001(?) interview with Mate Galic of Native Instruments, Boards of Canada is listed as one of the artists using NI products (but not details on which ones). [1]
We drop a lot of our music down onto a Tascam 4-track that has a great saturating effect on the sound. Remix, 2002
Whether they're working separately or together, getting ideas down is generally a result of recording extended jams to tape on anything from a Tascam MSR-16 reel-to-reel to an old Revox recorder to a Grundig machine to an ordinary cassette. Remix, 2005
We have five or six samplers, but my favorite by far is still the Akai S1000. It's an old tank now, and the screen has faded so that I almost can't read it, but I know it inside out. It's the most spontaneous thing for making up little tunes. It adds something to the sound — maybe the lower bit depth has something to do with that. - Remix, 2002