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*Contains a sample from a sketch in a vintage [[wikipedia:Sesame Street|Sesame Street]] episode (''Orange''). | *Contains a sample from a sketch in a vintage [[wikipedia:Sesame Street|Sesame Street]] episode (''Orange''). | ||
*Contains samples from yet another vintage [[wikipedia:Sesame Street|Sesame Street]] episode (children's laughter and the "yeah, that's right" sample). | *Contains samples from yet another vintage [[wikipedia:Sesame Street|Sesame Street]] episode (children's laughter and the "yeah, that's right" sample). | ||
− | *At 2:40, [[Aquarius (Version 3)]] from the [[Peel Session]] contains a sample from [[Audiotrack 12]] from [[ | + | *At 2:40, [[Aquarius (Version 3)]] from the [[Peel Session]] contains a sample from [[Audiotrack 12]] from [[Random 35 Tracks Tape]] side A.<ref>http://www.twoism.org/forum/viewtopic.php?t=4227</ref> |
*A sequence of numbers is read by a professional-sounding woman's voice that strongly resembles the voice-over in [[One Very Important Thought]], except that [http://en.wikipedia.org/wiki/Speech_synthesizer domain-specific speech synthesis] is used, giving the numbers a robotic quality. The sequence varies: | *A sequence of numbers is read by a professional-sounding woman's voice that strongly resembles the voice-over in [[One Very Important Thought]], except that [http://en.wikipedia.org/wiki/Speech_synthesizer domain-specific speech synthesis] is used, giving the numbers a robotic quality. The sequence varies: | ||
**On [[Music Has the Right to Children]]: ''"1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 44, 68, 27, 35, 42, 58, 47, 63, 85, 74, 67, 66, 51, 79, 42, 24, 45, sixty-ten, 6, 7, 56, 65, 44, 53, 44, 17, 13, 23"'' | **On [[Music Has the Right to Children]]: ''"1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 44, 68, 27, 35, 42, 58, 47, 63, 85, 74, 67, 66, 51, 79, 42, 24, 45, sixty-ten, 6, 7, 56, 65, 44, 53, 44, 17, 13, 23"'' | ||
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*A chorused male voice sings "I'm listening" (Version 3 only) | *A chorused male voice sings "I'm listening" (Version 3 only) | ||
*At 4:40, a synthesized male voice says ''"sixtyten new aquarius"'' (Version 3 only) | *At 4:40, a synthesized male voice says ''"sixtyten new aquarius"'' (Version 3 only) | ||
− | *A girl's voice saying the phrase ''"for sand and stars"''. The sample is especially clear at the end of the live version at Warp 10. When reversed on the album version, [BrunchTime] hears it say "It's Aquarius- oof" | + | *A girl's voice saying the phrase ''"for sand and stars"''. The sample is especially clear at the end of the live version at Warp 10. When reversed on the album version, [BrunchTime] hears it say "It's Aquarius- oof" |
== Comments == | == Comments == |
Aquarius | |
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Running time | 5:58 (Aquarius, MHTRTC) 6:24 (Peel Session) 7:43 (Warp10) |
Appears on | Aquarius MHTRTC Peel Session Live @ Warp10 |
"I'm referring to the time in which we live, time in an extraterrestrial sense. I'm refering to the twelve universal months, each lasting approximately 2,100 years. I'm refering to our coming from the bimillenium of Pisces, which goes from 150 BC to 1950, and which is also the sign of Christ, preceded by the sign of Aries. The era of AQUARIUS began in 1950 and will end in 4050. I'm referring, of course, to a characteristic trait of the sign: AQUARIUS gradually circumscribes the radiating force of the arts inherited in the era of Pisces. So, the artist, deprived now of every individual or public defense, limits his activity to a kind of esoteric expression, and ends up performing in fringe clubs, as a phenomenon intended for the select few."
They claim that taking the positive aspect of a product does not always provide food for their thought, but rather the underlying meaning or cosmetic triviality, "we are interested in everything that we can reinterpret. I don't want to give you list of names, but you know we could be just as easily captivated by a piece of T.V. theme music, or Eighties' pop, for instance. The enlightened parts in our music are relative to the banal or naïve parts". When pushed for particularly prominent players ... "Hundertwasser, Svankmeyer, New Scientist, Robert Anton Wilson, Documentary films and articles, Jamie Nelson, The Archdrude ... we are interested in everything!".
A discussion on Twoism: Aquarius Synth Chords