Revision as of 17:13, 22 April 2026 by Phin(talk | contribs)(Expand Comments: religious/mystical reading of "Arena Americanada" as part of the Inferno religious-mysticism programme)
A portmanteau of arena, America, Canada and Americana. The arena frame is explicitly Roman / martyrological — the Colosseum as the space where the early Christian martyrs were made into spectacle for the state. Returns, via Inferno, to the American-imperial / spectacle-of-suffering concerns of Tomorrow's Harvest ("Sick Times", "Come To Dust").
Simultaneously returns the band to the Canadian-imagined-America motif that defined Music Has the Right to Children — the National Film Board of Canada soundtracks of Mike and Marcus's childhood, the "Canada" in the band's name.
The hanging suffix "-ada" (as in canada) doubles the word — America-Canada-da-da — a small formal-poetic gesture characteristic of BoC titling.