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Difference between revisions of "Special Long Long Interview"
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== Highlights and Notes == | == Highlights and Notes == | ||
*This is appears to be the full Hoffmann interview, which essentially pieces together the Pitchfork [https://bocpages.org/wiki/The_Downtempo_Duo interview] and Groove [https://bocpages.org/wiki/Boards_of_Canada:_O_Brothers,_Where_Art_Thou%3F interview] | *This is appears to be the full Hoffmann interview, which essentially pieces together the Pitchfork [https://bocpages.org/wiki/The_Downtempo_Duo interview] and Groove [https://bocpages.org/wiki/Boards_of_Canada:_O_Brothers,_Where_Art_Thou%3F interview] | ||
| − | *Appears to have only two question and answers unique to this publication. | + | *Appears to have only two question and answers unique to this publication. One of which describes Pre-Twoism influences and style, e.g., using more guitars and being influenced by [[wikipedia:Killing Joke|Killing Joke]]. |
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== Scans == | == Scans == | ||
Revision as of 21:33, 10 December 2018
| title | Special Long Long Interview |
|---|---|
| author | Heiko Hoffmann |
| publication | After Hours |
| date | 10 December 2005 |
| issue | 22 (Autumn/Winter) |
| pages | 17-25 |
Contents
Original Text
Special Long Long Interview was an interview (in Japanese) by Heiko Hoffmann, Translated by Asami Shida, originally published December 2005 in After Hours magazine Number 22 (Autumn/Winter).
This is an original text copied verbatim from the original source. Do not edit this text to correct errors or misspellings. Aside from added wikilinks, this text is exactly as it originally appeared.
ROUGH TRANSLATION
....
pg.22:
どの曲が「The Campfire Headphase 」の中で一番アルバムを象徴していますか？
Mike「Dayan Cowboy」。それがたぶんみんなを一番驚かす曲だと思う。なぜってイント口がすっごく長くて、何が起きるかを全然匂わせないのに、突然動き出すっていう、ギターの震音とストリングがいっぱい入ったかなりワイルドな曲だからさ。恐らく僕らの音楽を知ってる人たちは、その曲に一番びっくりしてしまうだろうね。
....
pg. 23:
以前にスタジオでギターを使った作業をしたことはあったんですか？
Mike実は「Twoism」をレコーディングする直前が僕らのターニングポイントだったんだ。それまではアルバム全体がギターをかなりふんだんに使ったものになっていてね。94年から95年の間prの年は恐らく10カ月はこういう、Killing Jokeのような音楽に影響されたものを当時作ろうとしてたんだ。とても暗いやつ。その後そういうものとの重大な分かれ目にぶち当たり、本当にスムトレスになってきて、全部ボツにしてすぐ直感的に何か他のことをすることに決めたんだ。本当にクシンプルな電子音楽やミニマルをやりたかったのにさ。そして、なるべく空っぽでゆったりとした感じにしようとして、そうしてできたのが「Twoism」シなんだ。
Special Long Long Interview
Translated text
TRANSLATED TEXT
BODY
Highlights and Notes
- This is appears to be the full Hoffmann interview, which essentially pieces together the Pitchfork interview and Groove interview
- Appears to have only two question and answers unique to this publication. One of which describes Pre-Twoism influences and style, e.g., using more guitars and being influenced by Killing Joke.