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* [http://www.twoism.org/forum/viewtopic.php?p=199683#199683 PlatrixECV] posted: | * [http://www.twoism.org/forum/viewtopic.php?p=199683#199683 PlatrixECV] posted: | ||
** Tue May 28, 2013 8:36 AM GMT+2: "Here's my notes on the songs/ general review --- Ok, just got back. Here are my thoughts. In general, awesome experience, the setting was perfect. In honor of Scotland I took a few swills of some Ardbeg (neat). As to the album I would not call BoC going back to a '''[[Geogaddi]]''' or '''[[MHTRTC]]''' style, or a combo of th two. It is definitely a logical progression from TCH although primarily from something like Oscar See Through Red Eye. They make dense, layered complex stuff now. The minimalism is gone. In some respects I like hearing their sounds with a chance to breathe. You get a little of that in the ambient interludes. That being said, Tomorrow's Harvest is an intense, detailed great ride. I mentioned earlier there were noticeable elements of extremely vintage synths (think 70s Tangerine Dream (Phaedra) of Jean Michael Jarre's Oxygen). Maybe some Bladerunner sounding Vangelis. John Carpenter has been mentioned. It's all swirling around in there. I have a video of the first three tracks. I think the sound quality came out pretty good. Trying to figure out how to ujpload it right now. I took notes on each track. "[[Gemini]]", "[[Reach For The Dead]]", "[[White Cyclosa]]" - you heard them. "[[Gemini]]" was a perfect into track, got me in the proper mindframe for BoC. "[[Jacquard Causeway]]" - Intense. When the album kicks into high gear. I really dug what I found to be almost jazzy sounding noodling on what may have been a wurlitzer. It gave a lose feel. One of highlights of album for sure. "[[Telepath]" - the darking counting voice one. I wrote "unmistakably BoC. Nice interlude track. Keeps mood intense." "[[Cold Earth]]" - You've heard this one by now. A better track in its full sonic glory. I put this own down as giving me a Vangelis vibe on some of the synths. "[[Transmisiones Ferox]]" - Psycaedelic, buried vocals, really dark heartbeat style bass pulse. "[[Sick Times]]" - This one again had an almost jazzy feel with a vintage electric organ or piano sound. Don't know if the beat is the "dopest" but it is a hard kicking break beat. The melody parts give the feel of quick tempo that vaguely reminded me of Poppy Seed. Again with the vintage synths (something close to Oxygene sounding). Another one of the best cuts on the album. "[[Collapse]]" - This is the one I think might have had a Moog sequencer. It reminded me of Phaedra. Deep track with a great bass line that also functions as a counter melody. Everything from Jacquard Causway to here flowed and was all excellent. As good a stretch as there is on any Boc album IMO. "[[Palace Posy]]" - This one was a bit eccentric. Vaguely pizzicato string sounding melody. Split Your Infities - This was my initial favorite track on the album. Swirling melody that morphs into what I wrote was "ominous and joyous at the same time. Holy fuck." All the great elements of a great Boc track and shows how skilled they are in their craft. "[[Uritual]]" - Buzzy dissosant drone. One of better interludes I can recall and again keeps momentum from Split Your Infities. "[[Nothing Is Real]]" - Treated piano, retro sounding break beat. Nice track I could see this one being popular with the non-diehards but I don't mean that as a slight. "[[Sundown]]" - Very Boc synth pads, layered again with what I call the ancient analog Vangelic et all sound. "[[New Seeds]]" - Creates a melody almost out of radio static. After that I thought I heard discernable guitar sound... Sounds like what I know to be called col legno on a violin where you flip the blow and hit the strings with the wood part (used most prominently at the beginning of Holtz's Mars). Keeps buildings and immensely dense. This could be a polarizing track. "[[Come To Dust]]" - "Eerie with a great laconic break beat." Also a highlight of the album for me. "[[Semena Mertvykh]]" - This is more or the less the song from the trailer. The static is gone and there is instead a stunning dark and dissonant background noise. It sounds a little bit like the beginning of Metallica's "Damage Inc" (the last seconds before the thrash guitar comes in ) but with a strong helicopter effect. I love the melody of this song. Glad it is on the album. A perfect closer really (as exit music). I loved the album overall. Where it rates in the context of their catalog? No idea at this point. Really glad to have the experienence of the build up and then the surprise listening party. Def treat for US fans. There were probably 100 people there, some came from as far as Arizona." <ref>http://www.twoism.org/forum/viewtopic.php?p=199683#199683</ref> | ** Tue May 28, 2013 8:36 AM GMT+2: "Here's my notes on the songs/ general review --- Ok, just got back. Here are my thoughts. In general, awesome experience, the setting was perfect. In honor of Scotland I took a few swills of some Ardbeg (neat). As to the album I would not call BoC going back to a '''[[Geogaddi]]''' or '''[[MHTRTC]]''' style, or a combo of th two. It is definitely a logical progression from TCH although primarily from something like Oscar See Through Red Eye. They make dense, layered complex stuff now. The minimalism is gone. In some respects I like hearing their sounds with a chance to breathe. You get a little of that in the ambient interludes. That being said, Tomorrow's Harvest is an intense, detailed great ride. I mentioned earlier there were noticeable elements of extremely vintage synths (think 70s Tangerine Dream (Phaedra) of Jean Michael Jarre's Oxygen). Maybe some Bladerunner sounding Vangelis. John Carpenter has been mentioned. It's all swirling around in there. I have a video of the first three tracks. I think the sound quality came out pretty good. Trying to figure out how to ujpload it right now. I took notes on each track. "[[Gemini]]", "[[Reach For The Dead]]", "[[White Cyclosa]]" - you heard them. "[[Gemini]]" was a perfect into track, got me in the proper mindframe for BoC. "[[Jacquard Causeway]]" - Intense. When the album kicks into high gear. I really dug what I found to be almost jazzy sounding noodling on what may have been a wurlitzer. It gave a lose feel. One of highlights of album for sure. "[[Telepath]" - the darking counting voice one. I wrote "unmistakably BoC. Nice interlude track. Keeps mood intense." "[[Cold Earth]]" - You've heard this one by now. A better track in its full sonic glory. I put this own down as giving me a Vangelis vibe on some of the synths. "[[Transmisiones Ferox]]" - Psycaedelic, buried vocals, really dark heartbeat style bass pulse. "[[Sick Times]]" - This one again had an almost jazzy feel with a vintage electric organ or piano sound. Don't know if the beat is the "dopest" but it is a hard kicking break beat. The melody parts give the feel of quick tempo that vaguely reminded me of Poppy Seed. Again with the vintage synths (something close to Oxygene sounding). Another one of the best cuts on the album. "[[Collapse]]" - This is the one I think might have had a Moog sequencer. It reminded me of Phaedra. Deep track with a great bass line that also functions as a counter melody. Everything from Jacquard Causway to here flowed and was all excellent. As good a stretch as there is on any Boc album IMO. "[[Palace Posy]]" - This one was a bit eccentric. Vaguely pizzicato string sounding melody. Split Your Infities - This was my initial favorite track on the album. Swirling melody that morphs into what I wrote was "ominous and joyous at the same time. Holy fuck." All the great elements of a great Boc track and shows how skilled they are in their craft. "[[Uritual]]" - Buzzy dissosant drone. One of better interludes I can recall and again keeps momentum from Split Your Infities. "[[Nothing Is Real]]" - Treated piano, retro sounding break beat. Nice track I could see this one being popular with the non-diehards but I don't mean that as a slight. "[[Sundown]]" - Very Boc synth pads, layered again with what I call the ancient analog Vangelic et all sound. "[[New Seeds]]" - Creates a melody almost out of radio static. After that I thought I heard discernable guitar sound... Sounds like what I know to be called col legno on a violin where you flip the blow and hit the strings with the wood part (used most prominently at the beginning of Holtz's Mars). Keeps buildings and immensely dense. This could be a polarizing track. "[[Come To Dust]]" - "Eerie with a great laconic break beat." Also a highlight of the album for me. "[[Semena Mertvykh]]" - This is more or the less the song from the trailer. The static is gone and there is instead a stunning dark and dissonant background noise. It sounds a little bit like the beginning of Metallica's "Damage Inc" (the last seconds before the thrash guitar comes in ) but with a strong helicopter effect. I love the melody of this song. Glad it is on the album. A perfect closer really (as exit music). I loved the album overall. Where it rates in the context of their catalog? No idea at this point. Really glad to have the experienence of the build up and then the surprise listening party. Def treat for US fans. There were probably 100 people there, some came from as far as Arizona." <ref>http://www.twoism.org/forum/viewtopic.php?p=199683#199683</ref> | ||
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+ | * [http://www.twoism.org/forum/profile.php?mode=viewprofile&u=1636 Group Hex] posted: | ||
+ | ** Tue May 28, 2013 9:06 AM GMT+2: "Before I throw my two cents in, I gotta say something to all those who made the drive today: How good was that shower when you got home? Hope yours was as momentous as mine. So, today..... The setting was absolutely perfect. The desert has always been a second home to me, and with the addition of the abandoned water slides, buildings, graffiti, clipped palm trees, staircases, and general post apocalyptic vibe it was just ideal. The strangest part about the location for me was that I remember coming to the park as a kid. As I stood at the top of the now crumbling towers, I vividly recalled being launched down a slithery tube to a pool of blue water below. And now here I was, strolling around the shell of a water park. But for an entirely different reason, and with eyes that have seen a lot since then. The weather was great, parking plentiful (ha!), and perfect for random photos. I ran into a good friend straight away, who was actually there for a totally unrelated photo shoot! She had no idea about the [[BOC]] event until she arrived, but is a fan and stayed for the album premiere. Sawa! The amount of random stuff strewn about was really cool, I found some kids playing cards, weird old necklaces, and took home a "Welcome to Lake Delores" sign. Not much to add about the album......it was incredible. The wind and surroundings obviously boosted the experience of hearing it for the first time, but as someone noted already it'll take on different forms the more you listen to it. Headphones will be an entirely different experience, listening in the car, etc. It absolutely shows progression, a palate both familiar and refined. As I heard someone say on the way out, "not as warbly as other albums, but still has that strange and haunting thing going on". Enough beats and atmospheric passages to satisfy fans of all of their work. I loved the silence between tracks, as everyone waited for the next to begin. It was a meaty length (shut up), and I couldn't help wishing for more when it was over. But for some odd reason which I can't explain - it felt kind of final to me. Who knows, this may the last we hear of [[BOC]]. More than likely not, but it was a vibe I couldn't help but feel. Hmmmm.... The crew were really nice guys. The dudes who brought out the PA gear used to work with a friend of mine, so we traded a few quick stories about him. And the english guy from [[Warp]], Josh I believe? Nice guy as well, and we talked about how my father mastered the "[[Beck - Broken Drum|Broken Drum]]" remix they did with Beck years ago. Kudos to them for helping bring this day to fruition. I also talked to the property owner a bit, who said he's planning on re-opening the water park with an added RV park and possibly a motorcross track. Seems far fetched, but who knows? Maybe we won't see it in it's current condition for very long...... I have some pictures I'll post when I get them loaded up, and if anyone is really desperate for a sticker - send me a PM and an address. I have maybe ten I could part with. More later, I'm fried. This post is gonna look bizarre to me after I get some rest, so excuse the rambling." <ref>http://www.twoism.org/forum/viewtopic.php?p=199701#199701</ref> | ||
==== Instagram ==== | ==== Instagram ==== |
After an intriguing week of decyphering cryptic transmissions Boards of Canada remained silent on their social networks, except for a couple of links related to the release of Tomorrow's Harvest.[1][2][3][4]
The 21st of May, however, Boards of Canada posted the following cryptic status update on their official Facebook account. [5][6][7][8]
May 22nd 24:00 @ 1-23-10 Jinnan Shibuya-ku Tokyo
jar from the Twoism (messageboard) was there and made the second recording shown below. [9][10]
@zanelowe tweeted:
Zane announced he will play "Reach For The Dead".
The attached image shown above has exif data with the exact gps-location. [15]
nsputnik from the Twoism (messageboard) shared the picture below:
A is the drive-in theater.
B is the gas station.
C is the area covered in the tweet regarding May 27th 2013. [16]