(cat) |
(possibility of earlier releases, quote from website) |
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http://img127.imageshack.us/img127/3381/catalog3aa3.jpg | http://img127.imageshack.us/img127/3381/catalog3aa3.jpg | ||
+ | |||
+ | ''Catalog 3'' is Boards of Canada's earliest known release. The use of the name "Catalog 3" could imply the existence of two prior releases (which would be given catalog numbers 1 and 2) on the band's [[music70]] label, although record labels do not always assign catalog numbers sequentially. | ||
+ | |||
+ | ''Catalog 3'' has been described as having "three lengthy tracks of rather uneventful ambient electronica ([[Line Two]], [[Breach Tones]], [[Visual Drone 12]]) and two shorter tracks." The same source felt that "their mellow, disjointed electronica was not particularly revolutionary."<ref>http://www.scaruffi.com/vol6/boardsof.html#boc</ref> | ||
== Tracks == | == Tracks == | ||
Line 16: | Line 20: | ||
# "[[Drone 2]]" – 5:55 | # "[[Drone 2]]" – 5:55 | ||
# "[[Breach Tones]]" – 8:13 | # "[[Breach Tones]]" – 8:13 | ||
− | # "[[Visual Drone]]" – 13:21 | + | # "[[Visual Drone 12]]" – 13:21 |
# "[[Stowed Under]]" – 4:15 | # "[[Stowed Under]]" – 4:15 | ||
# "[[Powerline]]" – 2:22 | # "[[Powerline]]" – 2:22 | ||
# "[[Press]]" – 5:08 | # "[[Press]]" – 5:08 | ||
+ | |||
+ | == References == | ||
+ | <references /> | ||
[[Category:Unavailable Release]] | [[Category:Unavailable Release]] | ||
{{Nav-Releases}} | {{Nav-Releases}} |
Catalogue 3 | |
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Label(s) | Music70 |
Catalogue No(s) | CANC19 |
Release date(s) | 1987 |
Format(s) | Cassette |
Running time(s) | 56:36 |
http://img127.imageshack.us/img127/3381/catalog3aa3.jpg
Catalog 3 is Boards of Canada's earliest known release. The use of the name "Catalog 3" could imply the existence of two prior releases (which would be given catalog numbers 1 and 2) on the band's music70 label, although record labels do not always assign catalog numbers sequentially.
Catalog 3 has been described as having "three lengthy tracks of rather uneventful ambient electronica (Line Two, Breach Tones, Visual Drone 12) and two shorter tracks." The same source felt that "their mellow, disjointed electronica was not particularly revolutionary."[1]