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* [BIBIO] has made very perceptive observations on this track, and some others: | * [BIBIO] has made very perceptive observations on this track, and some others: | ||
** On colours: [BIBIO] notes that the "yellow" in "[[Alpha And Omega]]" seems to repeat continuously at a lower volume; that "[[Music Is Math]]" has a faint voice which could be saying "purple", and that playing the end section at half-speed results in what sounds like "red" being repeated. With the "orange" in "[[Aquarius]]", they might be trying to cover the range of rainbow colours. | ** On colours: [BIBIO] notes that the "yellow" in "[[Alpha And Omega]]" seems to repeat continuously at a lower volume; that "[[Music Is Math]]" has a faint voice which could be saying "purple", and that playing the end section at half-speed results in what sounds like "red" being repeated. With the "orange" in "[[Aquarius]]", they might be trying to cover the range of rainbow colours. | ||
− | ** Repeated allusions to flying (in this and other albums): an aeroplane drone in an eagle in your mind; corsair as a type of plane; comments about going to high altitudes for inspiration; "[[Kid_For_Today|Kid For Today]]" possibly containing a looped aeroplane drone throughout the track; an interview picture of [[Boards of Canada|BoC]] in an airfield with planes ( | + | ** Repeated allusions to flying (in this and other albums): an aeroplane drone in an eagle in your mind; corsair as a type of plane; comments about going to high altitudes for inspiration; "[[Kid_For_Today|Kid For Today]]" possibly containing a looped aeroplane drone throughout the track; an interview picture of [[Boards of Canada|BoC]] in an airfield with planes (see [[The Secret Life of Boards of Canada]]). Also the interactive scenes on the [[Boardsofcanada.com|BoC website]]: the introductory scene is of aeroplane contrails, and many of the other interactive scenes are flight simulators."[[Chinook]]" is a kind of helicopter, among other things. |
* [Leo B] pointed out that the second occurrence of the phrase is at 2:16 in the track. 216 = 6×6×6. Given all the other references of this kind (such as the album length of 66'06" (666), it is at least plausible that this is no coincidence). However, see below on whether the time IS 66'06". | * [Leo B] pointed out that the second occurrence of the phrase is at 2:16 in the track. 216 = 6×6×6. Given all the other references of this kind (such as the album length of 66'06" (666), it is at least plausible that this is no coincidence). However, see below on whether the time IS 66'06". | ||
* From the Spanish language Mondosonoro interview, which [[BoC]] say that they were really pleased with the beat in this track, which sounds like a taut tope being pulled across the hull of a wooden ship.<ref>https://bocpages.org/wiki/El_Cielo_Herido</ref> | * From the Spanish language Mondosonoro interview, which [[BoC]] say that they were really pleased with the beat in this track, which sounds like a taut tope being pulled across the hull of a wooden ship.<ref>https://bocpages.org/wiki/El_Cielo_Herido</ref> |
You Could Feel the Sky | |
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Running time | 5:14 |
Appears on | Geogaddi |
The Pipes of Pan
In caverns deep the old Gods sleep
But the trees still know the lord
And it's the pipes of pan, which call the tune
In the twilight in the wood
The leaves they dance to the goat god's tune
And they whisper his name to the winds
And the oak trees dreams of a god with horns
And know no other king.
Many other works, in music as well as other media, feature the Horned God. Some notable examples are: