Difference between revisions of "Les Chant Future Des Musiques Electroniques"
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{{boc|'''Marcus Eoin''': Music made on computers will greatly expand, just like the vagueness that will rise in legal domains such as copyright protections and samples distribution. Internet, by making a lot of different musics public as soon as they're broadcasted for the first time, will have a huge impact. Multinational companies such as Sony or Microsoft will try to have control over this music flow and fail.}} | {{boc|'''Marcus Eoin''': Music made on computers will greatly expand, just like the vagueness that will rise in legal domains such as copyright protections and samples distribution. Internet, by making a lot of different musics public as soon as they're broadcasted for the first time, will have a huge impact. Multinational companies such as Sony or Microsoft will try to have control over this music flow and fail.}} | ||
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| + | == Highlights and Notes == | ||
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== Scans == | == Scans == | ||
Revision as of 12:33, 20 April 2020
| title | Les Chant Future Des Musiques Electroniques |
|---|---|
| author | Max Renn |
| publication | Coda |
| date | 2000/01 |
| issue | Series 02 No.09 |
| pages | p.21 |
Contents
Original Text
Les Chant Future Des Musiques Electroniques is an interview (in French) by Max Renn originally published Jan 2000 in Coda magazine Series 02, Number 09, p.21
This is an original text copied verbatim from the original source. Do not edit this text to correct errors or misspellings. Aside from added wikilinks, this text is exactly as it originally appeared.
Les Chant Future Des Musiques Electroniques
Concept & interview : Max Renn / Traduction : Roxanne / Photos : DR
Nous ne pouvons plus ignorer que la bande-son de notre quotidien est presque entièrement dominée par la technologie. Du vrombissement souterrain du métro aux vibrations de la circulation, en passant par le souffle du ventilateur estival, nos sons familiers sont générés par des machines. La musique n'échappe pas à cette règle. De techno qu'elle était il y a 10 ans, elle est devenue tout simplement "électronique". Ou plutôt "musiques électroniques" au pluriel, car elles sont aujourd'hui multiples et parfois même indiscernables de l'analogique. Alors, à l'aube du troisième millénaire, nous pensions qu'il était intéressant de laisser s'exprimer les artistes, toutes générations confondues, qui ont participé à l'évolution d'un genre aujourd'hui incontournable. Aussi, nous avons décidé de poser une question, et une seule, à tous ceux qui gravitent, de près ou de loin, dans l'univers des musiques électroniques : "Quelles évolutions envisagez-vous pour les musiques électroniques du futur ?". A cela, ils ont bien voulu répondre.
...
3/ MIKE SANDISON MARCUS EOIN BOARD OF CANADA Duo électronique (Warp)
Retrouvez Board Of Canada en ligne à :
http://www.ednet.co.uk/-ehx/boc/index.html
Translated text
The Future Sounds Of Electronic Music
Concept & interview : Max Renn / Translation : Roxanne / Photos : DR
We can't ignore anymore that the sounds we hear nowadays are greatly dominated by technology. From the roars of subways to the vibrations of road traffic, without forgetting the wind coming from fans, the sounds we are now familiar with are generated by machines. So does music. From techno it was during the last decade, it is now simply "electronic". Or rather "electronic music" in the plural, because it has become wide and sometimes not so different from the analogic. At the dawn of third millennium, we thought it would be interesting to let artists talk, artists from all generations who got involved in the electronic music evolution, making it a major kind of music. So, we decided to ask just one simple question: "what development do you foresee to electronic music?". To that, they kindly answered.
Highlights and Notes
