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{{WIP}} | {{WIP}} | ||
== Tracks == | == Tracks == | ||
| − | + | ''Inferno's'' liner notes credit all writing and production to [[Michael Sandison|Mike Sandison]].<ref name="discogs">[https://www.discogs.com/master/4239108-Boards-Of-Canada-Inferno "Boards Of Canada – Inferno"] on Discogs</ref> | |
| + | [https://ascap.com ASCAP]'s Repertory Search also credits some writing to [[Marcus Eoin]].<ref>[https://www.ascap.com/repertory#/ace/performer/BOARDS%20OF%20CANADA BOARDS OF CANADA, ACE Repertory], ascap.com</ref> | ||
# "[[Introit]]" – 0:36 | # "[[Introit]]" – 0:36 | ||
| − | # "[[Prophecy At 1420 MHz]]" – 5:04 | + | # "[[Prophecy At 1420 MHz]]"<sup>1</sup> – 5:04 |
# "[[Hydrogen Helium Lithium Leviathan]]" – 4:44 | # "[[Hydrogen Helium Lithium Leviathan]]" – 4:44 | ||
# "[[Age Of Capricorn]]" – 3:52 | # "[[Age Of Capricorn]]" – 3:52 | ||
| Line 29: | Line 30: | ||
# "[[Memory Death]]" – 2:37 | # "[[Memory Death]]" – 2:37 | ||
# "[[The Word Becomes Flesh]]" – 5:20 | # "[[The Word Becomes Flesh]]" – 5:20 | ||
| − | # "[[Into The Magic Land]]" – 4:35 | + | # "[[Into The Magic Land]]"<sup>1</sup> – 4:35 |
| − | # "[[Blood In The Labyrinth]]" – 4:55 | + | # "[[Blood In The Labyrinth]]"<sup>1</sup> – 4:55 |
# "[[Deep Time]]" – 3:18 | # "[[Deep Time]]" – 3:18 | ||
| − | # "[[All Reason Departs]]" – 6:14 | + | # "[[All Reason Departs]]"<sup>1</sup> – 6:14 |
| − | # "[[Arena Americanada]]" – 5:22 | + | # "[[Arena Americanada]]"<sup>1</sup> – 5:22 |
| − | # "[[The Process]]" – 3:01 | + | # "[[The Process]]"<sup>1</sup> – 3:01 |
# "[[You Retreat In Time And Space]]" – 5:25 | # "[[You Retreat In Time And Space]]" – 5:25 | ||
# "[[I Saw Through Platonia]]" – 2:39 | # "[[I Saw Through Platonia]]" – 2:39 | ||
Bonus flexi disc (Red 2LP vinyl edition only): | Bonus flexi disc (Red 2LP vinyl edition only): | ||
# "[[Vol.4 - P. Primers - 177 Giraud's Mirror]]" – 3:24 '' | # "[[Vol.4 - P. Primers - 177 Giraud's Mirror]]" – 3:24 '' | ||
| + | <sup>1</sup>: written by [[Michael Sandison|Mike Sandison]] and [[Marcus Eoin]] | ||
== Leadup == | == Leadup == | ||
| Line 78: | Line 80: | ||
== Release Notes == | == Release Notes == | ||
| − | All personnel credits adapted from '' | + | All personnel credits adapted from ''Inferno's'' liner notes.<ref name="discogs" /> |
* [[Mike Sandison]] – electronics, synths, tapes, programming, audio evocations, drums, percussion, guitars, bass, string instruments, processes, sound design | * [[Mike Sandison]] – electronics, synths, tapes, programming, audio evocations, drums, percussion, guitars, bass, string instruments, processes, sound design | ||
| Line 84: | Line 86: | ||
* [[Boards of Canada]] – recording, artwork, films, photo collage, design | * [[Boards of Canada]] – recording, artwork, films, photo collage, design | ||
* [https://www.thisismetropolis.com/engineers/matt-colton/ Matt Colton] – mastering engineer | * [https://www.thisismetropolis.com/engineers/matt-colton/ Matt Colton] – mastering engineer | ||
| + | |||
| + | On streaming platforms, [[Boards of Canada]] is credited as the sole composer and producer.<ref>[https://tidal.com/album/528351285/credits Inferno / Boards of Canada / Credits] on Tidal</ref> | ||
== See Also == | == See Also == | ||
Inferno is the fifth studio album by Boards of Canada, released on May 29th, 2026, via Warp Records. It comes thirteen years after their previous album, Tomorrow's Harvest, the band's longest gap between albums to date.
| This page has a continuous work in progress status. Please revisit from time to time to see new content. |
Inferno's liner notes credit all writing and production to Mike Sandison.[1] ASCAP's Repertory Search also credits some writing to Marcus Eoin.[2]
Bonus flexi disc (Red 2LP vinyl edition only):
1: written by Mike Sandison and Marcus Eoin
Main article: Road to Inferno
Speculation for the album's release preceded its official announcement by over a decade, with the band and its associates sparsely giving out new information. Activity notably increased in 2025, including the band's Instagram account liking comments related to a new album, a Tomorrow's Harvest-era website coming online once again, and new merchandise being put on sale. For a more detailed look on the band's activities during this period, see the article Road to Inferno.
Main article: 2026 Promo Campaign
In early April 2026, multiple fans received unmarked VHS tapes through the mail, with sender addresses related to Warp and their online storefront Bleep. About a week after, posters with imagery reminiscent of the band started appearing in multiple places around the UK and US. For an in-depth look at the days preceding the album's announcement, see the article 2026 Promo Campaign.
As a word, Inferno references hell and places reminiscent of it. It is the most explicit reference to religion and the occult since their 2002 album Geogaddi and 2000 EP In a Beautiful Place out in the Country. The album's titles also heavily refer to concepts in cosmology and physics.
All personnel credits adapted from Inferno's liner notes.[1]
On streaming platforms, Boards of Canada is credited as the sole composer and producer.[4]
| score | favorable | publication | independent | foreign | lang | writer | link | paywall | notes |
|---|---|---|---|---|---|---|---|---|---|
| 10 | 🟢 | Written In Music | 🌱 | 🌍 | 🇳🇱 | Jeroen van der Vring | article | 🔓 | ★★★★★ |
| 10 | 🟢 | The Herald | 🏢 | 🏠 | 🇬🇧 | Barry Didcock | article | 🔐 | ★★★★★ |
| 10 | 🟢 | musicOMH | 🌱 | 🏠 | 🇬🇧 | Steven Johnson | article | 🔐 | ★★★★★ |
| 10 | 🟢 | Europe Says | 🏢 | 🏠 | 🇬🇧 | n/a | article | 🔓 | ★★★★★ |
| 9 | 🟢 | Uncut | 🏢 | 🏠 | 🇬🇧 | Michael Bonner | article | 🔐 | album of the month |
| 9 | 🟢 | Clash | 🌱 | 🏠 | 🇬🇧 | Sam Walker-Smart | article | 🔓 | |
| 9 | 🟢 | Sound of Violence | 🌱 | 🌍 | 🇫🇷 | Franck Narquin | article | 🔓 | ★★★★½ |
| 9 | 🟢 | File Under Fire | 🌱 | 🏠 | 🇬🇧 | Matt Young | article | 🔓 | |
| 9 | 🟢 | Beats Per Minute | 🌱 | 🏠 | 🇬🇧 | Todd Deman | article | 🔓 | 90% |
| 9 | 🟢 | Under The Radar | 🌱 | 🏠 | 🇬🇧 | Tobias Furlong | article | 🔓 | |
| 9 | 🟢 | Northern Transmissions | 🌱 | 🏠 | 🇬🇧 | Erin Macleod | article | 🔓 | |
| 9 | 🟢 | Dansende Beren | 🌱 | 🌍 | 🇳🇱 | Tom Verhavert | article | 🔓 | ★★★★½ |
| 9 | 🟢 | Gos Is In The TV | 🌱 | 🏠 | 🇬🇧 | Ed Jupp | article | 🔓 | ★★★★☆ |
| 8,6 | 🟢 | Pitchfork | 🏢 | 🏠 | 🇬🇧 | Philip Sherburne | article | 🔐 | best new music |
| 8,5 | 🟢 | Boolin Tunes | 🌱 | 🏠 | 🇬🇧 | Dobbin T | article | 🔓 | |
| 8 | 🟢 | Stereo Board | 🏢 | 🏠 | 🇬🇧 | Jack Butler-Terry | article | 🔓 | ★★★★☆ |
| 8 | 🟢 | RollingStone | 🏢 | 🏠 | 🇬🇧 | Michaelangelo Matos | article | 🔓 | ★★★★☆ |
| 8 | 🟢 | Paste Magazine | 🌱 | 🏠 | 🇬🇧 | Grant Sharples | article | 🔓 | B |
| 8 | 🟢 | The Scotsman | 🏢 | 🏠 | 🇬🇧 | Fiona Shepherd | article | 🔐 | ★★★★☆ |
| 8 | 🟢 | The Skinny | 🌱 | 🏠 | 🇬🇧 | Lewis Wade | article | 🔓 | ★★★★☆ |
| 8 | 🟢 | Mojo | 🏢 | 🏠 | 🇬🇧 | Andrew Male | article | 🔓 | ★★★★☆ |
| 8 | 🟢 | Exclaim | 🌱 | 🏠 | 🇬🇧 | Daryl Keating | article | 🔓 | |
| 7 | 🟢 | Far Out Magazine | 🌱 | 🏠 | 🇬🇧 | Tom Phelan | article | 🔓 | ★★★½☆ |
| 7 | 🟢 | Our Culture | 🌱 | 🏠 | 🇬🇧 | Konstantinos Pappis | article | 🔓 | ★★★½☆ |
| n/a | 🟢 | Inverted Audio | 🌱 | 🏠 | 🇬🇧 | Ryan Pivovar | article | 🔓 | |
| n/a | 🟢 | Big Takeover Magazine | 🌱 | 🏠 | 🇬🇧 | James Broscheid | article | 🔓 | |
| n/a | 🟢 | Manc Union | 🌱 | 🏠 | 🇬🇧 | Noah Mckie | article | 🔓 | |
| n/a | 🟢 | The Triangle | 🌱 | 🏠 | 🇬🇧 | Tegan Doherty | article | 🔓 | |
| n/a | 🟢 | Les Inrocks | 🏢 | 🌍 | 🇫🇷 | François Moreau | article | 🔓 | |
| n/a | 🟢 | Is This Music? | 🌱 | 🏠 | 🇬🇧 | Ed Jupp | article | 🔓 | |
| n/a | 🟢 | OOR | 🌱 | 🌍 | 🇳🇱 | Koen Poolman | article | 🔓 | |
| n/a | 🟢 | No More Workhorse | 🌱 | 🏠 | 🇬🇧 | Killian Laher | article | 🔓 | |
| n/a | 🟢 | Echoes And Dust | 🌱 | 🏠 | 🇬🇧 | Geoff Topley | article | 🔓 | |
| n/a | 🟢 | Igloo Magazine | 🌱 | 🏠 | 🇬🇧 | Kent Williams | article | 🔓 | album of the week |
| n/a | 🟢 | Treble | 🌱 | 🏠 | 🇬🇧 | Adam Blyweiss | article | 🔓 | |
| n/a | 🟢 | Anxious Musick Magazine | 🌱 | 🌍 | 🇵🇱 | Karol Mazurek | article | 🔓 | |
| n/a | 🟢 | Chaos Reign | 🌱 | 🌍 | 🇫🇷 | Romain Le Vern | article | 🔓 | |
| n/a | 🟢 | Nieuwste Hits | 🌱 | 🌍 | 🇳🇱 | Jeroen Seegers | article | 🔓 | |
| n/a | 🟢 | The Quietus | 🌱 | 🏠 | 🇬🇧 | Sereptie | article | 🔓 | |
| n/a | 🟢 | DJ Mag | 🏢 | 🏠 | 🇬🇧 | Ben Cardew | article | 🔓 | |
| n/a | 🟢 | The Wall Street Journal | 🏢 | 🏠 | 🇬🇧 | Mark Richardson | article | 🔐 | |
| n/a | 🟢 | Resident Advisor | 🌱 | 🏠 | 🇬🇧 | Sasha Geffen | article | 🔓 | |
| n/a | 🟢 | Attack Magazine | 🌱 | 🏠 | 🇬🇧 | Adam Douglas | article | 🔓 | |
| n/a | 🟢 | Juno Daily | 🏢 | 🏠 | 🇬🇧 | Charlie Wright | article | 🔓 | |
| n/a | 🟢 | OOR | 🌱 | 🌍 | 🇳🇱 | Koen Poolman | article | 🔓 | |
| n/a | 🟢 | taz.on weekend | 🏢 | 🌍 | 🇩🇪 | Julian Weber | article | 🔓 | |
| n/a | 🟢 | The Pop Corporation | 🌱 | 🏠 | 🇬🇧 | ? | article | 🔓 | |
| n/a | 🟢 | Sustratro | 🌱 | 🌍 | 🇪🇸 | Miguel Pardo | article | 🔓 | |
| n/a | 🟢 | Dagens Nyheter | 🏢 | 🌍 | 🇸🇪 | Mattias Dahlström | article | 🔓 | |
| n/a | 🟡 | Loud And Quiet | 🌱 | 🏠 | 🇬🇧 | Sam Walton | article | 🔓 | ★★★★☆☆ |
| 6,6 | 🟡 | Magic | 🌱 | 🌍 | 🇫🇷 | Wilfried Paris | article | 🔓 | ★★★☆☆ |
| 6 | 🟡 | Slant Magazine | 🌱 | 🏠 | 🇬🇧 | Jackson Diianni | article | 🔓 | |
| 6 | 🟡 | The Needle Drop | 🌱 | 🏠 | 🇬🇧 | Anthony Fantano | article | 🔓 | ★★★☆☆ |
| 6 | 🟡 | NRC | 🏢 | 🌍 | 🇳🇱 | Jonasz Dekkers | article | 🔓 | |
| 6 | 🟡 | Mondo Sonoro | 🌱 | 🌍 | 🇪🇸 | Lluís S. Ceprián | article | 🔓 | ★★☆☆☆ |
| 4 | 🔴 | Financial Times | 🏢 | 🏠 | 🇬🇧 | Ludovic Hunter-Tilney | article | 🔐 | ★★☆☆☆ |
| 4 | 🔴 | The Guardian | 🏢 | 🏠 | 🇬🇧 | Ben Beaumont-Thomas | article | 🔓 | ★★☆☆☆ |
| 4 | 🔴 | The Arts Desk | 🌱 | 🏠 | 🇬🇧 | Ibi Keita | article | 🔓 |
The listing below is generated dynamically, based on: Category: Inferno artwork.
Inferno Hexagon Flexi-disc.jpg
4.46 MB
Inferno-family-logo.png
60 KB
Bleep-inferno-artwork-07.png
1.47 MB
Bleep-inferno-artwork-06.png
2.05 MB
Bleep-inferno-artwork-05.png
3.5 MB
Bleep-inferno-artwork-04.png
4.25 MB
Bleep-inferno-artwork-03.png
4.1 MB
Bleep-inferno-artwork-02.png
1.7 MB
Bleep-inferno-artwork-01.png
424 KB
Inferno cover.jpg
2.38 MB