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== Comments == | == Comments == | ||
* From [quiller], from an interview with Karlheinz Stockhausen: | * From [quiller], from an interview with Karlheinz Stockhausen: | ||
− | + | <blockquote> | |
+ | "I'm referring to the time in which we live, time in an extraterrestrial sense. I'm refering to the twelve universal months, each lasting approximately 2,100 years. I'm refering to our coming from the bimillenium of Pisces, which goes from 150 BC to 1950, and which is also the sign of Christ, preceded by the sign of Aries. The era of AQUARIUS began in 1950 and will end in 4050. I'm referring, of course, to a characteristic trait of the sign: AQUARIUS gradually circumscribes the radiating force of the arts inherited in the era of Pisces. So, the artist, deprived now of every individual or public defense, limits his activity to a kind of esoteric expression, and ends up performing in fringe clubs, as a phenomenon intended for the select few." | ||
+ | </blockquote> | ||
+ | |||
* [Kaini Industries] points out something in relation to the repetition of the number 23. "The Illuminatus Trilogy" (authors Robert Shea and Robert Anton Wilson) abounds in occurrences of the numbers 17 and 23, and might shed some light on this. I'll let readers ponder for themselves why these numbers are important in connection with BoC's music (and they are - it's obvious when you know what it is). On one of those authors, note the following from the EHX interview: | * [Kaini Industries] points out something in relation to the repetition of the number 23. "The Illuminatus Trilogy" (authors Robert Shea and Robert Anton Wilson) abounds in occurrences of the numbers 17 and 23, and might shed some light on this. I'll let readers ponder for themselves why these numbers are important in connection with BoC's music (and they are - it's obvious when you know what it is). On one of those authors, note the following from the EHX interview: | ||
− | + | <blockquote> | |
+ | They claim that taking the positive aspect of a product does not always provide food for their thought, but rather the underlying meaning or cosmetic triviality, "we are interested in everything that we can reinterpret. I don't want to give you list of names, but you know we could be just as easily captivated by a piece of T.V. theme music, or Eighties' pop, for instance. The enlightened parts in our music are relative to the banal or naïve parts". When pushed for particularly prominent players ... "Hundertwasser, Svankmeyer, New Scientist, Robert Anton Wilson, Documentary films and articles, Jamie Nelson, The Archdrude ... we are interested in everything!". | ||
+ | </blockquote> | ||
==Cultural References== | ==Cultural References== |
Aquarius | |
---|---|
Running time | 5:58 (Aquarius, MHTRTC) 6:24 (Peel Session) 7:43 (Warp10) |
Appears on | Aquarius MHTRTC Peel Session Live @ Warp10 |
"I'm referring to the time in which we live, time in an extraterrestrial sense. I'm refering to the twelve universal months, each lasting approximately 2,100 years. I'm refering to our coming from the bimillenium of Pisces, which goes from 150 BC to 1950, and which is also the sign of Christ, preceded by the sign of Aries. The era of AQUARIUS began in 1950 and will end in 4050. I'm referring, of course, to a characteristic trait of the sign: AQUARIUS gradually circumscribes the radiating force of the arts inherited in the era of Pisces. So, the artist, deprived now of every individual or public defense, limits his activity to a kind of esoteric expression, and ends up performing in fringe clubs, as a phenomenon intended for the select few."
They claim that taking the positive aspect of a product does not always provide food for their thought, but rather the underlying meaning or cosmetic triviality, "we are interested in everything that we can reinterpret. I don't want to give you list of names, but you know we could be just as easily captivated by a piece of T.V. theme music, or Eighties' pop, for instance. The enlightened parts in our music are relative to the banal or naïve parts". When pushed for particularly prominent players ... "Hundertwasser, Svankmeyer, New Scientist, Robert Anton Wilson, Documentary films and articles, Jamie Nelson, The Archdrude ... we are interested in everything!".