(ββTracks: fix) |
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'''Side A:''' | '''Side A:''' | ||
# "[[Audiotrack 01]]" – 1:22 | # "[[Audiotrack 01]]" – 1:22 | ||
β | # "[[She is P]]" – 2:12 | + | # "Audiotrack 02 ([[She is P]])" – 2:12 |
# "[[Audiotrack 03]]" – 3:45 | # "[[Audiotrack 03]]" – 3:45 | ||
β | # "[[ | + | # "Audiotrack 04 ([[Close1]])" – 0:50 |
β | # "[[Finity]]" – 5:04 | + | # "Audiotrack 05 ([[Finity]])" – 5:04 |
# "[[Audiotrack 06]]" – 4:57 | # "[[Audiotrack 06]]" – 4:57 | ||
# "[[Audiotrack 07]]" – 3:58 | # "[[Audiotrack 07]]" – 3:58 | ||
β | # "[[ | + | # "Audiotrack 08 ([[Wouldn't you like to be free?]])" – 6:34 |
# "[[Audiotrack 09]]" – 1:50 | # "[[Audiotrack 09]]" – 1:50 | ||
# "[[Audiotrack 10]]" – 2:59 | # "[[Audiotrack 10]]" – 2:59 | ||
β | # "[[Blueberry]]" – 0:26 | + | # "Audiotrack 11 ([[Blueberry]])" – 0:26 |
# "[[Audiotrack 12]]" – 2:59 | # "[[Audiotrack 12]]" – 2:59 | ||
# "[[Audiotrack 13]]" – 2:12 | # "[[Audiotrack 13]]" – 2:12 | ||
# "[[Audiotrack 14]]" – 1:46 | # "[[Audiotrack 14]]" – 1:46 | ||
β | # "[[I Will Get It Tattooed]]" – 1:05 | + | # "Audiotrack 15 ([[I Will Get It Tattooed]])" – 1:05 |
'''Side B:''' | '''Side B:''' | ||
# "[[Audiotrack 01]]" – 1:29 | # "[[Audiotrack 01]]" – 1:29 | ||
# "[[Audiotrack 02]]" – 3:51 | # "[[Audiotrack 02]]" – 3:51 | ||
β | # "[[House Of Abin'adab]]" – 1:04 | + | # "Audiotrack 03 ([[House Of Abin'adab]])" – 1:04 |
# "[[Audiotrack 04]]" – 4:26 | # "[[Audiotrack 04]]" – 4:26 | ||
# "[[Audiotrack 05]]" – 1:52 | # "[[Audiotrack 05]]" – 1:52 | ||
Line 70: | Line 70: | ||
# "[[Audiotrack 08]]" – 0:57 | # "[[Audiotrack 08]]" – 0:57 | ||
# "[[Audiotrack 09]]" – 3:12 | # "[[Audiotrack 09]]" – 3:12 | ||
β | # "[[The Smallest Weird Number (Reversed)]]" – 0:59 | + | # "Audiotrack 10 ([[The Smallest Weird Number (Reversed)]])" – 0:59 |
# "[[Audiotrack 11]]" – 3:31 | # "[[Audiotrack 11]]" – 3:31 | ||
β | # "[[Audiotrack 12]]" – 3:33 | + | # "[[Audiotrack 12]] (Original [[Seeya Later]](?))" – 3:33 |
β | # "[[Davie Addison]]" – 1:11 | + | # "Audiotrack 13 ([[Davie Addison]])" – 1:11 |
β | # "[[ | + | # "Audiotrack 14 ([[Trillions]])" – 3:15 |
# "[[Audiotrack 15]]" – 2:04 | # "[[Audiotrack 15]]" – 2:04 | ||
# "[[Audiotrack 16]]" – 2:21 | # "[[Audiotrack 16]]" – 2:21 | ||
β | # "[[It's Too Orangey]]" – 0:19 | + | # "Audiotrack 17 ([[It's Too Orangey]])" – 0:19 |
# "[[Audiotrack 18]]" – 2:02 | # "[[Audiotrack 18]]" – 2:02 | ||
# "[[Audiotrack 19]]" – 1:23 | # "[[Audiotrack 19]]" – 1:23 |
Random 35 Tracks Tape | |
---|---|
Label(s) | Music70 |
Catalogue No(s) | N/A |
Release date(s) | 1995? |
Format(s) | Cassette |
Running time(s) | 84:00 |
Despite its uncertain provenance, the tape is generally believed to be authentic.
These tracks appear to have first surfaced on Soulseek under various names, such as "random 35 tracks tape (rarities and the best of - not old tunes v1 or v2)" and "A Few Older Tunes Disc 1/Disc 2", reflecting the uncertainty of the collection's provenance. Early sightings include:
Side A: Blueberry is believed to be the name of the short Vignette at the end of Sixtyten on Music has the Right to Children. Track 8 contains a sample from June 9th except much faster.
Side B: It's too Orangey is the name of the vignette at the end of Triangles and Rhombuses also on Music has the Right to Children. Track 10 on side b contains some samples from the smallest weird number in reverse. Track 5 contains a sample from the NES/Arcade classic, Donkey Kong. Track 6 on side a contains the sample from Seven Forty Seven, but slightly slower.
Important: Track titles and lengths are estimations; original listings are not available.
Side A:
Side B:
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