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Difference between revisions of "The Campfire Headphase"

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{{Infobox Release|
 
{{Infobox Release|
 
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| image=thecampfireheadphase.jpg
 
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| release_date=12th October 2005 (Japan)<br>17th October 2005 (Europe)<br>18th October 2005 (USA)<ref> https://web.archive.org/web/20050717021647/http://www.music70.com:80/boc_discog.html </ref>
 
| release_date=12th October 2005 (Japan)<br>17th October 2005 (Europe)<br>18th October 2005 (USA)<ref> https://web.archive.org/web/20050717021647/http://www.music70.com:80/boc_discog.html </ref>
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| format=gatefold 2xlp<br>cd (jewel case)<br>cd (digipak)
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| format=Gatefold 2xLP<br>CD (Jewel Case)<br>CD (Digipak)
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| label=warp
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| label=Warp Records
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| catno=warplp123<br>warpcd123
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| catno=WARPLP123<br>WARPCD123
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| runtime=62:05 (standard)<br>67:02 (japanese)
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| runtime=62:05 (Standard release)<br>67:02 (Japanese release)
 
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[[The Campfire Headphase]] is the third studio album by [[Boards of Canada]], which was released in October of 2005 via [[Warp Records]]. The album marked a departure from [[Geogaddi]]'s dark, claustrophobic atmosphere to a lighter, more organic tone, with guitars taking a much more prominent role than in the band's previous works.
 
[[The Campfire Headphase]] is the third studio album by [[Boards of Canada]], which was released in October of 2005 via [[Warp Records]]. The album marked a departure from [[Geogaddi]]'s dark, claustrophobic atmosphere to a lighter, more organic tone, with guitars taking a much more prominent role than in the band's previous works.
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== Recording ==
 
== Recording ==
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[[The Campfire Headphase]] was first released in Japan on October 12th, 2005, and was released in Europe and the US on the 17th and 18th of October, respectively. The album was generally received positively, but divided fans and critics, with some being disappointed with the change in direction away from the band's electronic sound to a more acoustic one.
 
[[The Campfire Headphase]] was first released in Japan on October 12th, 2005, and was released in Europe and the US on the 17th and 18th of October, respectively. The album was generally received positively, but divided fans and critics, with some being disappointed with the change in direction away from the band's electronic sound to a more acoustic one.
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== Themes ==
 
== Themes ==
  
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== Comments and Trivia==
 
== Comments and Trivia==
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*When asked if the record (and especially its artwork) was a throw back to ''[[Music Has the Right to Children]]'', Marcus replied that:<blockquote>"it's deliberately reminiscent of ''MHTRTC''. Musically it's like an echo of that record, all bleached-out blue skies and so on. In some ways it sounds older than ''MHTRTC'' because of the choice of instruments and the sheer amount of damage we've done to the sound."<ref>https://bocpages.org/wiki/We_Are_The_(Folk)_Robots</ref></blockquote>
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*When asked if the record (and especially its artwork) was a throw back to Music Has the Right to Children, Marcus replied that "it's deliberately reminiscent of ‘Music Has the Right to Children'. Musically it's like an echo of that record, all bleached-out blue skies and so on. In some ways it sounds older than ‘Music Has the Right…' because of the choice of instruments and the sheer amount of damage we've done to the sound."
 
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*The bottom left corner of the front cover (and onto the spine of the digipak) has a smudge that strongly resembles the hexagonal Geogaddi cover.  The front and back covers are repeated in the smaller pictures inside the digipak. The smaller pictures are less distorted than the covers.
 
*The bottom left corner of the front cover (and onto the spine of the digipak) has a smudge that strongly resembles the hexagonal Geogaddi cover.  The front and back covers are repeated in the smaller pictures inside the digipak. The smaller pictures are less distorted than the covers.
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*On the vinyl release, a bird's chirp can be heard in the runout grooves, typically sides C and D.
 
*On the vinyl release, a bird's chirp can be heard in the runout grooves, typically sides C and D.
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*Playing the vinyl release at 45rpm evokes a completely different listening experience.   
 
*Playing the vinyl release at 45rpm evokes a completely different listening experience.   
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*When inverting the colors on the back cover art, the child's expression changes into a ghostly, almost horrified, stare.
 
*When inverting the colors on the back cover art, the child's expression changes into a ghostly, almost horrified, stare.
  
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* ''[http://www.warprecords.com/mart/music/release.php?cat=WARP123 The Campfire Headphase]'' at WarpMart
 
* ''[http://www.warprecords.com/mart/music/release.php?cat=WARP123 The Campfire Headphase]'' at WarpMart
 
* ''[http://bleep.com/?bleep=WARP123 The Campfire Headphase]'' at Bleep.com
 
* ''[http://bleep.com/?bleep=WARP123 The Campfire Headphase]'' at Bleep.com
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== References ==
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<references />
  
 
== Artwork ==
 
== Artwork ==

Revision as of 22:58, 29 April 2026

The Campfire Headphase
The Campfire Headphase album cover.jpg
Label(s) Warp Records
Catalogue No(s) WARPLP123
WARPCD123
Release date(s) 12th October 2005 (Japan)
17th October 2005 (Europe)
18th October 2005 (USA)[1]
Format(s) Gatefold 2xLP
CD (Jewel Case)
CD (Digipak)
Running time(s) 62:05 (Standard release)
67:02 (Japanese release)


The Campfire Headphase is the third studio album by Boards of Canada, which was released in October of 2005 via Warp Records. The album marked a departure from Geogaddi's dark, claustrophobic atmosphere to a lighter, more organic tone, with guitars taking a much more prominent role than in the band's previous works.

Recording

Work on Boards of Canada's third album began in 2002, with Mike and Marcus creating demos for tracks such as "'84 Pontiac Dream" in early 2003.[2][3]. The band intentionally took a more relaxed approach to recording their third album compared to their previous album Geogaddi, aiming to "switch everything off at six o'clock", as opposed to the "hellish" approach of working "until 4am every day" like they did on Geogaddi.[4] Over the course of approximately a year the band continued to work on new music, and in February 2004 they had a completed album. Following this album's completion, Boards of Canada undertook a new project of moving their studio.[5]

By the time the studio move was complete, Boards of Canada had become dissatisfied with the album they had recorded, and decided to scrap it and start over with a new approach. This new approach was to create an album with a "simpler, more positive" tone and prominent guitars, described by the band as "like the acoustic counterpart of Music Has The Right To Children". The band continued to work on this new album until mid-2005, with the last track to be started being "Slow This Bird Down", which originated in June of 2005[6]. The Campfire Headphase was completed around July of 2005.

Release and Reception

The first official word on Boards of Canada's third album appeared in Warp Records' newsletter for July 2005, revealing that the album was finished and mastered, and would be released in October.[7] Around the same time, music70.com revealed the album's title to be The Campfire Headphase, and also revealed the exact release dates for the album.[8]

The first interview by the band to promote The Campfire Headphase, "The Downtempo Duo" by Pitchfork, was published on September 26th, 2005. It was in this interview that Mike and Marcus first revealed themselves to be brothers. More interviews with various publications followed in October, and interviews with the band regarding The Campfire Headphase continued to be published until early-2006.

The Campfire Headphase was first released in Japan on October 12th, 2005, and was released in Europe and the US on the 17th and 18th of October, respectively. The album was generally received positively, but divided fans and critics, with some being disappointed with the change in direction away from the band's electronic sound to a more acoustic one.

Themes

Tracklist

  1. "Into the Rainbow Vein" – 0:44 (Bleep preview)
  2. "Chromakey Dreamcoat" – 5:47
  3. "Satellite Anthem Icarus" – 6:04
  4. "Peacock Tail" – 5:24
  5. "Dayvan Cowboy" – 5:00
  6. "A Moment of Clarity" – 0:51
  7. "'84 Pontiac Dream" – 3:49
  8. "Sherbet Head" – 2:41
  9. "Oscar See through Red Eye" – 5:08
  10. "Ataronchronon" – 1:14
  11. "Hey Saturday Sun" – 4:56
  12. "Constants Are Changing" – 1:42
  13. "Slow This Bird Down" – 6:09
  14. "Tears from the Compound Eye" – 4:03
  15. "Farewell Fire" – 8:26
  16. "Macquarie Ridge" – 4:57 (Japanese release only)

Artwork

TCH inset image (top), IIT yearbook photo (bottom)

The liner notes include a grid-like collage of apparently seventies-era photos, degraded in a manner similar to the cover. The source of a few of these images have been discovered:

Comments and Trivia

  • When asked if the record (and especially its artwork) was a throw back to Music Has the Right to Children, Marcus replied that:
    "it's deliberately reminiscent of MHTRTC. Musically it's like an echo of that record, all bleached-out blue skies and so on. In some ways it sounds older than MHTRTC because of the choice of instruments and the sheer amount of damage we've done to the sound."[9]
  • The bottom left corner of the front cover (and onto the spine of the digipak) has a smudge that strongly resembles the hexagonal Geogaddi cover. The front and back covers are repeated in the smaller pictures inside the digipak. The smaller pictures are less distorted than the covers.
  • On the vinyl release, a bird's chirp can be heard in the runout grooves, typically sides C and D.
  • Playing the vinyl release at 45rpm evokes a completely different listening experience.
  • When inverting the colors on the back cover art, the child's expression changes into a ghostly, almost horrified, stare.

Reviews

External links

References

  1. ↑ https://web.archive.org/web/20050717021647/http://www.music70.com:80/boc_discog.html
  2. ↑ https://bocpages.org/wiki/Emotional_Abuse
  3. ↑ https://bocpages.org/wiki/Music_of_Struggle
  4. ↑ https://bocpages.org/wiki/Two_for_the_No-Show
  5. ↑ https://bocpages.org/wiki/La_Part_du_Feu
  6. ↑ https://bocpages.org/wiki/Music_of_Struggle
  7. ↑ https://www.twoism.org/forum/viewtopic.php?f=2&t=90&p=724#p724
  8. ↑ https://web.archive.org/web/20050717021647/http://www.music70.com:80/boc_discog.html
  9. ↑ https://bocpages.org/wiki/We_Are_The_(Folk)_Robots

Artwork

Discography Overview | view ⬢ edit
Albums Music Has the Right to Children ⬢ Geogaddi ⬢ The Campfire Headphase ⬢ Tomorrow's Harvest ⬢ Inferno
EPs Twoism ⬢ Hi Scores ⬢ Aquarius ⬢ Peel Session ⬢ In a Beautiful Place out in the Country ⬢ Trans Canada Highway
Singles Reach For The Dead ⬢ Introit / Prophecy At 1420 MHz
Rare / Early Releases Catalog 3 ⬢ Acid Memories ⬢ Closes Vol. 1 ⬢ Play by Numbers ⬢ Hooper Bay ⬢ Boc Maxima ⬢ Old Tunes Vol. 1 ⬢ Old Tunes Vol. 2 ⬢ Random 35 Tracks Tape ⬢ Boc Remii Vol. 1
Mixtapes Marcus Eoin's Campfire Mixtape ⬢ Societas x Tape
Live Sets Live @ Warp10 ⬢ Live @ Lighthouse ⬢ Live @ ATP ⬢ All Gigs
Promotional Releases Telephasic Workshop ⬢ MHTRTC (promo cassette) ⬢ Orange Romeda ⬢ Geogaddi (promo lp) ⬢ Geogaddi (test pressing) ⬢ Geogaddi (promo cassette) ⬢ ------ / ------ / ------ / XXXXXX / ------ / ------ ⬢ Reach For The Dead (promo cd) ⬢ Come To Dust (promo cd)
Compilation Exclusives Korona ⬢ Orange Romeda ⬢ Seven Forty Seven
Produced by BoC for Others Here Come The Rubber Cops ⬢ Orangutang
Bootleg Releases Unreleased Tracks
Other Kaleidoscope ⬢ Promotional Events ⬢ Promotional Items ⬢ Merchandise ⬢ Web media
Lead-up RSD 2013 ARG ⬢ Road to Inferno ⬢ 2026 Promo Campaign
To Be Determined BoCset



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