(Its not just the Japanese version that has it. My UK pressing bought straight from Warp/Bleep has it too.) |
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<blockquote>"We’d be making music anyway even if nobody was listening, and we’ve no intention of stopping, so this is just a continuation." <ref name="de:bug" /></blockquote> | <blockquote>"We’d be making music anyway even if nobody was listening, and we’ve no intention of stopping, so this is just a continuation." <ref name="de:bug" /></blockquote> | ||
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+ | ==Themes== | ||
+ | The following divisions will address some of the primary themes found throughout ''[[Tomorrow's Harvest]]'': | ||
+ | |||
+ | ===Apocalyptic=== | ||
+ | *Many people have reported that the album feels cold and desolate. This album is generally viewed as having the apocalypse as its main theme. | ||
+ | *The artwork features a dead animal carcass | ||
+ | *It also features road signs such as a U-turn, a No U-turn allowed and a runaway truck ramp. One could make the assumption that this means we as a civilization have to turn around but we can't. Making us a runaway truck waiting to crash. | ||
+ | |||
+ | ===Division and Duality=== | ||
+ | *A sun can be seen splitting into 3 suns at the end of the Reach For The Dead video. | ||
+ | *The album is composed of two vinyls. | ||
+ | *The palindromic nature of this album leaves each tracks with their own counterparts. | ||
+ | *Some track titles also follow the theme of division: | ||
+ | **Gemini | ||
+ | **Collapse | ||
+ | **Split Your Infinities | ||
+ | **Come To Dust | ||
+ | |||
+ | ===Communication and Transmissions=== | ||
+ | *Mercury, the ruling planet of gemini, is known as “The Messenger of the Gods” and is all about communication. | ||
+ | *Part of the album announcement featured transmissions/Number stations/The cosecha transmission website. | ||
+ | *One of the track is titled Transmission Ferox. | ||
+ | *The album is sprinkled with a lot of shortwave radio samples. | ||
+ | *New Seeds begins with sounds alike those heard when a cellphone loses signal. | ||
+ | *The artwork features communication towers | ||
==Trivia== | ==Trivia== |
After considerable speculation since Record Store Day, we can reveal that the new album by Boards of Canada Tomorrow's Harvest will be released on Monday 10th June 2013 (Tuesday 11th June in North America) on Warp Records.
Promo video for Tomorrow's Harvest
The idolized and enigmatic duo are back. After considerable speculation by their rabid fan base (not to mention the media following every step of the way), Boards of Canada have revealed that their new album Tomorrow's Harvest will be released on June 11 via their long time home, Warp Records. Musically, the album is somehow dark yet positive, with atmospheric dissonance and mind-bending melodic creations. [1]
"The challenge with this record was crafting the tunes into a specific style and time period we want to reference. In fact it's not just the time period – we analyse the specific medium we're going for too." [2]
"Some tracks deliberately finish earlier than you want them to, like actual cues in older soundtracks where they've been ripped out of much longer original masters that nobody ever gets to hear." [2]
"There are quite a few influences on this record. Carpenter is kind of an easy reference point for most people though I'd say the main ones would be Fabio Frizzi , John Harrison and Mark Isham. We're very much into grim 70s and 80s movie soundtracks so there are maybe nods to composers such as Stefano Mainetti , Riz Ortolani, Paul Giovanni, Wendy Carlos , even Michael Nyman." [2]
"There's actually more use of subliminals on this record than on any previous album we've done, so we're interested to see what people will pick up on." [2]
""It's not post-apocalyptic so much as it is about an inevitable stage that lies in front of us. But it's better if listeners find the narrative themselves, in the titles and the sounds." [2]
"Our listeners seem to be really cool, savvy types of people. They didn’t let us down." [3]
"In the studio we still spend a huge amount of time destroying the sounds in our music, though on this record we wanted to use older electronic instruments in the kind of well-produced, precisely orchestrated ways that film composers did back in the late seventies and eighties." [3]
"We're based in Scotland, although some of the early sketches on this record were done in New Zealand. We have a main studio that is literally on a farm surrounded by deer and rabbits." [2]
"In fact if you look again at the San Francisco skyline on the cover it's actually a ghost of the city. You're looking straight through it." [2]
"We've been busy in our rehearsal space lately, so never say never." [2]
"It’s about finding something beautiful in desolation, something draws us to the atmosphere of destroyed, abandoned places. It’s a bitter-sweet thing that we’ve always tried to achieve in our music. It seems too obvious to make music that is just purely dark, that just seems too easy and naïve." [3]
"I hope that it works to make the listener pause and consider where we are right now, where we’re going… I guess it’s essentially a political album, but we shouldn’t spell it all out, it’s important that the listener finds their own thing in there." [3]
"We were involved with the art direction and we helped devise some of the ideas but we had a really great team of people helping us to make it all happen. We really wanted to bring back a feeling of anticipation for new music that has largely been lost in recent years, mainly because of the internet." [3]
"We’d be making music anyway even if nobody was listening, and we’ve no intention of stopping, so this is just a continuation." [3]
The following divisions will address some of the primary themes found throughout Tomorrow's Harvest:
When philosophy paints its gloomy picture then a form of life has grown old. It cannot be rejuvenated by the gloomy picture, but only understood. Only when the dusk starts to fall does the owl of Minerva spread its wings and fly.[6]
Boards of Canada posted the following three videos on their official Facebook.com page. The videos are directed by Neil Krug and feature cinematography by David Myrick.
"Lake Dolores Listening Party" [9]
http://www.metacritic.com/music/tomorrows-harvest/boards-of-canada
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