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*At 1:53 an unidentified speech sample (thought by some to be the voice Welsh actor [http://www.imdb.com/name/nm0535053/ Philip Madoc]) begins narrating a story. It is difficult to understand, but thought to be the following: | *At 1:53 an unidentified speech sample (thought by some to be the voice Welsh actor [http://www.imdb.com/name/nm0535053/ Philip Madoc]) begins narrating a story. It is difficult to understand, but thought to be the following: | ||
β | + | <blockquote> | |
β | + | "the holts are nearly always close to sea<br /> | |
β | + | fallen boulders, old ruins, and cliffs<br /> | |
β | + | all at the top of a sand edifice<br /> | |
β | + | high above the sea<br /> | |
β | + | a safe place for cubs<br /> | |
β | + | we wait, tense<br /> | |
β | + | we're disappointed<br /> | |
β | + | she leaves her [?] loaded by others of us<br /> | |
β | + | the holts are evenly spread<br /> | |
β | + | about 500 meters apart [?] or so they advertise"'' | |
+ | </blockquote> | ||
* Another variation is as follows: | * Another variation is as follows: | ||
β | + | <blockquote> | |
β | + | "Holts are nearly always close to the sea,<br /> | |
β | + | fallen boulders, old ruins, and cliffs,<br /> | |
β | + | all atop the sand edifice,<br /> | |
β | + | high above the sea:<br /> | |
β | + | a safe place for cubs.<br /> | |
β | + | We wait ... tense. We're disappointed. <br /> | |
β | + | She leaves her [?] to look for [others?]<br /> | |
β | + | The holts are evenly spaced, about 5 meters apart, <br /> | |
β | + | Only enough to fool the passers-by, or so they advertise<br /> | |
β | + | I love you" | |
+ | </blockquote> | ||
* [Simon Wilkinson] suggests similar words, with a few minor changes: | * [Simon Wilkinson] suggests similar words, with a few minor changes: | ||
β | + | <blockquote> | |
β | + | "She leaves us [wait?] [loaded for others of us?].<br /> | |
β | + | The holts are about 500 meters apart,<br /> | |
+ | And of use only [?] pass us by, or they [advertise?]" | ||
+ | </blockquote> | ||
* [Simon Wilkinson] also points out that the voice sounds similar to that of Welsh actor [http://www.imdb.com/name/nm0535053/ Philip Madoc] (heard very briefly here at links Simon provided: [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988.rm], [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988b.rm]. | * [Simon Wilkinson] also points out that the voice sounds similar to that of Welsh actor [http://www.imdb.com/name/nm0535053/ Philip Madoc] (heard very briefly here at links Simon provided: [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988.rm], [http://www.tv-ark.org.uk/misc/main/fivetoeleven1988b.rm]. | ||
* Thanks again to [JimE] for noticing something else: | * Thanks again to [JimE] for noticing something else: | ||
β | + | <blockquote> | |
+ | "there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of BoC." | ||
+ | </blockquote> | ||
==Other Versions/Contexts== | ==Other Versions/Contexts== |
An Eagly in Your Mind | |
---|---|
Running time | 6:23 |
Appears on | MHTRTC |
"the holts are nearly always close to sea
fallen boulders, old ruins, and cliffs
all at the top of a sand edifice
high above the sea
a safe place for cubs
we wait, tense
we're disappointed
she leaves her [?] loaded by others of us
the holts are evenly spread
about 500 meters apart [?] or so they advertise"
"Holts are nearly always close to the sea,
fallen boulders, old ruins, and cliffs,
all atop the sand edifice,
high above the sea:
a safe place for cubs.
We wait ... tense. We're disappointed.
She leaves her [?] to look for [others?]
The holts are evenly spaced, about 5 meters apart,
Only enough to fool the passers-by, or so they advertise
I love you"
"She leaves us [wait?] [loaded for others of us?].
The holts are about 500 meters apart,
And of use only [?] pass us by, or they [advertise?]"
"there's a background sound throughout the song which could be "sweat-sweat" (in the first part of the song), with "tension" coming in later. It's hard to recognise as speech, but it could well be; one of the interviews says that the "percussion" in the track was constructed using the voice of the girlfriend of one of BoC."