artists mentioned by Boards of Canada in their interviews
("bonds" in P.S.A.) |
m ("Sir Prancelot Brainfire" is commonly mis-labeled as "David Came to Mahana'im") |
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* A vocoded voice, gradually slowing down, saying "... and so you could become very sensitive to everything, you start walking through the studio, you go: 'ah yes, it's going to be a good day, I can feel -'" ([[Nova Scotia Robots]]) | * A vocoded voice, gradually slowing down, saying "... and so you could become very sensitive to everything, you start walking through the studio, you go: 'ah yes, it's going to be a good day, I can feel -'" ([[Nova Scotia Robots]]) | ||
* Two men and a woman, talking about a development plan for the Niagara River; woman might be from a different source ([[Niagara]]) | * Two men and a woman, talking about a development plan for the Niagara River; woman might be from a different source ([[Niagara]]) | ||
− | * A monologue, taken from a pornographic film, in which a young man tells of his first sexual experience ([[Sixtyniner]], [[ | + | * A monologue, taken from a pornographic film, in which a young man tells of his first sexual experience ([[Sixtyniner]], [[Sir Prancelot Brainfire]]) |
* A flute played in a Native American style at high pitch ([[Red Moss]]) | * A flute played in a Native American style at high pitch ([[Red Moss]]) | ||
* An episode of Bob Vila's ''Home Again'', with dialogue heavily spliced ([[Concourse]]) | * An episode of Bob Vila's ''Home Again'', with dialogue heavily spliced ([[Concourse]]) |
For more detailed info on a particular sample, see the individual song pages.