+ 
m (added 5 more artists + playlist info) |
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| [https://www.discogs.com/artist/484835-Bulgarian-State-Radio-Television-Female-Vocal-Choir Bulgarian State Television Female Choir] || [https://bocpages.org/wiki/Breaking_Into_Heaven source] || [https://en.wikipedia.org/wiki/Bulgarian_State_Television_Female_Vocal_Choir wikipedia] || [https://open.spotify.com/artist/5j3PVTaVrMlssk4IC0kumd spotify] | | [https://www.discogs.com/artist/484835-Bulgarian-State-Radio-Television-Female-Vocal-Choir Bulgarian State Television Female Choir] || [https://bocpages.org/wiki/Breaking_Into_Heaven source] || [https://en.wikipedia.org/wiki/Bulgarian_State_Television_Female_Vocal_Choir wikipedia] || [https://open.spotify.com/artist/5j3PVTaVrMlssk4IC0kumd spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/40332-Buzzcocks Buzzcocks] || [https://bocpages.org/wiki/C'est_La_Ouate_Qu'ils_Pr%C3%A9f%C3%A8rent source] || [https://en.wikipedia.org/wiki/Buzzcocks wikipedia] || [https://open.spotify.com/artist/2DxlS3lTLFIq70S7ap5H3y spotify] | ||
|- | |- | ||
| [https://www.discogs.com/artist/317237-Carl-Matthews Carl Matthews] || [http://bocpages.org/wiki/SxT source] || unavailable || [https://open.spotify.com/artist/3D27AdpQJ57PIK54km6me7 spotify] | | [https://www.discogs.com/artist/317237-Carl-Matthews Carl Matthews] || [http://bocpages.org/wiki/SxT source] || unavailable || [https://open.spotify.com/artist/3D27AdpQJ57PIK54km6me7 spotify] | ||
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| [https://www.discogs.com/artist/957466-Dolphins-Into-The-Future Dolphins Into The Future] || [http://bocpages.org/wiki/SxT source] || unavailable || [https://open.spotify.com/artist/1HeqJRh0KjYFYc8Wcq5saE spotify] | | [https://www.discogs.com/artist/957466-Dolphins-Into-The-Future Dolphins Into The Future] || [http://bocpages.org/wiki/SxT source] || unavailable || [https://open.spotify.com/artist/1HeqJRh0KjYFYc8Wcq5saE spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/28560-Dose-One Dose One] || [https://bocpages.org/wiki/Generazione_Laptop source] || [https://en.wikipedia.org/wiki/Doseone wikipedia] || [https://open.spotify.com/artist/5sEAp7hSgvYjKIEd9r2zBc spotify] | ||
|- | |- | ||
| [https://www.discogs.com/artist/276360-Doxa-Sinistra Doxa Sinistra] || [http://bocpages.org/wiki/SxT source] || unavailable || [https://open.spotify.com/artist/0rlvHxjFRh6rGcCydRsyBo spotify] | | [https://www.discogs.com/artist/276360-Doxa-Sinistra Doxa Sinistra] || [http://bocpages.org/wiki/SxT source] || unavailable || [https://open.spotify.com/artist/0rlvHxjFRh6rGcCydRsyBo spotify] | ||
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| [https://www.discogs.com/artist/18553-Gershon-Kingsley Gershon Kingsley] || [http://bocpages.org/wiki/SxT source] || [https://en.wikipedia.org/wiki/Gershon_Kingsley wikipedia] || [https://open.spotify.com/artist/2rM1qNABE6tqficAyyZ0l9 spotify] | | [https://www.discogs.com/artist/18553-Gershon-Kingsley Gershon Kingsley] || [http://bocpages.org/wiki/SxT source] || [https://en.wikipedia.org/wiki/Gershon_Kingsley wikipedia] || [https://open.spotify.com/artist/2rM1qNABE6tqficAyyZ0l9 spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/517160-Glenn-Gould Glenn Gould] || [https://bocpages.org/wiki/The_Power_of_Myth source] || [https://en.wikipedia.org/wiki/Glenn_Gould wikipedia] || [https://open.spotify.com/artist/13dkPjqmbcchm8cXjEJQeP spotify] | ||
|- | |- | ||
| [https://www.discogs.com/artist/280442-Godspeed-You-Black-Emperor! Godspeed You! Black Emperor] || [https://bocpages.org/wiki/In_An_Imaginary_Place_Out_In_The_Country source] || [https://en.wikipedia.org/wiki/Godspeed_You!_Black_Emperor wikipedia] || [https://open.spotify.com/artist/4svpOyfmQKuWpHLjgy4cdK spotify] | | [https://www.discogs.com/artist/280442-Godspeed-You-Black-Emperor! Godspeed You! Black Emperor] || [https://bocpages.org/wiki/In_An_Imaginary_Place_Out_In_The_Country source] || [https://en.wikipedia.org/wiki/Godspeed_You!_Black_Emperor wikipedia] || [https://open.spotify.com/artist/4svpOyfmQKuWpHLjgy4cdK spotify] | ||
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| [https://www.discogs.com/artist/971725-MS-Subbulakshmi M. S. Subbulakshmi] || [http://bocpages.org/wiki/SxT source] || [https://en.wikipedia.org/wiki/M._S._Subbulakshmi wikipedia] || [https://open.spotify.com/artist/35NVYJXOwkjY8bpul6OBQl spotify] | | [https://www.discogs.com/artist/971725-MS-Subbulakshmi M. S. Subbulakshmi] || [http://bocpages.org/wiki/SxT source] || [https://en.wikipedia.org/wiki/M._S._Subbulakshmi wikipedia] || [https://open.spotify.com/artist/35NVYJXOwkjY8bpul6OBQl spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/3756-Marcos-Valle Marcos Valle] || [https://bocpages.org/wiki/La_Materia_De_La_Que_Est%C3%A1n_Hechos_Los_Sue%C3%B1os source] || [https://en.wikipedia.org/wiki/Marcos_Valle wikipedia] || [https://open.spotify.com/artist/5I0EPnV9gwrZYTbScjnaOk spotify] | ||
|- | |- | ||
| [https://www.discogs.com/artist/12208-Marilyn-Manson Marilyn Manson] || [https://bocpages.org/wiki/The_Downtempo_Duo source] || [https://en.wikipedia.org/wiki/Marilyn_Manson_(band) wikipedia] || [https://open.spotify.com/artist/2VYQTNDsvvKN9wmU5W7xpj spotify] | | [https://www.discogs.com/artist/12208-Marilyn-Manson Marilyn Manson] || [https://bocpages.org/wiki/The_Downtempo_Duo source] || [https://en.wikipedia.org/wiki/Marilyn_Manson_(band) wikipedia] || [https://open.spotify.com/artist/2VYQTNDsvvKN9wmU5W7xpj spotify] | ||
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| [https://www.discogs.com/artist/6516-My-Bloody-Valentine My Bloody Valentine] || [https://bocpages.org/wiki/A_Bunker_Full_of_Memories source] || [https://en.wikipedia.org/wiki/My_Bloody_Valentine_(band) wikipedia] || [https://open.spotify.com/artist/3G3Gdm0ZRAOxLrbyjfhii5 spotify] | | [https://www.discogs.com/artist/6516-My-Bloody-Valentine My Bloody Valentine] || [https://bocpages.org/wiki/A_Bunker_Full_of_Memories source] || [https://en.wikipedia.org/wiki/My_Bloody_Valentine_(band) wikipedia] || [https://open.spotify.com/artist/3G3Gdm0ZRAOxLrbyjfhii5 spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/138556-Neil-Young Neil Young] || [https://bocpages.org/wiki/C'est_La_Ouate_Qu'ils_Pr%C3%A9f%C3%A8rent source] || [https://en.wikipedia.org/wiki/Neil_Young wikipedia] || [https://open.spotify.com/artist/6v8FB84lnmJs434UJf2Mrm spotify] | ||
|- | |- | ||
| [https://www.discogs.com/artist/12636-Neu! NEU!] || [https://web.archive.org/web/20140719155630/https://myspace.com/abeautifulplace/music/songs source] || [https://en.wikipedia.org/wiki/Neu! wikipedia] || [https://open.spotify.com/artist/2CqEOngQOOMstJupNn6Hmf spotify] | | [https://www.discogs.com/artist/12636-Neu! NEU!] || [https://web.archive.org/web/20140719155630/https://myspace.com/abeautifulplace/music/songs source] || [https://en.wikipedia.org/wiki/Neu! wikipedia] || [https://open.spotify.com/artist/2CqEOngQOOMstJupNn6Hmf spotify] | ||
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| [https://www.discogs.com/artist/243738-Riz-Ortolani Riz Ortolani] || [https://bocpages.org/wiki/L%27Assenza_Di_Domani source] || [https://en.wikipedia.org/wiki/Riz_Ortolani wikipedia] || [https://open.spotify.com/artist/5D3YOC6ffqe2wDikuU9ljG spotify] | | [https://www.discogs.com/artist/243738-Riz-Ortolani Riz Ortolani] || [https://bocpages.org/wiki/L%27Assenza_Di_Domani source] || [https://en.wikipedia.org/wiki/Riz_Ortolani wikipedia] || [https://open.spotify.com/artist/5D3YOC6ffqe2wDikuU9ljG spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/25495-RZA RZA] || [https://bocpages.org/wiki/Boards_of_The_Underground source] || [https://en.wikipedia.org/wiki/RZA wikipedia] || [https://open.spotify.com/artist/4iCwCMnqsNZ6atvRiADgtn spotify] | ||
|- | |- | ||
| [https://www.discogs.com/artist/26212-Severed-Heads Severed Heads] || [http://bocpages.org/wiki/SxT source] || [https://en.wikipedia.org/wiki/Severed_Heads wikipedia] || [https://open.spotify.com/artist/2eNJIWt0LUATAgrC6fALrH spotify] | | [https://www.discogs.com/artist/26212-Severed-Heads Severed Heads] || [http://bocpages.org/wiki/SxT source] || [https://en.wikipedia.org/wiki/Severed_Heads wikipedia] || [https://open.spotify.com/artist/2eNJIWt0LUATAgrC6fALrH spotify] | ||
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| [https://www.discogs.com/artist/50183-Ween Ween] || [https://bocpages.org/wiki/The_Age_of_Aquarius source] || [https://en.wikipedia.org/wiki/Ween wikipedia] || [https://open.spotify.com/artist/3u1ulLq00Y3bfmq9FfjsPu spotify] | | [https://www.discogs.com/artist/50183-Ween Ween] || [https://bocpages.org/wiki/The_Age_of_Aquarius source] || [https://en.wikipedia.org/wiki/Ween wikipedia] || [https://open.spotify.com/artist/3u1ulLq00Y3bfmq9FfjsPu spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/16261-Wendy-Carlos Wendy Carlos] || [https://bocpages.org/wiki/The_Age_of_Aquarius source] || [https://en.wikipedia.org/wiki/Wendy_Carlos wikipedia] || [https://open.spotify.com/intl-de/artist/5MmXZQUGs0eXP5PV79iKrB spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/34630-William-Basinski William Basinski] || [https://bocpages.org/wiki/The_Last_Secret_of_Pop source] || [https://en.wikipedia.org/wiki/William_Basinski wikipedia] || [https://open.spotify.com/artist/6u5axd0rpDsWSmzhFfb2VB spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/108097-Win Win] || [https://www.youtube.com/watch?v=CYmN-uGmnys&t=110s source] || [https://en.wikipedia.org/wiki/Win_(band) wikipedia] || [https://open.spotify.com/artist/6JNWO47rXia0JDS6HdktC1 spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/11213-Wu-Tang-Clan Wu-Tang Clan] || [https://bocpages.org/wiki/Boards_of_The_Underground source] || [https://en.wikipedia.org/wiki/Wu-Tang_Clan wikipedia] || [https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/22061-Yellow-Magic-Orchestra Yellow Magic Orchestra] || [http://bocpages.org/wiki/SxT source] || [https://en.wikipedia.org/wiki/Yellow_Magic_Orchestra wikipedia] || [https://open.spotify.com/artist/2JIf5JxI3ypOSfrfNIIMQE spotify] | ||
| + | |- | ||
| + | | [https://www.discogs.com/artist/50984-Yo-La-Tengo Yo La Tengo] || [https://bocpages.org/wiki/Marcus_Eoin%27s_Campfire_Mixtape source] || [https://en.wikipedia.org/wiki/Yo_La_Tengo wikipedia] || [https://open.spotify.com/artist/5hAhrnb0Ch4ODwWu4tsbpi spotify] | ||
|} | |} | ||
Boards of Canada are a Scottish electronic music group. At present, the band is comprised of the brothers Michael Sandison and Marcus Eoin, although there have been as many as twelve members at one point.
The Sandison brothers were both born in Scotland, but moved to Canada at an early age. It's arguable that without this move, Boards of Canada would not exist; the sense of displacement and nostalgia in the music that seems to be mentioned in every review, and obviously the band's namesake, the National Film Board of Canada all seem to hark back to a period in the late seventies and early eighties when there were psychedelic videos on Sesame Street, and the Cold War was in full swing.
At present, the duo live in Scotland again, working out of the Hexagon Sun Studio.
Before their 2005 interview with Pitchfork, Michael and Marcus were seen as just two friends with a mutual appreciation for music and the art of music creation. They had often talked about their youth together, creating ramshackle musical projects with buddies and by themselves and how they met at a young age. However, during the interview with Pitchfork Media, they revealed that they are in fact brothers. The reason behind hiding this fact was that they did not want to be seen as just another brotherly-owned electronic band, such as Orbital, another influential electronic group consisting of Paul and Phil Hartnoll.
In the same interview Michael clarified that they both share the Sandison surname and that Eoin is Marcus' middle name. Despite this, Marcus has continued to be credited simply as Marcus Eoin on all Boards of Canada releases, including those released after the Pitchfork interview.
Boards of Canada's commercially known and full-length discography begins with their smash-hit album Music Has the Right to Children. Being dubbed one of the greatest creations in electronic music history, Music Has the Right to Children introduced many to Boards of Canada and left awfully big shoes for the duo to fill for their next album. During the time between Music Has the Right to Children and In a Beautiful Place Out in the Country, an EP named Peel Session was released - a recording of a broadcast on BBC Radio 1 from July 21, 1998, released on January 11, 1999. Two years after their first full-length album was released, they shipped out In a Beautiful Place Out in the Country - a four track EP that first made mention of the mysterious Branch Davidian group that Boards of Canada are so fond of remarking upon in their songs and albums. Two of its songs have to do with the group. The duo's next release, on February 18, 2002, was the fascinating Geogaddi. Geogaddi's stellar kaleidoscopic artwork lavishly coats the album cover on all of the versions, but is truly magnificent on the triple vinyl set. Within the gatefold package are three sleeves showing an array of hexagonally-styled artwork with different images each side. Many would agree that this is what twelve inches of free space is really for.
Interestingly Geogaddi was not a fan favorite from the beginning. With many still hung onto Music Has the Right to Children, reviews looked down on Michael and Marcus' sophomore album as "under-produced" or not as good as their last album. Despite this, the album has mystified listeners with its large amounts of hidden details, subtle hints towards cosmic entities and kaleidoscopic imagery, Geogaddi is now held as one of the duo's best albums to date, auditorily and visually. Jump a couple years into the future to 2005 when Boards of Canada finally released their first album in three years. The Campfire Headphase made two milestones: it incorporated guitars and lacked the trademark laughter. Instead of kids playing and laughing, and educational tunes chiming, there was the sound of an untuned, poorly-kempt guitar to create a totally new sound for Boards of Canada. Some welcomed this change, while others disagreed with it, citing the difference between this and their early, "better" work.
On April 20th, 2013, Warp Records scattered six exclusive vinyl records across various countries for International Record Store Day. These records contained a short transmission, which lead to the beginnings of what would be called the Cosecha Transmisiones, that would eventually lead up to the release of Boards of Canada's first full length record in eight years, "Tomorrow's Harvest", on June 10th, 2013 (June 11th release for America). A full Tomorrow's Harvest Viral Marketing Campaign followed in the weeks after these transmissions. This record saw a more visual and fan interaction oriented era. The album's lead promotional single "Reach For The Dead" premiered on BBC's Radio 1, quickly followed by an official stream on Soundcloud.com, as well as a YouTube video on the duo's official account. All in all, this seemed to be the Sandisons' return to a more electronic influenced record, recalling the days of Geogaddi and arguably even back to the "A Few Old Tunes" releases.
Besides their successful full-length albums, Boards of Canada also have an extensive list of early work. The assorted creations date back to the 1980s and most information regarding them is widely available. This includes album artwork and titles, song lengths and times and so on. Although at present most of this work has never been released to the general public and may never be heard by people other than the brothers friends and family. However, there has been rumors that they actually may release a boxset with their earlier work in it but this is all purely speculation.
Possibly the most well known early album was Twoism. An album with a strong fan following, Twoism was the reason the duo received their record deal. Sean Booth, from Autechre, brought Twoism to the attention of Skam Records president Andy Maddocks and it took off from there.
Boards of Canada utilize many tricks and sounds during the creation of their albums. Most of the assorted sounds used went on later to become trademarks of the band and give them reason for their "nostalgic" label. They also use many lyrics in their albums ranging from one-liners to full paragraphs. Most of their speech bits are words that are simple or things you would hear in movies literally. But most of the other lyrics are equally as garbled, cut-up, destroyed, mixed or reversed.
One of the more prominent methods in the production of their albums is making them sound as if they came right off an old educational program from the 1970s. Being born during the early '70s and growing up on its shows, Michael and Marcus delight in bringing back old memories with imitating the faint, childish and artificial sounds of the time.
List of samples used by Boards of Canada
As a band, Michael and Marcus have only played a handful of live shows. But what makes these shows so special is that besides playing original, well-loved songs, they often also play never before heard, unnamed songs. Some of their most fascinating and finest songs are played during these live shows.
The show with the largest amount of unreleased work is their 2001 performance during All Tomorrow's Parties. Encompassing five unknown songs and seven known, this collection displays what Boards of Canada really has in their unreleased music rack.
See Gigs
Over time, Boards of Canada have identified numerous artists who have had an effect upon their work.
There is a Spotify playlist of artists Boards of Canada mentioned in their interviews. Sorted by era.
Additional playlists: Apple Music, YouTube, and SoundCloud. Compiled with ❤️ by Fredd-E & Moz.
See Discography
See Interviews
See Videos