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*This track was used in the "[[Videos#Tomorrow.27s_Harvest|Tomorrow's Harvest Transmission]]" video which was accessible by inputting the 6 6-digit numbers on the [[cosecha-transmisiones.com]] website. <ref>{{#widget:YouTube|id=e2lyYEUPat8}}</ref> | *This track was used in the "[[Videos#Tomorrow.27s_Harvest|Tomorrow's Harvest Transmission]]" video which was accessible by inputting the 6 6-digit numbers on the [[cosecha-transmisiones.com]] website. <ref>{{#widget:YouTube|id=e2lyYEUPat8}}</ref> | ||
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+ | * Playing up this recording's "cinematic" angle, and following the telepath's instructions to try listening "up and down," I reversed the order of the Tomorrow's Harvest track listing in my player: Try starting with Semena Mertvykh and ending with Gemini. Further evidence to support doing this is the version of Semena Mertvykh in the Cosecha Transmisiones teaser/herald's soundtrack, the remarkable overlay of the Reach For The Dead video forward & in reverse (see [[http://vimeo.com/66983696]]), as well as the performers' comments regarding the palindromic nature of Tomorrow's harvest. I realize how subjective this sounds, but listening to the tracks in this order I get the impression that the more upbeat second half (that is, in the released order) is actually a sequence of cautiously optimistic vs. antagonistic/opposing vignettes, possibly ending in tragedy. In this order, Gemini might be a kind of post-credits epilogue that hints at the protagonist's failure. | ||
== Samples / Lyrics == | == Samples / Lyrics == |
Semena Mertvykh | |
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Running time | 3:30 |
Appears on | Tomorrow's Harvest |
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